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Jimin responds to Ken’s guitar, Barbie’s outfit in PTD music video.

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Jimin responds to Ken’s guitar, Barbie’s outfit in PTD music video.

Jimin’s Memorable Reactions: Ken’s Guitar and Barbie’s Outfit in “PTD” Music Video

BTS’s Jimin, an exceptionally talented singer, dancer, and performer, never fails to captivate audiences with his expressive reactions and endearing personality. In the “Permission to Dance” (PTD) music video, Jimin’s genuine reactions to Ken’s guitar performance and Barbie’s outfit added a delightful touch to an already heartwarming visual spectacle. In this blog, we explore Jimin’s memorable responses and how they further endeared him to fans worldwide.

The “Permission to Dance” music video features an unforgettable scene where Ken, one of the members of BTS, surprises Jimin by playing the guitar. As the melody starts to resonate, Jimin’s eyes light up with excitement. His appreciation for the spontaneous gesture is evident through his infectious smile and nods of approval. The unplanned moment showcases the camaraderie among the BTS members, as well as their ability to surprise and delight each other, just as they do with their fans.

Jimin’s reaction to Ken’s guitar performance not only reflects his love for music but also highlights the genuine bond shared by the BTS members. It’s a reminder that amidst their global fame and success, they remain close friends and colleagues who cherish spontaneous moments of joy together.

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In another scene from the “PTD” music video, Jimin adorably reacts to a dancer wearing a Barbie-inspired outfit. His eyes widen with delight, and he breaks into a playful smile, demonstrating his childlike enthusiasm. The Barbie outfit adds a whimsical touch to the video, evoking a sense of nostalgia for viewers who grew up with the iconic doll.

Jimin’s reaction to the Barbie outfit showcases his ability to fully immerse himself in the artistic vision of a project and appreciate its creative aspects. His genuine response further endears him to fans, as it reflects his genuine and unfiltered personality.

BTS has become a global phenomenon, not only because of their exceptional talent but also because of their ability to connect with their audience on a personal level. Their music and performances are filled with messages of hope, love, and unity, resonating deeply with fans from diverse backgrounds. Jimin’s heartwarming reactions in the “PTD” music video serve as a beautiful representation of the bond between BTS and their devoted ARMY.

Jimin’s responses to Ken’s guitar performance and the Barbie outfit in the “Permission to Dance” music video exemplify his genuine and endearing nature. As a member of BTS, he continues to enchant fans with his exceptional talent and heartfelt reactions. BTS’s music videos are not just visually stunning, but they also offer glimpses of the authentic camaraderie and joy shared among the members. Jimin’s delightful reactions add an extra layer of charm to the already heartwarming visuals, leaving fans with a lasting impression of BTS’s magic and the love they have for their art and each other.

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Cricket

KL Rahul dangerously close to Laxman territory; to be perished for Sarfaraz Khan and Shubman Gill

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KL Rahul dangerously close to Laxman territory; to be perished for Sarfaraz Khan and Shubman Gill

To accommodate both Sarfaraz and Gill and stick with their five-bowler formula, a batter from the Bengaluru Test must make way. Ergo Rahul and the predicted axe

VVS Laxman went through the first half of his illustrious 15-and-a-half-year international career with the proverbial axe hanging over him. Despite his magical stroke-play and a well-founded reputation for rallying the lower order to bat above itself, he was forever the first name that sprang to the decision-makers’ minds when they had to drop someone to accommodate someone else. It wasn’t until the second half of his stint with the national team that he had ‘job security’, which automatically manifested itself in an array of glorious, match-turning knocks and earmarked him as one for a crisis.

KL Rahul is now dangerously close to approaching the Laxman territory, though at least in this instance, a case can be made out, perhaps, for why he often seems to be playing for his place. Almost a decade after his Test debut in Australia in December 2014, he has yet to nail down a permanent spot, a result of glaring inconsistency and repeated dalliances with injuries that have left him with a modest average of 33.87 from 53 Test appearances.

Unlike Laxman, who was thrust to the opener’s position for three years from 1997, successive team managements have worked overtime to create space for Rahul. He started off in the middle order in Melbourne against Australia, opened in the next Test in Sydney when he made a sparkling century, continued in that position for a good nine years – around the large pockets when either injuries or lack of form relegated him to the sidelines – and now seems to have found his calling in the middle order, where he was tried out in an almost last throw of the dice in South Africa last December.

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In his limited time at the No. 6 position, Rahul has been a revelation. On a spiteful surface in Centurion in his first innings back in the middle order, the classy right-hander made a marvellous 101 – Virat Kohli’s 38 was the next highest score – in India’s 245 all out. Two Tests later, against England in Hyderabad, he waltzed to 86 of the best until a hamstring strain kept him out of the last four Tests.

On his comeback last month against Bangladesh, Rahul showed why he is rated so highly, and therefore why he so frustrates when he chooses to shackle himself mentally, with uninhibited shot-making when India were pressing for a declaration (Chennai) and looking to make up for lost time with a frenetic batting approach (Kanpur) in the two Tests. Kanpur was especially mesmeric, 68 flowing off his bat in a mere 43 deliveries. It was the best of Rahul.

Axe hangs over Rahul’s head for India vs New Zealand 2nd Test

And yet here we are, two innings later, wondering whether he will, or should, feature in the playing XI in Pune, where India take on New Zealand in a must-win second Test from Thursday.

Shubman Gill, him of three centuries in his last six Tests, missed the Bengaluru defeat to the Kiwis with a stiff neck. Replacement batter Sarfaraz Khan made the most of own good fortune with a delectable 150, which makes it near impossible to drop him now that Gill is fully fit. To accommodate both Sarfaraz and Gill and stick with their five-bowler formula which has worked beautifully in the last few years, a batter from the Bengaluru Test must make way. Ergo Rahul and the predicted axe.

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One of the few men to have led India in all three formats internationally, Rahul didn’t help his cause with scores of 0 and 12 at his home ground, the M Chinnaswamy Stadium. In the first innings, he was strangled down leg-side by William O’Rourke while in the second, he received a peach from the same paceman operating with the second new ball and was again caught behind. Rahul was one of 11 failures in India’s first-innings 46 and one of seven wickets to fall in 93 deliveries to the second new cherry, but failures past and the logjam created by Gill’s availability have combined to identify him as the most susceptible to the axe.

It’s a cross impossible to bear, but also impossible to ignore just because it is so heavy, so overarching. Rahul is beyond gifted and makes batting appear oh-so-simple, but his struggles to embrace sustained run-making can’t be wished away. He is the eternal team man, much like his celebrated namesake also from Karnataka – both kept wickets admirably in 50-over World Cups 21 years apart, both made attractive and impactful runs during the tournament and both tasted bitter defeat at the hands of Australia in the final – but ‘eternal team man’ can sometimes be an euphemism for the ‘most dispensable’ and Rahul can be excused for thinking that those two lines have blurred beyond repair. Of course, if he is brutally honest to himself, he will acknowledge at least to himself that he too must bear culpability for the blurring of the lines.

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