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Pakistan accepts presence of eleven terrorists who facilitated 26/11 Mumbai terror attack on its soil

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Pakistan accepts presence of eleven terrorists who facilitated 26/11 Mumbai terror attack on its soil

Pakistan’s top analytical position – the Federal Investigation Agency (FIA) on Wednesday (November 11, 2020) acknowledged the presence of eleven psychological militants who encouraged the 26/11 dread assault in Mumbai on its dirt.

Muhammad Amjad Khan of Multan who was engaged with the acquisition of the boat Al Fouz utilized in the 2008 dread assault has been recorded in the 880-page extensive rundown. Amjad likewise bought a Yamaha MotoR boat motor, life coats, inflatable boats from ARZ water game, Karachi, and later utilized in the assaults on India’s monetary focus.

Shahid Gafoor from Bahawalpur, who was the commander of the boat Al-Hussaini and Al-Fouz that were utilized by the psychological militants has additionally been referenced.

The rundown likewise makes reference to 9 group individuals from the boats utilized in the Mumbai fear assault. These are Muhammad Usman from Sahiwal locale, Ateeq-Ur-Rehman from Lahore region, Riaz Ahmad from Hafizabad, Muhammad Mushtaq from Gujranwala area, Muhammad Naeem from Dera Ghazi Khan region, Abdul Shakoor from Sargodha region, Muhammad Sabir from Multan, Muhammad Usman from Lodhran region, Shakil Ahmad from Rahim Yar Khan region. All are individuals from the UN recorded fear bunch Lashkar e tayyaba.

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The rundown specifies 1,210 prominent and most needed fear based oppressors in the nation. Nonetheless, it makes no notice of Hafiz Saeed, Masood Azhar, or Dawood Ibrahim.

Hafiz Saeed is an UN recorded global fear based oppressor and the genius of 26/11 Mumbai dread assaults while Masood Azhar is the head of Jaish-e-Mohammed and was recorded as a worldwide psychological militant in 2019 after the Pulwama fear assault that executed more than 40 Indian paramilitary powers.

Prior this year, a Pakistan court sentenced Saeed for a very long time for financing of fear.

With regards to Dawood Ibrahim, while Pakistan has never acknowledged that he is in the nation, it’s notable that he remains in Karachi. Actually, he being an UN recorded fear based oppressor too, has his location referenced as Karachi, the commonplace capital of southern Sindh region.

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The rundown has 161 most needed psychological oppressors from Baluchistan, 737 from Khyber Pakhtunkhwa, 100 from Sindh, 122 from Punjab, 32 from Islamabad, and 30 from Pakistani involved Kashmir on the most needed rundown.

The rundown, curiously specifies the name of Altaf Hussain, Muttahida Qaumi Movement’s (MQM) chief currently living in London, Pakistan Opposition Party PMLN’s chief Nasir Butt, and those engaged with assaults on previous Pakistani President Parvez Musharraf and previous PM Shaukat Aziz.

Tap To Explore More : Zee News

Also Read : 44,879 NEW CASES OF COVID-19 RECORDED IN INDIA IN LAST 24 HOURS

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The Madras High Court has granted early screenings of Vijay’s Leo movie from 7 AM, requesting the TN government to resolve any issues.

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The Madras High Court has granted early screenings of Vijay’s Leo movie from 7 AM, requesting the TN government to resolve any issues.

Madras High Court Grants Early Screenings of Vijay’s “Leo” Movie at 7 AM, Urges TN Government to Address Concerns

The Madras High Court has made a landmark decision in favor of the much-anticipated Tamil film “Leo,” starring actor Vijay. In a significant move, the court has granted permission for early screenings of the movie from 7 AM, urging the Tamil Nadu government to swiftly address any issues and facilitate the smooth release of the film. This decision marks a pivotal moment in the realm of Tamil cinema and the entertainment industry at large.

Historical Context:

The Indian film industry, particularly the Tamil film industry, has seen its share of controversies and challenges related to film releases. Issues such as censorship, political disputes, and public sentiment have often played a significant role in shaping the release schedules and screening times for films. Vijay, one of Tamil cinema’s most prominent actors, has been at the center of such controversies in the past. This decision by the Madras High Court is, therefore, particularly noteworthy.

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The Ruling:

The Madras High Court’s decision to permit early screenings of “Leo” comes as a response to a plea filed by the film’s producers. The court, while considering the plea, took into account various factors, including the film’s anticipated popularity and the prevailing circumstances. The court emphasized the importance of accommodating the audience’s interests and allowing them to enjoy the film without disruptions.

A Step Towards Normalization:

The court’s decision signifies a positive shift in the film industry, where release dates and screening times are often mired in controversy. By allowing screenings to commence at 7 AM, the court aims to reduce the chances of public unrest and congestion near theaters, especially in the wake of high-profile film releases.

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The Role of the Tamil Nadu Government:

The Madras High Court, in its ruling, also called upon the Tamil Nadu government to cooperate in ensuring a seamless release for the film. This cooperation extends to providing necessary security measures to maintain law and order around theaters during the early screenings.

Implications for the Entertainment Industry:

The decision is expected to set a precedent for the release of other highly anticipated films, not just in Tamil cinema but also in the broader Indian film industry. The court’s emphasis on the importance of accommodating the audience’s interests could lead to more flexible screening times for movies in the future.

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The Audience’s Perspective:

For moviegoers and fans of Vijay, this decision comes as a welcome relief. They can now look forward to enjoying the film without any undue delays or disruptions, ensuring a memorable cinematic experience.

In conclusion, the Madras High Court’s ruling to allow early screenings of Vijay’s “Leo” at 7 AM while urging the Tamil Nadu government to resolve any issues paves the way for a more audience-centric approach in the film industry. It is a landmark decision that highlights the importance of balancing the interests of filmmakers and the movie-loving public. This judgment is poised to make a positive impact on the release of future films, ushering in a new era of flexibility and convenience for cinema enthusiasts.

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