Babli Tanwar employs emotional ploys to secure a position as a nightclub bouncer in the hopes of winning the man she loves’ favour. Heartbroken, she decides to take advantage of the chance to pursue her job and take control of her life.
Review: Babli is from a Haryanvi hamlet that borders Delhi and is well known for sending bouncers to clubs there. She decides to become a club bouncer in Delhi after a chance encounter with Viraj (Abhishek Saxena) alters the direction of her life. She eventually finds true happiness in educating herself and treating her job and career seriously when Viraj leaves her heartbroken.
After a five-year hiatus, Madhur Bhandarkar makes a directorial comeback with a story that once again centres on a woman’s search for love and for discovering her true identity. You can tell when viewing the movie that it was written by someone who is familiar with the beats of this style of commercial filmmaking. Even though Bhandarkar’s most recent national award-winning work, Babli Bouncer, is not a patch on that, he still seems to have a firm grasp on such stories.
One of the movie’s positives is the subject matter. In an Indian film, the life of a bouncer, much alone a female bouncer, has never actually been fully addressed. The difficult life of the hardly discernible female bouncers has been portrayed in a humorous way. However, this writing is weak. Babli encounters obstacles in her path to self-discovery, but she overcomes them without much difficulty. She is portrayed as a fierce go-getter who doesn’t give a damn what people think. She starts to alter her life’s direction and correct everything her heartbreaker points out is wrong with her, but, the moment he holds up the mirror to her.
Having said that, Babli Bouncer is a quick-moving, amusing movie that doesn’t waste much time before drawing the viewer in. The film was expertly shot, perfectly portraying the spirit of Delhi and Haryana. The songs are passable and aid in moving the plot along. The few times Tamannah appears in an action scenario have been handled well. Tamannah Bhatia effortlessly nips those.
Tamannah is the one who stands out the most among the performers. Her attempt to speak with a Haryanvi accent, her body language, and the portrayal of her character’s innocence all give off the impression that she has the ability to deliver. She looks to be really at ease in the role of Babli, and adding additional emotional weight to the role would only have improved her portrayal. Although he doesn’t seem to have much to do, Sahil Vaid does a decent job as Babli’s pal Kuku. Although he should have been given more to do, Saurabh Shukla does well in his movie roles. In his role as Babli’s love interest, Abhishek Saxena could have been more committed to the role.
Despite being extremely distant from his own standards after producing several excellent movies in the past, Madhur Bhandarkar hasn’t lost his form. Despite this, the movie is nonetheless enjoyable to watch and includes a few charming scenes that help you get through its nearly two-hour length.
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