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Story Of An Actor Who Was Afraid Of Acting In School And At 42 Acting Become His First Love

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Story Of An Actor Who Was Afraid Of Acting In School And At 42 Acting Become His First Love

Famous actors of Marathi and Hindi cinema, Dr. Shri Ram died on Tuesday, at the age of 92, he breathed his last in Pune. He was also called the real Natsamrat of Marathi theater. But do you know that when he worked in a school play in childhood, he was so scared that he decided to never perform on stage again. In one of his interviews, he revealed some unknown stories of his life.

Also Read: TRAILER OF CHHAPAAK IS RELEASED.

Five Unknown Stories Of ShreeRam’s Life

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1. Fear Of Acting

He said, “My school (Bhave School, Pune) had a tradition of doing drama. There I had to act at a very young age. But I got scared and messed everything up. Then I decided that again I would not dare to perform on stage. However, during this time I used to watch Marathi play and was a fan of artists like Nanasaheb Pathak, Keshavrao Date, Mama Pendse, and Master Dinanath. During E School I acted with Hollywood giants like Paul Muni, Spencer Tracy, Lauren Oliver, Greta Garbo, Norma Shearer, and Ingrid Bergman. I was applauded, but there was still a fear of acting somewhere in my mind. “

2. Acting Became First Love In Medical College

Dr. Lagoo had told in his interview that when he enrolled in medical college, he did 5 big plays in those five years. For this, he was highly appreciated and praised. This is where acting became his first love. Later he did post-graduation in ENT and started a medical practice. However, during this time he continued his acting journey with the Progressive Dramatics Association. But it was becoming difficult to keep pace with two careers and they had to take a final decision on choosing one. During this time, he spent three years in Africa, where he could not take part in the play. But on returning from there, he decided to become a fulltime actor and said bye-bye to the medical line. It was in 1969 and he was 42 at the time.

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3. 8 Play Flops, Then Natsamrat

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According to his interview, when he became a fulltime actor, his first 8 big shows flopped badly. But his acting continued to be appreciated. He was waiting for a perfect break when he got ‘Natsamrat’, a family drama that touched the day. The play was well received and became an overnight star. During this time, his work was also liked in ‘Kachecha Chandra’ and ‘Gidhade’, due to which he remained in the headlines. He later appeared in popular plays like ‘Himalayachi Savli’, ‘Udvast Dharamshala’ and ‘Socrates’.

4. Debut: Marathi Hit, Flop In Hindi      

Lagoo made her big-screen debut with the 1972 Marathi film Pinjra. He admitted in the interview that he got work in films only because of the success of the drama. He had said, “The success of the drama brought me into films. My first Marathi film ‘Pinjra’ proved to be a super hit. It was later shot frame-by-frame in Hindi by director V. Shantaram, but the experiment failed badly. “

5. Obligation On Father, Uncle’s Role In Hindi Films

He had said in the interview, “I soon realized in Hindi films that I am obliged to play the role of father or uncle because of delayed entry, strange looks, and commercially determined trends in cinema. I have done more than 150 Worked in Hindi films. But among them select films including ‘Gharonda’, ‘Kinara’, ‘Denial’, ‘Insaaf Ka Taraju’, ‘Saajan Bina Suhagan’, ‘Ek Din Duddha’ and ‘Ek Pal’ It is remembered.

Also Read: AJAY DEVGAN STARRER TANAJI WILL ALSO BE RELEASED IN MARATHI

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Kunal Kemmu Reveals Crucial, Heartbreaking Struggle of Being Jobless

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Kunal Kemmu Reveals Crucial, Heartbreaking Struggle of Being Jobless

The glamour and glamour of Bollywood can mislead us to the hard, cold reality that lies behind the velvet curtains. We see the flashing cameras, beautiful attire, and thunderous ovation, but we rarely see a gifted artist’s quiet anguish as he waits for the phone call.

Recently, the immensely adaptable Kunal Kemmu shattered this shiny façade by revealing a terribly difficult period in his career. Despite his established acting talent and irresistible charm, the actor disclosed a heartbreaking truth that many in the creative business covertly face.

He openly discussed being unemployed for six months to a year. This devastating revelation serves as a sharp reminder that in the entertainment industry, success is dangerously transitory and rejection is an ever-present shadow.

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The Toxic Illusion of Industry Advice

When a picture fails to do well at the box office, the implications for an actor can be swift and severe. Kunal Kemmu described how a single project’s failure entirely halted his momentum, severing a blossoming career and leaving him stuck at home.

During this dark and alienating era, well-meaning strangers and business insiders raced to offer him advice. However, the nature of this advise emphasises the superficial, performance mentality that pervades the entertainment industry.

Instead of being told to improve his skills or patiently wait for a story that matched his talent, he was subjected to odd societal demands. People sincerely recommended him to hire aggressive public relations personnel, hold lavish parties, network tirelessly, and give expensive presents to key persons in order to remain relevant.


Rejecting the Performative Circus

For an actor who has always prioritised depth above theatrics, this trite counsel felt completely out of place. Kunal Kemmu said that, while such transactional approaches may work for some people, they do not accord with his underlying principles.

The strain to play an off-camera role can be just as stressful as presenting a complex character on stage. Kunal chose not to participate in the superficial lifestyle of mailing gifts or throwing fictitious gatherings only to get a film role.

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Instead of feeding a frantic public relations narrative, he chose to maintain his personal dignity while emphasising his artistic ability. This modest disregard of industry standards demonstrates the enormous mental strength required to endure the unpredictable nature of Indian cinema.


The psychological toll of being creative while unemployed is a significant problem that few celebrities openly mention. Kunal Kemmu did not hold back while recounting the extreme uneasiness and paralysing worry that overwhelmed him throughout his year-long forced leave.

When you are entirely out of employment, a corrosive loop of self-doubt will inevitably take over your head. The actor admitted to continually worrying if he’d ever get the opportunity to appear in front of a camera again.

This great vulnerability reveals a universal reality about the performing profession. Whether you are a famous superstar or a struggling newbie, the frightening unpredictability of the entertainment industry spares no one.

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The Actor’s Ultimate Dilemma

Aside from the emotional discomfort, a protracted lack of work throws an artist into a corner, posing a significant ethical quandary. Actors are constantly torn between waiting for high-quality scripts and accepting substandard assignments solely for financial survival.

Kunal Kemmu acknowledged the agonising struggle that most creative professionals undergo at certain stages in their careers. The fear of being forgotten by the public drives many artists to make significant compromises to their artistic integrity.

It takes a lot of patience and self-belief to say no to subpar job when your calendar is empty. Kunal’s tale demonstrates that following your intuition can be extremely painful but eventually beneficial.


Embracing the Ever-Changing Acts of Life

Today, Kunal Kemmu is experiencing a stunning professional renaissance, juggling acting commitments, hosting a major reality program, and celebrating directing success. Nonetheless, he remains delightfully grounded, acutely aware that the current spotlight is not certain to last forever.
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He sees his career as a long film that unfolds brilliantly through distinct acts, rather than a constant apex. This realistic viewpoint enables him to enjoy his current hectic schedule without getting arrogant or complacent.
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Kunal has brought consolation to other artists who are going through their own silent challenges by revealing his difficult period of unemployment. His narrative demonstrates that genuine genius does not require transactional gifts or contrived parties to achieve its proper position in the light.


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