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Supreme Court to hear plea filed by Amol Palekar challenging pre-censorship of films in India

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Supreme Court to hear plea filed by Amol Palekar challenging pre-censorship of films in India

Supreme Court has agreed to hear a plea that challenges several provisions of the Cinematograph (Amendment) Act, 2023, including pre-censorship of films.

The Supreme Court on Tuesday said it would hear in January a plea which has raised the issue concerning pre-censorship of films. In April 2017, the apex court sought responses from the Centre and the Central Board of Film Certification (CBFC) on the plea filed by veteran actor-director Amol Palekar. (Also read: Onir on censorship on OTT: Platforms want films to first go through CBFC)

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What is the plea challenging?

The matter came up for hearing before a bench of justices B R Gavai and K V Viswanathan. “Why should all such petitions be filed directly before to the Supreme Court,” the bench asked.

The counsel appearing for the petitioner said the pleadings in the matter were complete. “It is our respectful submission that documentaries do not fall within the definition of cinematograph as defined under the Act (Cinematograph Act),” the lawyer said.

When the lawyer referred to the prayers made in the plea, the bench observed it also relates to pre-censorship of films.

The petitioner’s counsel said the government had notified the Cinematograph (Amendment) Act, 2023 in August last year but that does not address the concerns raised in the petition. He requested the bench to take up the matter for hearing in January and said he would place on record a short written synopsis.

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The centre’s argument

Additional Solicitor General Aishwarya Bhati, appearing for the Centre, said it would be better if the apex court has the advantage of a high court determination on the issues raised by the petitioner. Bhati referred to the issue of regulations for Over-The-Top (OTT) platforms.

When the petitioner’s counsel said that does not deal with documentaries, the law officer said, “It is a developing field.”

“As requested by counsel for the petitioner(s), list these matters in the week commencing from January 15, 2025,” the bench said. The plea has challenged several provisions of the Cinematography Act and said pre-censorship of movies was irrelevant in the internet era.The Supreme Court of India is set to hear a plea filed by.

veteran actor and filmmaker Amol Palekar, challenging the practice of pre-censorship of films in the country. Palekar’s petition seeks a review of the existing system under which films are subjected to pre-censorship before they are released to the public. The actor has raised concerns over the implications this process has on creative freedom and expression in Indian cinema.

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The plea argues that pre-censorship restricts filmmakers’ artistic freedom, as the Central Board of Film Certification (CBFC) often imposes cuts or modifications based on subjective interpretations of what is deemed suitable for audiences.

Palekar believes this process undermines the role of cinema as a medium for free expression and cultural dialogue. In his petition, he has called for a more transparent and accountable process, one that respects the creative autonomy of filmmakers while ensuring that the film content adheres to legal and moral guidelines.

The issue of film censorship in India has been a long-standing debate, with many in the film industry advocating for reforms to ensure more creative freedom. Several filmmakers have faced challenges in getting.

their work certified, with many to claiming that the CBFC’s guidelines are outdated and overly conservative. The upcoming Supreme Court hearing holds the potential to address these concerns and redefine the boundaries of censorship in Indian cinema.

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#AmolPalekar #FilmCensorship #PreCensorship #SupremeCourt #CreativeFreedom #CBFC #IndianCinema #FilmIndustry #FreedomOfExpression #ArtisticFreedom

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Ali Fazal’s Heartbreaking Fear: The Mirzapur Risk That Almost Ruined Him

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Ali Fazal's Shocking Powerful Mirzapur Revelation

Ali Fazal is now a global giant, but his rise was fraught with danger. Before becoming the renowned, muscle-bound, gun-toting Guddu Pandit of Mirzapur, he faced a horrible crossroads. He was a rising star in Indian cinema, having previously charmed audiences with sweet, romantic, and Hollywood roles. Then, a dark, gritty script appeared on his desk. It was violent, raw, and utterly unprecedented in Indian streaming. The actor reportedly admitted that he was struck by extreme anxiety before signing the contract. The apprehension sprang not only from the prospect of playing a merciless mobster, but also from heated, frightening warnings from industry insiders.



The Ominous Warnings From Bollywood Insiders

When Ali Fazal first began discussing the role of Guddu Pandit, his industry colleagues were overwhelmingly unfavourable. Several filmmakers and instructors advised him against entering the gloomy realm of Mirzapur. OTT platforms in India were still in their early stages at the time. The established conventions of Bollywood mandated that a starring male should remain on the silver screen. Insiders warned him that producing a web series would be a major setback for his career. They cautioned him that portraying a foul-mouthed, violent character would forever damage his romantic hero image.


Gripped By Terror and Deep Self-Doubt

The actor was under intense psychological pressure. “I was scared at that time,” Ali Fazal confessed bluntly in a recent interview. He was scared that he was making a huge mistake. The character’s extreme ferocity necessitated a comprehensive physical and emotional redesign. He questioned if he could carry off such a threat without losing his current fanbase. The fear of failure loomed huge, prompting him to mistrust his artistic inclinations. Every piece of advise he received told him to abandon the project, leaving him feeling incredibly isolated.


Shattering the Traditional Hero Stereotype

Despite his enormous apprehension, something deep within Ali Fazal compelled him to take the plunge. He understood that the world of storytelling was changing rapidly. He chose to buck the traditional thinking of Bollywood hitmakers, who preferred safe, formulaic films. Stepping into Guddu Pandit’s shoes required him to entirely abandon his vanity. He gave in his elegant, clean-cut appearance for bulked-up muscles, a shaved head, and a limp. It was a violent rejection of the traditional hero stereotype that had held back Indian actors for decades.

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A Risk That Rewrote Indian Streaming History

The gambit came off in an unexpected way, surprising even his sharpest critics. Mirzapur’s release was not only successful; it also became a cultural phenomenon. Ali’s scary yet extremely empathic portrayal of a youngster trapped into a criminal life gripped audiences right away. The very filmmakers who had cautioned him away were now screaming his praises. His performance demonstrated that Indian audiences are hungry for nuanced, flawed individuals. He not only saved his career by embracing his innermost anxieties, but he also revolutionised what it means to be a celebrity in the digital age.


Embracing The Fear To Find Greatness

Looking back, Ali Fazal sees the moment of tremendous dread as a crucial trigger for his development. The event taught him that the most rewarding artistic successes are frequently hidden behind our worst fears. If he had followed the cautious, conservative recommendations of the industry elite, the world would not have witnessed Guddu Pandit’s brilliance. His journey serves as a striking example of trusting one’s creative intuition above industry gossip. For Ali, fear was no longer a call to retreat, but rather a clear indication that he was about to create something truly special.


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