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Is Kendrick Lamar using phrases from Twitter in his rivalry song, Not Like Us, with Drake? “Yes,” say the fans.

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Is Kendrick Lamar using phrases from Twitter in his rivalry song, Not Like Us, with Drake? “Yes,” say the fans.

The internet is ablaze with allegations following Kendrick Lamar’s most recent diss recordings against Drake, and fans are demanding royalties and proper credit. Rap fans have been speculating that Kendrick Lamar may have used social media messages as inspiration for lyrics on his most recent song, Not Like Us. Fans are guessing who will fire bullets next in the rap spat between Drake and the PRIDE crooner, which has escalated with back-and-forth attacks and a linguistic war.

Kendrick Lamar is accused by fans of copying lyrics.

Fans are swarming social media, accusing Lamar of plagiarism and saying that he plagiarised some important sentences that were taken directly from Twitter users. The lines separating inspiration from imitation in the rap game are being fiercely contested by the two fandoms as a result of this.

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A fan posted images of several comments on X and commented, “Bruh, I need royalties or I’m not playing this.” It was pointed out which words from the song Not Like Us appeared to have been taken straight from the original.

In one of the pictures, someone wrote, “Certified Lover no, Certified Paedophile,” which is one of the most often cited phrases from Kendrick Lamar’s rap directed at Drake, in which he branded him a “certified Paedophile.” “Kendrick Lamar realised he couldn’t really keep up with Drake rapping in this battle; he couldn’t even refute the allegations or come up with anything original, but the public’s hatred of Drake was too great.” According to a different user, backed by several.

It has also been suggested by some that the musician releases new music every day utilising AI technologies like Gemini and GPT, which is quite improbable for him. Naturally, Kendrick has changed from releasing music every four years to virtually releasing something every day. He’s a scam; he uses ChatGPT to crawl Twitter, and his lyrics are artificial intelligence created. Ghostwriters, hehe. I only hope his voice isn’t artificial intelligence produced.

But many hurried to the rapper’s defence, saying that one must choose a side in this dispute. One admirer supported Lamar, saying, “if you think Kendrick Lamar went on Twitter to find punchlines, you’re delusional.” “Drake fans using tweets of other people also calling him a pedo to defend him LMFAOOO,” another person said.

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Lamar and Drake are at odds.

The two rappers have been involved in a feud for months, supposedly dating back to October 6, 2023, when Drake and J. Cole’s song “First Person Shooter” seemed to create the “big 3” in the rap industry, which consists of Lamar, Drake, and J. Cole.

Nevertheless, Lamar found the idea offensive and mercilessly attacked the rapper in his subsequent song. On the song “Like That,” by Metro Boomin and Future, he called out J Cole and Drake for “sneak dissing” and rejected their idea of the “big three,” stating that “it’s just big me.” The three rappers proceeded to trade barbs with one another in the ongoing conflict. J. Cole withdrew after releasing “7 Min Drill,” but the feud between Drake and Kendrick Lamar has become worse.

Fans are buzzing over Kendrick Lamar’s latest track, Not Like Us, in which many believe he has incorporated phrases directly from Twitter, sparking a fresh rivalry with Drake. The song features lines that echo recent social media conversations, leading fans to speculate that Kendrick is subtly referencing Twitter trends to make a statement.

The track has ignited excitement among listeners, who are eager to decode the references and connect the dots between Kendrick’s lyrics and the online discourse. This latest move has only added fuel to the ongoing tension between the two artists.

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#KendrickLamar #NotLikeUs #Drake #TwitterReferences #RivalrySong #HipHopBeef #SocialMediaLyrics #RapBattle #FansReact #MusicNews #LyricalAnalysis

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Entertainment News

Billie Eilish Tour Film Faces Heartbreaking Delay After CBFC Changes

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Billie Eilish: Shocking India Film Delay

For Indian admirers, the delicate whisper of a music has become a wordless scream. Billie Eilish, the global phenomenon whose voice defines a generation, was intended to grace our screens with a cinematic representation of her “Hit Me Hard and Soft” tour. It was intended to offer a visceral, raw, and personal glimpse at her most ambitious theatrical production ever. However, the euphoria has met a major hurdle.

Instead of purchasing tickets, fans are instead browsing news sites in disgust. The highly anticipated concert film has been officially postponed in India. This is not a technical issue or a schedule conflict. The culprit is a series of changes required by the Central Board of Film Certification (CBFC). This news comes as a shock to a fandom that takes pleasure in its genuineness.



The Vision Behind the Magic

The “Hit Me Hard and Soft” tour is more than just a musical showcase. It is a visual manifesto documenting Billie’s artistic development. Known for her loose clothes and hauntingly gorgeous graphics, this tour revealed a more mature yet equally sensitive side of her demeanour. The film was created to record every drop of sweat, tear, and soaring high note in high definition.

In the international market, the picture has been acclaimed as a masterpiece of concert cinematography. It uses unique lighting and immersive soundscapes to make viewers feel as if they are in the front row. This was the closest Indian fans would get to experiencing the enchantment of her live performances. This connection has been temporarily broken due to bureaucratic red tape.

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Understanding the CBFC Stance

The CBFC, often known as the “Censor Board,” has apparently marked many sections of the film. While the board’s principal function is to classify information for public viewing, its recent demands for cutbacks and “muffling” of specific topics have sparked controversy. According to sources, the disagreements span from specific lyrical choices to Billie’s usage of vivid visual metaphors onstage.

Billie Eilish has never shied away from the dark, gritty, or confrontational. Her art is founded on the concept of being “unfiltered.” When a regulatory agency requests “filters,” it profoundly alters the artist’s aim. The mismatch between creative freedom and local regulation is precisely what has resulted in the release’s prolonged delay.


Fans Are Feeling the Burn

Social media is now a digital battlefield of disappointment. Indian “Eilishers” had been counting down the days till they saw their idol on the big screen. To have the release withdrawn at the last minute feels like a violation of their trust. Many say that Billie’s admirers are already familiar with her ideas and so do not require “protection” from her art.

The emotional impact of this delay is enormous. For many young Indians, Billie’s music provides a safe haven for their fears and dreams. Seeing her tour film was meant to be a shared healing and celebratory experience. Instead, they are left with vacant cinema seats and a growing dissatisfaction of the censorship process.

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The Global vs. Local Tug of War

This event demonstrates an ongoing issue in the entertainment business. Global pop performers provide content for a global audience, frequently pushing the bounds of expression. However, when such content spreads to new places, it frequently encounters a wall of traditionalism. The “Hit Me Hard and Soft” picture is simply the latest casualty in this continuing tug of struggle.

Distributors are currently in a tight situation. They want to introduce the film to the vast Indian market, but they must also follow the CBFC’s tight standards. Every cut asked means that a piece of the tale is lost. The delay is the result of intense negotiations to establish a middle ground that meets the board’s requirements without utterly destroying Billie’s artistic vision.


What Happens Next?

As of now, the new release date remains unknown. The technical procedure of reediting a concert film for a specific location requires time. Every modification must be approved by both the board and Billie’s management staff, who are notoriously protective of her brand. They will not allow a substandard, unduly censored version to be widely distributed.

While we wait, our eagerness grows, but with a hint of bitterness. Fans hope that the final version, when it arrives, retains the soul of the original performance. For the time being, the “Hit Me Hard and Soft” experience in India remains a quiet echo, waiting for the censors to step aside and allow the music speak for itself.

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