Bollywood
Kartik Aaryan’s Rooh Baba tap dances in the title song of Bhool Bhulaiyaa 2
The title song for Bhool Bhulaiyaa 2 is out, and it features Kartik Aaryan in a black suit, doing a mix of tap dancing and moonwalking. A cat appears in the song as he grooves to the beats, which are partially similar to the original Akshay Kumar version. The song is, however, a far cry from the upbeat original, which featured Akshay grooving in a tee and denims.
In just 24 hours, Kartik released the song in four cities: Chandigarh, Lucknow, Delhi, and Gurgaon. Neeraj Shridhar performed it, with music by Tanishk Bagchi and Pritam and additional lyrics by Mandy Gill (Jam8).
Kartik, Tabu, Kiara Advani, and Sanjay Mishra are among the new cast members in Bhool Bhulaiyaa 2. Rajpal Yadav, who played the priest Chhota Pandit in the first film, is the only returning cast member. “Rajpal was fantastic in the first film, along with the rest of the cast, including Paresh Rawal ji,” director Anees Bazmee said, claiming that there are three pandits in the new film. There were three pandit characters here when we were writing the sequel. This provided me with the opportunity to enlist Rajpal’s help.
Priyadarshan directed the 2007 film, which starred Akshay Kumar as a psychiatrist tasked with determining the cause of supernatural activities in a mansion. Kartik Aaryan plays a role similar to Akshay Kumar’s in the sequel.
Anees Bazmee, the director, has stated that he wants to make the film solely as a horror comedy, avoiding any “direct comparisons” with the original film’s psychological thriller element. “When you watch this film, it will remind you of the first part, but it isn’t exactly the same,” he said. What is the point of making a sequel if I can give you the same film? Essentially, my film is a horror comedy. You’ll keep seeing glimpses of the world, but you’ll always be watching something new.
Bollywood
In a BTS video, Alia Bhatt shows off her moodboard for the MET Gala.
At the Met Gala on Monday, Alia Bhatt was one of the celebs with the nicest outfits. This is what transpired in the hours leading up to her red carpet debut.
Not only does raising a child require a village, but preparing a Bollywood star for the MET Gala also requires. A behind-the-scenes video of Alia Bhatt getting ready for the MET Gala in her hotel room was released by Vogue magazine on Monday night. It depicts her getting ready, doing cosmetics and hair, draping the saree, and explaining the motivation behind her appearance.
What is shown in the film?
After nine years of collaboration, Alia says in the video about how well Puneet B. Saini, her makeup artist, understands her. She mentioned that when Puneet received the ideal birthday present for Alia, her sister Shaheen Bhatt used to become furious.
The actress donned a Sabyasachi saree that Anaita Shrofff Adajani had fashioned. According to Anaita, the saree had the three components that constituted this year’s gala theme: the blue hue of the sky and water, as well as embroidered flowers representing the land.
The group also displayed the look’s airy, vintage Hollywood, and Parsi cultural inspirations. Alia displayed a picture of the retro hairstyle she intended to wear that evening. She received exactly what she desired from hairstylist Amit Thakur.
Alia’s saree designer, Sabyasachi Mukherjee, talked on the distinctiveness of Indian fashion. Alia also remembered her first Teacher’s Day in Class 9 saree experience. She said that by the time she got to school, the pleats on her saree had come undone, so she had to go to the loo to mend them.
2024 Met Gala
An enchanting show of ingenuity was made possible by this year’s Met Gala’s theme, Sleeping Beauties: Reawakening Fashion, and its “The Garden of Time” dress code.
Alia Bhatt’s Sabyasachi saree outfit choice was ideal for the theme; it captured the spirit of elegance and timelessness.
Alia posted pictures from her Met Gala experience on Instagram, including a behind-the-scenes peek at how her stunning dress was made.
Alia revealed the astounding amount of work that went into creating the masterpiece, revealing that 1965 man hours were needed. She conveyed her appreciation to the 163 committed participants in the process, which included skilled artisans, embroiderers, painters, and dyers.
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