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Abhimanyu Dassani and Shirley Setia, stars of Nikamma, were shut out of their own event.

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Abhimanyu Dassani and Shirley Setia, stars of Nikamma, were shut out of their own event.

Abhimanyu Dassani and Shirley Setia were denied entry to an event for their own film Nikamma, which they are currently promoting. Abhimanyu shared a video of the incident on his Instagram account, in which he was attempting to explain to a guard that he was there to promote his film. The promotional event took place at Navi Mumbai’s DY Patil Stadium.

While the film’s title song and cheers could be heard in the background, Abhimanyu, Shirley Shetia, and others attempted to persuade the guard to open the gates. To the camera, he said, “We’ve arrived at the Nikamma event, but we’re not permitted to be there. I’m not sure, but we’ve been locked out of our event.” He then explained to the guard that his name is Abhimanyu and that he is a film promoter. “Udhar kisi ko bolo na (tell someone there),” the person responded. To the camera, Abhimanyu added, “This is how it goes. They keep sending us messages from here to there “The guard, on the other hand, walked away.

Abhimanyu, who is the son of actor Bhagyashree, posted the video on Instagram with the caption, “#I’m Done Playing Games With My Life. Life goes on after my third film.” “#truestory and #reallife,” he added as hashtags. “This is what happens to nikamma’s. @abhimanyud @shirleysetia,” his sister and actress Avantika Dassani joked in the comments section of the video. Abhimanyu and Shirley appeared to have attended the event later, as they shared photos and videos from the stage.

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Abhimanyu had previously been denied entry to the Toronto Film Festival, where he had gone to see his debut film Mard Ko Dard Nahi Hota, according to fans (2018). As one fan put it, “Don’t be concerned; aaj ye duniye tumhe nehi pechante, kal yehi duniye tumhare peeche aayegi (Today they don’t recognise you, tomorrow they will). Take note of what I’m saying.” “Why is this making me laugh and cry at the same time?” said another.

Aside from Abhimanyu and Shirley, Shilpa Shetty plays a superhero who will transform Abhimanyu’s lazy character Siddharth into a responsible man in Nikamma. Sabbir Khan’s action comedy will be released in theatres on June 17th.

 

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Entertainment

The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

In the realm of art, especially when it involves a beloved poet’s work, emotions run deep. The recently released rendition of Kazi Nazrul Islam’s timeless composition “Karar Oi Louho Kopat” by the legendary AR Rahman for the upcoming film Pippa has stirred discussions and, inevitably, some criticism. The creators of Pippa have chosen to respond, fostering an open dialogue about artistic interpretation, cultural sensitivity, and the collaborative spirit of creative endeavors.

A Musical Odyssey: AR Rahman’s Rendition

AR Rahman, a maestro in the world of music, took on the monumental task of interpreting Kazi Nazrul Islam’s iconic work for the soundtrack of Pippa. “Karar Oi Louho Kopat,” known for its profound lyrics and historical significance, is a piece of cultural heritage that resonates deeply with Bengali speakers worldwide. Rahman’s rendition, while undoubtedly a display of musical brilliance, prompted varied reactions from listeners, invoking discussions about fidelity to the original composition.

Navigating the Sea of Criticism: The Creators’ Response

In response to the criticism, the creators of Pippa have taken a nuanced approach, acknowledging the varied sentiments expressed by the audience. In an era where cultural appreciation and appropriation are delicate themes, the creators aim to engage in a respectful and insightful conversation with those who hold Nazrul’s work close to their hearts.

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The Art of Interpretation: Navigating Boundaries

Artistic interpretation is a complex dance, especially when traversing the revered creations of literary giants. Rahman’s rendition of “Karar Oi Louho Kopat” is not merely a cover but an interpretation, a reimagining that seeks to resonate with contemporary audiences while paying homage to the essence of the original work. The creators emphasize the intent of creating a bridge between generations, fostering a connection with Nazrul’s poetry through a modern lens.

Cultural Sensitivity and Collaboration

In a world that values cultural sensitivity, the creators of Pippa express their commitment to fostering collaboration and understanding. Rahman’s collaboration on this project is seen as a celebration of diversity and an effort to unite different artistic traditions. The goal is not to replace or diminish the original but to amplify its beauty for a new audience.

The Ongoing Conversation: A Celebration of Nazrul’s Legacy

As the conversation around AR Rahman’s rendition continues, the creators of Pippa invite fans, critics, and enthusiasts to share their perspectives. It is a testament to the dynamic nature of art, where diverse opinions contribute to a richer understanding of the creative process. The goal remains to celebrate the richness of Nazrul’s legacy and ensure that his timeless verses continue to resonate across generations.

Conclusion: A Melody of Unity

In the ever-evolving landscape of art and expression, the conversation sparked by AR Rahman’s rendition of “Karar Oi Louho Kopat” is an opportunity for unity. It is a chance for diverse voices to converge, creating a harmonious discourse that transcends geographical and cultural boundaries. As Pippa prepares to weave together the tapestry of history and contemporary expression, the creators invite everyone to be part of this collective journey, where the beauty of Nazrul’s poetry continues to be a guiding force in the ever-evolving symphony of creative interpretation.

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