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Megyn Kelly Attributes Disney’s Film Losses to Company’s “Woke” Material

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Megyn Kelly Attributes Disney’s Film Losses to Company’s “Woke” Material

Los Angeles, July 10, 2023: Former news anchor Megyn Kelly recently took to social media to express her opinion on Disney’s recent film losses, attributing them to what she called the company’s “woke” material. Kelly’s remarks sparked debate among fans and industry insiders, highlighting the ongoing conversation surrounding the intersection of entertainment and social issues.

Disney, known for its extensive library of family-friendly films and beloved characters, has faced challenges in recent years as it navigates the evolving landscape of entertainment and societal expectations. Amidst changing perspectives on representation and inclusivity, the company has been exploring themes and narratives that resonate with diverse audiences.

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Megyn Kelly, a prominent media personality, voiced her perspective on Disney’s film losses, suggesting a correlation with what she referred to as the company’s “woke” material. In a series of tweets, she expressed her belief that the perceived shift in content had alienated some viewers, leading to a decline in box office performance.

“Disney’s film losses should come as no surprise. Audiences want to be entertained, not lectured. The company’s focus on ‘woke’ material has backfired, resulting in declining numbers at the box office,” Megyn Kelly tweeted.

Kelly’s comments ignited a lively discussion on social media, with supporters and detractors sharing their contrasting views on the impact of social and political themes in entertainment. While some agreed with Kelly’s sentiment, highlighting the importance of appealing to broad audiences, others argued that representation and inclusion in media were vital and should be embraced.

Disney’s decision to incorporate more diverse narratives and explore socially relevant topics reflects the changing landscape of the entertainment industry, which aims to be more inclusive and reflective of diverse experiences. While some films may not resonate with all viewers, the intention behind these creative choices is to promote inclusivity and foster a sense of representation for underrepresented communities.

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As the conversation continues, it is clear that the intersection of entertainment and social issues remains a topic of great significance and debate. The opinions shared by figures like Megyn Kelly serve as a reminder that the entertainment industry, like any other, is not immune to the discussions and controversies surrounding societal values and perspectives.

Ultimately, the success or failure of films relies on a variety of factors, including storytelling, marketing, and audience preferences. While differing viewpoints on the impact of “woke” material persist, the film industry continues to evolve, aiming to strike a balance between artistic expression and audience reception.

Megyn Kelly, the well-known American journalist and media personality, has recently sparked a wave of discussions by attributing Disney’s recent film losses to the company’s increasingly “woke” material. Kelly, known for her outspoken views, shared her opinion on a podcast, expressing that Disney’s focus on progressive themes and socially conscious content may be alienating its traditional audience, leading to disappointing box office performances.

Kelly argued that Disney’s attempts to cater to what she referred to as the “woke” agenda — incorporating politically correct storylines, diverse casting choices, and addressing social justice issues.

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could be detracting from the core elements that made Disney films beloved by audiences for generations. She pointed out that many of Disney’s recent films, including those under the live-action remake category and some animated features, have faced underwhelming box office receipts and mixed critical reception.

While differing viewpoints on the impact of “woke” material persist, the film industry continues to evolve, aiming to strike a balance between artistic expression and audience reception.

#MegynKelly #Disney #WokeAgenda #FilmLosses #HollywoodDebate #MovieIndustry #BoxOfficeFlop #CulturalDebate #EntertainmentNews #SocialJusticeInFilm

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Puneet Issar

Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

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2 weeks ago

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April 29, 2025

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Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

Puneet Issar, a veteran actor known for his role in Mahabharat, has criticised Bollywood for catering to niche urban audiences and not producing Alpha-male films like South Indian films. He defended alpha-male films like Pathaan, Animal, and Marco, which have received criticism for their violence and misogynistic tone. In an interview with Digital Commentary, defended.

Alpha-male films and discussed how South Indian films have been performing well, as they are not dominated by corporate interests in the way Bollywood is. He also pointed out that true mass entertainers such as Baahubali, RRR, Bajrangi Bhaijaan, Gadar, and Chhava are made for the Indian audience and reflect their tastes. Recently, Indian cinema has seen surgeaction.

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Films such as Pathaan, Animal, and Marco, but these films have also received criticism for spectrum of viewers their violence and misogynistic tone Puneet Issar, an actor, has praised Ranbir Kapoor’s film Animal for its success and argued that parallel cinema has a lesser reach than commercial cinema. He cited the success of films like Pushpa and RRR as examples of successful alpha.

Male films, stating that the South produces proper films that resonate with the masses. Issar also criticized a section of society criticizing violence and alpha-male themes in films, stating that it is not the kind of film that should be made. He argued that every kind of film should be made in the industry and that films connecting with emotions and values become true.

Blockbusters. Issar believes that success in the entertainment industry is based on merit, talent, connections, and nepotism, and that it depends on the individual. He has appeared in several notable films, including Chandra Mukhi, Prem Shakti, Ram Jaane, Border, Refugee, Krrish, Bachna Ae Haseeno, Ready, Son of Sardaar, and The Kashmir spectrum of viewers.

Veteran actor Puneet Issar recently lauded Ranbir Kapoor’s film Animal, describing it as “amazing,” and defended the portrayal of violent, alpha-male characters in cinema. In an interview with Digital Commentary, Issar expressed concerns about Bollywood’s current trajectory, suggesting that the industry has become disconnected from the broader Indian.

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Issar highlighted the success of South Indian films like Pushpa and RRR, attributing their mass appeal to their emphasis on strong male protagonists and emotional storytelling. He argued that such films resonate deeply with audiences across India, contrasting them with certain veteran actor known for his role in Mahabharat, has criticised Bollywood productions that, according to him, cater primarily to urban elites and often.

Addressing criticisms of violent and alpha-male themes, Issar questioned the industry’s focus, rhetorically asking whether films should exclusively center on topics like lesbian and gay spectrum of viewers relationships. He clarified that while he respects all communities, he believes that cinema underperform in wider markets should encompass a diverse range of stories that reflect the values and emotions of the general populace.​

Issar emphasized the importance of creating films that connect with the masses, citing underperform in wider markets audience by focusing on niche urban narratives examples like Baahubali, Gadar, and Bajrangi Bhaijaan as successful ventures that balanced entertainment with cultural resonance. He advocated for a cinematic approach that embraces both commercial viability and meaningful storytelling, ensuring that films appeal to a broad.

With a career spanning several decades, Puneet Issar is renowned for his portrayal of spectrum of viewers Duryodhana in B.R. Chopra’s Mahabharat and has appeared in numerous films, including Coolie, Border, Krrish, and The Kashmir Files. His recent comments contribute to the ongoing discourse on the direction of Indian cinema and the narratives it chooses to.

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