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The newest cringefest on the internet is Nandamuri Balakrishna and Urvashi Rautela’s Daaku Maharaaj song, Dabidi Dibidi.

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The newest cringefest on the internet is Nandamuri Balakrishna and Urvashi Rautela’s Daaku Maharaaj song, Dabidi Dibidi.

Choreographer Shekhar Master’s ‘obscene’ moves, orchestrated by Nandamuri Balakrishna and Urvashi Rautela, in Dabidi Dibidi has got the internet cringing.
Internet’s latest cringe fest is here! Nandamuri Balakrishna and Urvashi Rautela’s new song, Dabidi Dibidi, from their upcoming action thriller Daaku Maharaaj is out, and its ‘obscene’ steps by Shekhar Master has got the internet fuming.



What’s in the song?

The video of the song composed by S Thaman begins with Balakrishna sitting like a king, wearing a blue shirt, an ornate blue jacket over it, brown pants and sunglasses. Urvashi Rautela, dressed in a crop top and skirt, smiles as Balakrishna hits her belly button on beats and pulls her by her dress. During the chorus, Balakrishna hits Urvashi on her rear, and she visibly enjoys it. Even the choreographer is seen enjoying the action and lauding the actors.


Internet reacts

The internet couldn’t fathom the obscenity in the song. An X user posted, “Young Girl Dancing with His Grand father!!” pointing out the age difference between Balakrishna, 64, and Urvashi, 30. “Worst Choreography and already trolling started…If you are true well wisher of NBK, please remove the song and reshoot,” read a third comment, while a fourth one stated, “Always picking North Indian actresses for granddaughter role.”

A person also said “Our ‘Bandra , Juhu’ directors don’t make this level of (poop emoji),” referring to the film’s producer, Naga Vamsi’s comment that Bollywood filmmakers’ vision is restricted to the audience of Bandra and Juhu, posh localities in Mumbai, whereas South filmmakers have shown Hindi cinema how to make pan-India entertainers.

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Daaku Maharaaj will be released in theatres on January 12 on the occasion of Sankranti. Bobby Kolli has directed the film. The first-look video featured Balakrishna in a dacoit avatar. The film will also feature Bobby Deol as the antagonist, as he will make his Telugu debut. Bobby also recently made his Tamil debut as the antagonist in Siva’s period fantasy Kanguva, in which he locked horns with Suriya.

The latest sensation making waves on the internet is the Daaku Maharaaj song, “Dabidi Dibidi,” featuring Nandamuri Balakrishna and Urvashi Rautela. While the track has been garnering attention, it has also sparked a significant amount of criticism, with many labeling it as the newest “cringefest” on social media.

The song, which is part of a promotional campaign for an upcoming film, features a peculiar mix of quirky choreography, over-the-top expressions, and a catchy yet somewhat absurd tune. The visuals include Balakrishna.

known for his dynamic screen presence, attempting some wild dance moves, while Urvashi Rautela, with her glamorous appeal, delivers her signature sultry performance. However, the juxtaposition of the two actors, coupled with the jarring lyrics and repetitive melody, has left many viewers perplexed.

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The internet, never one to shy away from viral moments, has quickly picked up on the song’s strange vibe. Memes, reactions, and jokes about the track have flooded social media platforms, with people mocking its unusual style and questioning the song’s overall appeal. The cringey nature of the song has left many fans scratching their heads, wondering how it managed to become such a sensation.

Despite the backlash, the track has inevitably gained traction, with some fans defending it as a fun and light-hearted moment in Indian cinema. However, the majority of reactions seem to lean towards the song’s over-the-top style.

which is being dubbed as more of a guilty pleasure for viewers who can’t seem to look away. Whether it’s an intentional move to create viral content or simply an odd misstep, “Dabidi Dibidi” is undoubtedly one of the more memorable moments in recent entertainment news.


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Tollywood

Peddi Day 8: Will Ram Charan Conquer Box Office Glory?

