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India’s Manasa Varanasi missed out on Top 6 spot in Miss World 2021 race

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India’s Manasa Varanasi missed out on Top 6 spot in Miss World 2021 race

Karolina Bielawska from Poland has won the coveted Miss World 2021 crown. She won the title at the 70th edition of the Miss World pageant held at San Juan, Puerto Rico, on March 17 (IST). The netizens are rejoicing and welcoming the new Miss World, on the other hand, India’s Manasa Varanasi failed to make it to the Top 6.

Many waited with bated breath as she made it to the Top 13 list. Apart from India, the other countries on the list were Vietnam, Mexico, Northern Ireland, Philippines, Poland, Somalia, United States, Colombia and Czech Republic.

The top six countries were: USA, Poland, Indonesia, Mexico, Northern Ireland and Cote d’Ivoire. Finally, Karolina Bielawska got the Miss World 2021 title.

For Detailed News: Hindustan Times

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Designer Tarun Tahiliani shares insights about Radhika Merchant’s final appearance in her lehenga saree for the Hastakshar event.

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Designer Tarun Tahiliani shares insights about Radhika Merchant’s final appearance in her lehenga saree for the Hastakshar event.

Prominent figures from politics, commerce, and entertainment attended lavish pre-wedding celebrations in Jamnagar, Gujarat, where Radhika Merchant and Anant Ambani celebrated their union. After three days of celebration, Radhika and Anant took part in the prenuptial ceremony known as the Hastakshar ritual, which formally marks the couple’s union and their commitment to one another. Radhika, Anant’s future wife, opted for a custom-designed Tarun Tahiliani lehenga saree that resembled a complex of temples, while Anant donned a sherwani for the occasion. The ensemble’s designer is now disclosing minute details. To learn more, scroll through.

Pictures of Radhika Merchant’s bespoke couture lehenga saree from the Hastakshar ceremony were released by Tarun Tahiliani, who said that the model bride was a pleasure to work with. In the post’s description, he also revealed the processes involved in creating the bride-to-be’s pre-draped appearance. Upon meeting Radhika, the designer claimed to have been enthralled with her ‘impeccable taste’ right away. With its’sartorial temple complex’ resemblance, the lehenga saree complemented Radhika’s grace and the idea of the ‘valley of the gods’. The attire was further embellished with ‘finely embroidered domes and structures in the gentle tones of peaches, corals, and sunset colours’.

“Poetic ode to Indian heritage, as the pre-draped lehenga saree unfolds a tapestry of hand-painted miniature artistry, intricately woven with the delicate finesse of kasheedakari craftsmanship in opulent shades of silver and rose gold,” the designer said, describing Radhika’s lehenga.

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