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Abandoned Barbie dolls turn up in works of art, folk tales, poems

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Abandoned Barbie dolls turn up in works of art, folk tales, poems

S Devaki, a homemaker from Thiruvananthapuram, is using her grandchildren’s abandoned Mattel dolls to recreate scenes from her favourite works of art, epics, poems and folk tales. 

Homemaker S Devaki from Thiruvananthapuram found a cache of Barbie and Ken dolls abandoned by her grandchildren, during a spell of home renovation. She decided to use them to tell traditional Indian tales. She now recreates scenes from epics, poems, folk tales and classical works of art, in elaborate tableaus built around the dolls.(Photo courtesy: S Devaki)
Homemaker S Devaki from Thiruvananthapuram found a cache of Barbie and Ken dolls abandoned by her grandchildren, during a spell of home renovation. She decided to use them to tell traditional Indian tales. She now recreates scenes from epics, poems, folk tales and classical works of art, in elaborate tableaus built around the dolls.(Photo courtesy: S Devaki)
Devaki’s latest creation draws on the Ramayana. It shows Sita pointing to a deer in the forests of Panchvati, asking Ram and Laxman to capture it for her as a pet. Since November, Devaki has been sharing her work on Instagram, @devaki_palazhi. She makes all the backdrops, props and costumes herself, and makes the jewellery from odds and ends.(Photo courtesy; S Devaki)Devaki’s latest creation draws on the Ramayana. It shows Sita pointing to a deer in the forests of Panchvati, asking Ram and Laxman to capture it for her as a pet. Since November, Devaki has been sharing her work on Instagram, @devaki_palazhi. She makes all the backdrops, props and costumes herself, and makes the jewellery from odds and ends.(Photo courtesy; S Devaki)
This tableau depicts Matsyagandhi and the sage Parashara in a boat, about to embark on the journey that will culminate in the birth of the sage Vyasa, who first compiled the Mahabharata. As more people come upon Devaki’s work, on local news platforms and online, they have begun sending her their unused dolls too. Devaki now has a collection of 21. (Photo courtesy: S Devki)This tableau depicts Matsyagandhi and the sage Parashara in a boat, about to embark on the journey that will culminate in the birth of the sage Vyasa, who first compiled the Mahabharata. As more people come upon Devaki’s work, on local news platforms and online, they have begun sending her their unused dolls too. Devaki now has a collection of 21. (Photo courtesy: S Devki)
This tableau is based on a Malayalam poem by Kumaran Asan. It depicts Chandalabhikshuki, a lower-caste beggar, asking Upagupta, one of Buddha’s disciples, for water. It’s not easy to get it all just right, Devaki says. It can take up to two weeks to perfect a scene.(Photo courtesy: S Devaki)This tableau is based on a Malayalam poem by Kumaran Asan. It depicts Chandalabhikshuki, a lower-caste beggar, asking Upagupta, one of Buddha’s disciples, for water. It’s not easy to get it all just right, Devaki says. It can take up to two weeks to perfect a scene.(Photo courtesy: S Devaki)
Dressed in lace and tulle, this doll has been repurposed to depict Menaka, the most beautiful of the mythical apsaras. The first thing Devaki did when starting to create her tableaux, she says laughing, was to dye all the dolls’ hair black.(Photo courtesy: S Devaki)Dressed in lace and tulle, this doll has been repurposed to depict Menaka, the most beautiful of the mythical apsaras. The first thing Devaki did when starting to create her tableaux, she says laughing, was to dye all the dolls’ hair black.(Photo courtesy: S Devaki)
Not all stories have literary themes. Some of her dolls are dressed in the traditional kasavu sarees and mundus of Kerala, made using strips from Devaki’s own old saris.(Photo courtesy: S Devaki)Not all stories have literary themes. Some of her dolls are dressed in the traditional kasavu sarees and mundus of Kerala, made using strips from Devaki’s own old saris.(Photo courtesy: S Devaki)
In this tableau, Raja Ravi Varma’s 1898 painting Shakuntala is recreated, with a doll leaning backwards to take a thorn from her heel, as she looks over her shoulder for her lover. As in the painting, Devaki’s Shakuntala is wearing an orange sari, wreaths of flowers around her neck, wrist and hair, and is accompanied by two friends.(Photo courtesy: S Devaki)In this tableau, Raja Ravi Varma’s 1898 painting Shakuntala is recreated, with a doll leaning backwards to take a thorn from her heel, as she looks over her shoulder for her lover. As in the painting, Devaki’s Shakuntala is wearing an orange sari, wreaths of flowers around her neck, wrist and hair, and is accompanied by two friends.(Photo courtesy: S Devaki)

