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Sikandar Ka Muqaddar review: Neeraj Pandey’s Tom and Jerry-esque thriller is decent, far from perfect

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Sikandar Ka Muqaddar review: Neeraj Pandey’s Tom and Jerry-esque thriller is decent, far from perfect

Sikandar Ka Muqaddar offers a gripping storyline featuring Avinash Tiwary and Tamannaah Bhatia. While the film starts strong, it loses momentum midway.

Neeraj Pandey knows his audience. He likes to keep them guessing in his thrillers- from Baby (2015), to Special 26 (2013). His last theatrical release Auron Kein Kahaan Dum Tha, took it a notch higher.

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by making you guess what happened to the filmmaker who could otherwise weave an engaging story. An excruciatingly slow watch, it suffered from an identity crisis: was it a romantic drama, or a thriller, or a daily soap parading around as a film? Thankfully, Pandey is back to what he does best, with Sikandar Ka Muqaddar.

Sikandar Ka Muqaddar: The plot

The film stars Avinash Tiwary as the protagonist Sikandar, Tamannaah Bhatia as his wife Kamini and Jimmy Shergill as cop Jaswinder Singh. The story: some diamonds are stolen from a jewellery exhibition, where Sikandar, Kamini and Mangesh Desai (played by Rajeev Mehta) are held as prime suspects by Jaswinder.

Sikandar’s entire life is turned upside down, despite not being proven guilty. He marries Kamini, a single mother and she falls sick one day. He is even expelled from jobs. Basically, his ‘muqaddar’ is a character in itself here. He had promised Jaswinder that he will apologise one day, for not trusting his innocenc rest of the plot.

The film begins on an urgent note. You are sucked into the world Panday creates (also the writer), and really want to know who stole the diamonds. He knows just how much information he needs to give to the viewers at a given point, to leave them intrigued. It works.

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And it fell apart

But somewhere around the halfway point, the film’s tone suddenly changes, and things slow down. From being a thriller about who executed the robbery, the focus completely shifts to Sikandar’s woes. This might not go down well with some viewers, purely because things started on a pacy note.

A common problem shared by his last film Auron Mein Kahaan… and this one is— Neeraj doesn’t know where to end his film. He keeps adding so much that it takes a lot of time to tie the loose ends eventually.

Avinash tries hard to bring Sikandar to life, and he nearly succeeds. The story is riding on the Tom and Jerry equation between him and Jimmy, and he rises to the occasion. Shergill does what he does best: it’s interesting how the man has managed to create a space for himself even with multiple cop/ gangster roles till date. Tamannaah lends good support to the story.

Overall, Sikandar Ka Muqaddar, is a decent thriller. I like the wordplay in the title, which you eventually realise subverts Muqaddar ka Sikandar. If only Neeraj had resisted burdening the film with a lot of things. It streams on Netflix from November 29.

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The performances, especially by the lead actors, are decent, but the screenplay lacks the sharpness and tension needed to elevate the plot. While the characters keep viewers interested, the predictable twists and pacing issues hold the film back from achieving greatness. The movie doesn’t delve deep enough into character development, which could have added layers to the story.

Overall, Sikandar Ka Muqaddar provides a watchable experience for fans of the thriller genre, but it ultimately fails to leave a lasting impact. Its Tom-and-Jerry-like cat-and-mouse chase sequences bring moments of fun, but they don’t make up for the film’s inconsistencies.

#SikandarKaMuqaddar #NeerajPandey #ThrillerReview #TomAndJerryEsque #FilmReview #DecentButNotPerfect

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Bollywood News

Ali Fazal’s Heartbreaking Fear: The Mirzapur Risk That Almost Ruined Him

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Ali Fazal's Shocking Powerful Mirzapur Revelation

Ali Fazal is now a global giant, but his rise was fraught with danger. Before becoming the renowned, muscle-bound, gun-toting Guddu Pandit of Mirzapur, he faced a horrible crossroads. He was a rising star in Indian cinema, having previously charmed audiences with sweet, romantic, and Hollywood roles. Then, a dark, gritty script appeared on his desk. It was violent, raw, and utterly unprecedented in Indian streaming. The actor reportedly admitted that he was struck by extreme anxiety before signing the contract. The apprehension sprang not only from the prospect of playing a merciless mobster, but also from heated, frightening warnings from industry insiders.



The Ominous Warnings From Bollywood Insiders

When Ali Fazal first began discussing the role of Guddu Pandit, his industry colleagues were overwhelmingly unfavourable. Several filmmakers and instructors advised him against entering the gloomy realm of Mirzapur. OTT platforms in India were still in their early stages at the time. The established conventions of Bollywood mandated that a starring male should remain on the silver screen. Insiders warned him that producing a web series would be a major setback for his career. They cautioned him that portraying a foul-mouthed, violent character would forever damage his romantic hero image.


Gripped By Terror and Deep Self-Doubt

The actor was under intense psychological pressure. “I was scared at that time,” Ali Fazal confessed bluntly in a recent interview. He was scared that he was making a huge mistake. The character’s extreme ferocity necessitated a comprehensive physical and emotional redesign. He questioned if he could carry off such a threat without losing his current fanbase. The fear of failure loomed huge, prompting him to mistrust his artistic inclinations. Every piece of advise he received told him to abandon the project, leaving him feeling incredibly isolated.


Shattering the Traditional Hero Stereotype

Despite his enormous apprehension, something deep within Ali Fazal compelled him to take the plunge. He understood that the world of storytelling was changing rapidly. He chose to buck the traditional thinking of Bollywood hitmakers, who preferred safe, formulaic films. Stepping into Guddu Pandit’s shoes required him to entirely abandon his vanity. He gave in his elegant, clean-cut appearance for bulked-up muscles, a shaved head, and a limp. It was a violent rejection of the traditional hero stereotype that had held back Indian actors for decades.

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A Risk That Rewrote Indian Streaming History

The gambit came off in an unexpected way, surprising even his sharpest critics. Mirzapur’s release was not only successful; it also became a cultural phenomenon. Ali’s scary yet extremely empathic portrayal of a youngster trapped into a criminal life gripped audiences right away. The very filmmakers who had cautioned him away were now screaming his praises. His performance demonstrated that Indian audiences are hungry for nuanced, flawed individuals. He not only saved his career by embracing his innermost anxieties, but he also revolutionised what it means to be a celebrity in the digital age.


Embracing The Fear To Find Greatness

Looking back, Ali Fazal sees the moment of tremendous dread as a crucial trigger for his development. The event taught him that the most rewarding artistic successes are frequently hidden behind our worst fears. If he had followed the cautious, conservative recommendations of the industry elite, the world would not have witnessed Guddu Pandit’s brilliance. His journey serves as a striking example of trusting one’s creative intuition above industry gossip. For Ali, fear was no longer a call to retreat, but rather a clear indication that he was about to create something truly special.


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