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Ketan Mehta slams Manikarnika in Kangana Ranaut film.

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Ketan Mehta slams Manikarnika in Kangana Ranaut film.

Ketan Mehta’s Critique of ‘Manikarnika’: A Closer Look at Kangana Ranaut’s Film

Filmmaking is a subjective art form that often sparks debates and disagreements among industry professionals. Recently, director Ketan Mehta expressed his criticism of the film ‘Manikarnika,’ directed by Kangana Ranaut. Mehta, known for his own contributions to Indian cinema, raised concerns and voiced his opinions about the movie. In this blog post, we will delve into Ketan Mehta’s critique of ‘Manikarnika’ and examine the various perspectives surrounding Kangana Ranaut’s ambitious project.

‘Manikarnika: The Queen of Jhansi’ was a historical biographical film that narrated the life of Rani Laxmibai, one of India’s legendary freedom fighters. Directed by Kangana Ranaut, who also played the titular role, the film aimed to pay homage to the fearless warrior queen and her valiant efforts during the Indian Rebellion of 1857.

Ketan Mehta’s Critique:

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  1. Creative Differences: Ketan Mehta, known for his own historical biopics like ‘Sardar’ and ‘Mangal Pandey: The Rising,’ expressed concern about the creative liberties taken in ‘Manikarnika.’ He criticized the lack of accuracy and authenticity in the portrayal of historical events and characters, emphasizing the importance of maintaining fidelity when depicting real-life figures onscreen.
  2. Directorial Approach: Mehta also questioned Kangana Ranaut’s directorial approach, claiming that her decision to replace him as the original director was unprofessional. While creative differences and directorial changes are not uncommon in the industry, Mehta’s criticism suggests that the transition may have affected the overall cohesiveness and vision of the film.
  3. Production Challenges: The making of ‘Manikarnika’ faced several hurdles, including budget constraints, delays, and controversies surrounding its production. Ketan Mehta’s critique may reflect concerns about the film’s troubled production history and how it could have influenced the final product.

Multiple Perspectives:

  1. Artistic Interpretation: Filmmaking is an art form that allows for creative interpretation. While historical accuracy is crucial, it is not uncommon for filmmakers to take certain liberties to enhance the narrative or cater to the cinematic medium. Different directors may have varying visions for bringing historical events to life on the screen.
  2. Kangana Ranaut’s Vision: As the director and lead actress of ‘Manikarnika,’ Kangana Ranaut had a distinct vision for the film. While it may have diverged from Ketan Mehta’s approach, it is important to acknowledge her passion and dedication in helming the project.

Criticism and debates within the film industry are not uncommon, and Ketan Mehta’s critique of ‘Manikarnika’ adds another layer of discussion. While Mehta raised valid concerns about historical accuracy and directorial changes, it is essential to remember that filmmaking is a creative process that allows for interpretation and artistic choices. Kangana Ranaut’s film, despite its controversies, sought to celebrate the inspiring story of Rani Laxmibai. Ultimately, audience members and film enthusiasts should watch ‘Manikarnika’ and form their own opinions, appreciating the effort and dedication that goes into bringing historical narratives to the silver screen.

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When Janhvi Kapoor was twelve or thirteen years old, she claims the media “sexualized” her.

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When Janhvi Kapoor was twelve or thirteen years old, she claims the media “sexualized” her.

Janhvi Kapoor is getting ready for the sporting drama Mr. and Mrs. Mahi’s premiere. The actor was featured in a new interview with producer Karan Johar and co-star Rajkummar Rao, which was posted on Dharma Productions’ official YouTube channel. Janhvi talked candidly about being “sexualized” from a young age.

What Janhvi mentioned

Janhvi responded, “I feel like this is also an aspect that I have been navigating for a long time,” when Karan questioned her about how she felt about the ongoing objectification she deals with. I believe the first time I experienced media sexualization was when I was between the ages of 12 and 13. My parents and I went to an event. I was featured in photos and social media was just getting started. When I discovered my photos on what appeared to be a pornographic website, the boys at my school just stared and laughed.

“There’s a character assassination of sorts.”

She went on, “I have been navigating it for a very long time, and it is a very weird thing to do.” I need to move past the fact that I feel like I apologise a lot for my origins. Other people, I’m sure, handle it in far more varied ways. I continue to believe that my explanation of it and my personal experiences are extremely privileged. However, it was difficult. When a girl wears clothing that suggests she is at ease with her sexuality, she is subject to a form of character assassination.

Janhvi plays a doctor who loves cricket in the film Mr and Mrs Mahi. Rajkummar, who plays her husband, trains her to be a cricket player. Directed by Sharan Sharma, the movie opened in theatres on May 31.

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