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Peddi: Impressive ₹200 Cr Box Office Chase

Peddi Day 8: Will Ram Charan Conquer Box Office Glory?

The film world is holding its breath as the much-anticipated sports action movie refuses to leave the spotlight. Audiences are caught up in a swirl of emotions as the initial box office storm transforms into an intriguing test of actual star power. It’s a fascinating story about ambition, lofty theatrical expectations, and the unexpected nature of moviegoers.

Each ticket sold represents a narrative of passion, commitment, and dramatic cinematic drama. Fans are closely following every update, wondering if this enormous spectacle can retain its beautiful momentum.



The Current Box Office Standing

The film grossed ₹6.30 crore in India on its eighth day. This milestone brings the domestic total to an amazing ₹193.55 crore net.

The aim of joining the prestigious double-century club is now agonisingly close. It’s an exciting countdown that has trade experts and moviegoers absolutely glued to the figures.

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The audience’s emotional connection fuels the momentum. Despite natural weekday drops, the local regions are strongly supporting their favourite film idol.


A post-weekend dip is an unavoidable fact for any major movie release in the modern era. The film’s revenue decreased by 16.6 percent from the previous day’s ₹7.55 crore.

This drop has generated heated debates on social media over the long-term viability of big-budget initiatives. However, the continual inflow of viewers demonstrates that the cinematic fire is far from doused.

The dip is a normal market stabilisation following a wildly tumultuous first week. It demonstrates how the initial frenzy transforms into a consistent, long-term theatrical run.

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Global Glory And Mighty Milestones

On a worldwide scale, the sports drama paints a truly spectacular picture of financial success. The worldwide gross collection reached ₹279.35 crore.

International markets made a significant contribution to this large global pie. On Thursday, overseas viewers added an additional ₹60 lakhs, bringing the international revenue to ₹49.40 crore.

This pushes the global presence close to the ₹280 crore threshold. It demonstrates the undeniable appeal of large-scale Indian cinema on the global stage.


Regional Strongholds Keep Fighting

The regional market is the undisputed backbone of this incredible box office run. The Telugu territories alone earned ₹5.30 crore on the seventh day.

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The film was aggressively screened in a network of 7,412 theatres around the country. The previous version had a reasonable and healthy occupancy rate of 20.35%.

Other regions contributed lesser but significant sums to the overall domestic collection. Karnataka and Tamil Nadu contributed ₹55 lakhs and ₹25 lakhs, respectively.


The North Indian Market Struggle

While the Southern states celebrate, the Hindi-speaking belt has a very different tale. Since its first publication, the Hindi-dubbed version has suffered significant challenges.

The Hindi market today contributes less than five percent of overall domestic earnings. Despite heavy promotion, it is still battling to reach the small net figure of ₹15 crore.

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This sharp disparity demonstrates the complexities of managing a truly pan-India release. What causes utter panic in one location may have a peaceful response elsewhere.


Controversies And Creative Corrections

A storm of social media outrage has also harmed the film’s box office performance. Viewers loudly criticised specific sequences featuring Janhvi Kapoor’s role, claiming excessive objectification.

Responding to the growing public outrage, director Buchi Babu Sana took quick corrective action. To avoid offending the viewers, the production team carefully cut out the deceptive shots.

This proactive posture demonstrates a genuine respect for the emotions of modern filmgoers. It remains to be seen how this imaginative change will affect the approaching weekend crowds.

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What Lies Directly Ahead

The approaching weekend is a make-or-break moment for this ambitious theatrical project. Crossing the illusive ₹200 crore domestic net mark is the immediate golden goal.

Audiences are curious to see if the fresh modifications will draw a more diverse audience. The large fanbase’s emotional investment will be crucial in this situation.

With new cinematic competition arriving in cinemas, the battle for screens will flare up. This cinematic giant’s genuine resilience will now be put to the ultimate test.


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