Complete News Source : Hindustan Times

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Kunal Kemmu Reveals Crucial, Heartbreaking Struggle of Being Jobless

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Kunal Kemmu Reveals Crucial, Heartbreaking Struggle of Being Jobless

The glamour and glamour of Bollywood can mislead us to the hard, cold reality that lies behind the velvet curtains. We see the flashing cameras, beautiful attire, and thunderous ovation, but we rarely see a gifted artist’s quiet anguish as he waits for the phone call.

Recently, the immensely adaptable Kunal Kemmu shattered this shiny façade by revealing a terribly difficult period in his career. Despite his established acting talent and irresistible charm, the actor disclosed a heartbreaking truth that many in the creative business covertly face.

He openly discussed being unemployed for six months to a year. This devastating revelation serves as a sharp reminder that in the entertainment industry, success is dangerously transitory and rejection is an ever-present shadow.

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The Toxic Illusion of Industry Advice

When a picture fails to do well at the box office, the implications for an actor can be swift and severe. Kunal Kemmu described how a single project’s failure entirely halted his momentum, severing a blossoming career and leaving him stuck at home.

During this dark and alienating era, well-meaning strangers and business insiders raced to offer him advice. However, the nature of this advise emphasises the superficial, performance mentality that pervades the entertainment industry.

Instead of being told to improve his skills or patiently wait for a story that matched his talent, he was subjected to odd societal demands. People sincerely recommended him to hire aggressive public relations personnel, hold lavish parties, network tirelessly, and give expensive presents to key persons in order to remain relevant.


Rejecting the Performative Circus

For an actor who has always prioritised depth above theatrics, this trite counsel felt completely out of place. Kunal Kemmu said that, while such transactional approaches may work for some people, they do not accord with his underlying principles.

The strain to play an off-camera role can be just as stressful as presenting a complex character on stage. Kunal chose not to participate in the superficial lifestyle of mailing gifts or throwing fictitious gatherings only to get a film role.

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Instead of feeding a frantic public relations narrative, he chose to maintain his personal dignity while emphasising his artistic ability. This modest disregard of industry standards demonstrates the enormous mental strength required to endure the unpredictable nature of Indian cinema.


The psychological toll of being creative while unemployed is a significant problem that few celebrities openly mention. Kunal Kemmu did not hold back while recounting the extreme uneasiness and paralysing worry that overwhelmed him throughout his year-long forced leave.

When you are entirely out of employment, a corrosive loop of self-doubt will inevitably take over your head. The actor admitted to continually worrying if he’d ever get the opportunity to appear in front of a camera again.

This great vulnerability reveals a universal reality about the performing profession. Whether you are a famous superstar or a struggling newbie, the frightening unpredictability of the entertainment industry spares no one.

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The Actor’s Ultimate Dilemma

Aside from the emotional discomfort, a protracted lack of work throws an artist into a corner, posing a significant ethical quandary. Actors are constantly torn between waiting for high-quality scripts and accepting substandard assignments solely for financial survival.

Kunal Kemmu acknowledged the agonising struggle that most creative professionals undergo at certain stages in their careers. The fear of being forgotten by the public drives many artists to make significant compromises to their artistic integrity.

It takes a lot of patience and self-belief to say no to subpar job when your calendar is empty. Kunal’s tale demonstrates that following your intuition can be extremely painful but eventually beneficial.


Embracing the Ever-Changing Acts of Life

Today, Kunal Kemmu is experiencing a stunning professional renaissance, juggling acting commitments, hosting a major reality program, and celebrating directing success. Nonetheless, he remains delightfully grounded, acutely aware that the current spotlight is not certain to last forever.
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He sees his career as a long film that unfolds brilliantly through distinct acts, rather than a constant apex. This realistic viewpoint enables him to enjoy his current hectic schedule without getting arrogant or complacent.
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Kunal has brought consolation to other artists who are going through their own silent challenges by revealing his difficult period of unemployment. His narrative demonstrates that genuine genius does not require transactional gifts or contrived parties to achieve its proper position in the light.


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