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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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Viduthalai Part 2 movie review: Vijay Sethupathi shines in a highly sermonising story

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Viduthalai Part 2 movie review: Vijay Sethupathi shines in a highly sermonising story

Viduthalai Part 2 movie review: Vijay Sethupathi again puts up a class act with the Vetrimaaran film fails to live up to part 1.
Viduthalai Part 2 movie review: Director Vetrimaaran often portrays the underrepresented sections of society, including the poor, working class, and marginalized. His films depict the harsh realities of life, focusing on themes like caste, class divide, corruption, and systemic oppression. And while these form the core themes of his films, his characters stand out for their brilliant emotional depth and complexity. When Viduthalai Part 1 came out in 2023, it not only established Soori as a highly talented actor, but also spoke about the emergence of extremist groups and where they stem from. (Also read: Viduthalai Part 2 Twitter review: Vijay Sethupathi deserves National Award for his performance, say fans)

Viduthalai Part 2, which was released on December 20, takes off from the first part with the clash between the tribals and government forces and revolves around Perumal (Vijay Sethupathi), the leader of the extremist group Makkal Padai (People’s Army). While part 1 was about Kunaresan, this moves beyond him to the main figure in contention.

What is Viduthalai Part 2 about

The police nab Perumal, and we get told this school teacher’s back story and why he became who he is. Shaped by the communist ideology, Perumal fights for what he believes is unjust, and the director has been quite clever in showcasing empathy within the revolutionary movement as well. As the story of Perumal unfolds, there is a heavy infusion of politics and emotionally charged dialogues to make us empathise with Perumal and his fight.

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Director Vetrimaaran has also added many intricate political and social touches to the characterisations. For instance, Perumal’s wife, fellow comrade Mahalakshmi (Manju Warrier), cuts her hair short because she feels long hair would make her more fragile. We are also shown how Karuppan (Ken Karunas) bestows a name on himself. We are also shown the power play between those in power and those who are weak and how one exploits the other at will.

On the whole, Viduthalai Part 2 seems to be an ode to people like Vaathiyar aka Perumal, who stand up for a cause and the downtrodden. Perumal embraces lal salaam and, along with it, renounces many of the toxic values that society holds dear. For instance, he marries Mahalakshmi, who was married before, but he never questions her about it – it’s inconsequential to him.

What Viduthalai Part 2 lacks

While Viduthalai Part 2 has many aspects that one appreciates, it’s not as stellar as Part 1 as it gets very sermonising. In part 1, Soori’s character was beautifully crafted, and one expected to see more of him in part 2, and that was a letdown. Viduthalai Part 2 is all about Vijay Sethupathi and he has carried the film able on his shoulders. Unfortunately, Vetrimaaran, the astute writer, seemed to be missing in this film and that was disappointing. Viduthalai Part 2 carries a strong ideological theme and is another socially relevant film from Vetrimaaran.

Group Media Publications
Entertainment News Platforms – anyflix.in      
Construction Infrastructure and Mining News Platform – https://cimreviews.com/
General News Platform – https://ihtlive.com/

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