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Abandoned Barbie dolls turn up in works of art, folk tales, poems

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2 years ago

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Abandoned Barbie dolls turn up in works of art, folk tales, poems

S Devaki, a homemaker from Thiruvananthapuram, is using her grandchildren’s abandoned Mattel dolls to recreate scenes from her favourite works of art, epics, poems and folk tales. 

Homemaker S Devaki from Thiruvananthapuram found a cache of Barbie and Ken dolls abandoned by her grandchildren, during a spell of home renovation. She decided to use them to tell traditional Indian tales. She now recreates scenes from epics, poems, folk tales and classical works of art, in elaborate tableaus built around the dolls.(Photo courtesy: S Devaki)
Homemaker S Devaki from Thiruvananthapuram found a cache of Barbie and Ken dolls abandoned by her grandchildren, during a spell of home renovation. She decided to use them to tell traditional Indian tales. She now recreates scenes from epics, poems, folk tales and classical works of art, in elaborate tableaus built around the dolls.(Photo courtesy: S Devaki)
Devaki’s latest creation draws on the Ramayana. It shows Sita pointing to a deer in the forests of Panchvati, asking Ram and Laxman to capture it for her as a pet. Since November, Devaki has been sharing her work on Instagram, @devaki_palazhi. She makes all the backdrops, props and costumes herself, and makes the jewellery from odds and ends.(Photo courtesy; S Devaki)Devaki’s latest creation draws on the Ramayana. It shows Sita pointing to a deer in the forests of Panchvati, asking Ram and Laxman to capture it for her as a pet. Since November, Devaki has been sharing her work on Instagram, @devaki_palazhi. She makes all the backdrops, props and costumes herself, and makes the jewellery from odds and ends.(Photo courtesy; S Devaki)
This tableau depicts Matsyagandhi and the sage Parashara in a boat, about to embark on the journey that will culminate in the birth of the sage Vyasa, who first compiled the Mahabharata. As more people come upon Devaki’s work, on local news platforms and online, they have begun sending her their unused dolls too. Devaki now has a collection of 21. (Photo courtesy: S Devki)This tableau depicts Matsyagandhi and the sage Parashara in a boat, about to embark on the journey that will culminate in the birth of the sage Vyasa, who first compiled the Mahabharata. As more people come upon Devaki’s work, on local news platforms and online, they have begun sending her their unused dolls too. Devaki now has a collection of 21. (Photo courtesy: S Devki)
This tableau is based on a Malayalam poem by Kumaran Asan. It depicts Chandalabhikshuki, a lower-caste beggar, asking Upagupta, one of Buddha’s disciples, for water. It’s not easy to get it all just right, Devaki says. It can take up to two weeks to perfect a scene.(Photo courtesy: S Devaki)This tableau is based on a Malayalam poem by Kumaran Asan. It depicts Chandalabhikshuki, a lower-caste beggar, asking Upagupta, one of Buddha’s disciples, for water. It’s not easy to get it all just right, Devaki says. It can take up to two weeks to perfect a scene.(Photo courtesy: S Devaki)
Dressed in lace and tulle, this doll has been repurposed to depict Menaka, the most beautiful of the mythical apsaras. The first thing Devaki did when starting to create her tableaux, she says laughing, was to dye all the dolls’ hair black.(Photo courtesy: S Devaki)Dressed in lace and tulle, this doll has been repurposed to depict Menaka, the most beautiful of the mythical apsaras. The first thing Devaki did when starting to create her tableaux, she says laughing, was to dye all the dolls’ hair black.(Photo courtesy: S Devaki)
Not all stories have literary themes. Some of her dolls are dressed in the traditional kasavu sarees and mundus of Kerala, made using strips from Devaki’s own old saris.(Photo courtesy: S Devaki)Not all stories have literary themes. Some of her dolls are dressed in the traditional kasavu sarees and mundus of Kerala, made using strips from Devaki’s own old saris.(Photo courtesy: S Devaki)
In this tableau, Raja Ravi Varma’s 1898 painting Shakuntala is recreated, with a doll leaning backwards to take a thorn from her heel, as she looks over her shoulder for her lover. As in the painting, Devaki’s Shakuntala is wearing an orange sari, wreaths of flowers around her neck, wrist and hair, and is accompanied by two friends.(Photo courtesy: S Devaki)In this tableau, Raja Ravi Varma’s 1898 painting Shakuntala is recreated, with a doll leaning backwards to take a thorn from her heel, as she looks over her shoulder for her lover. As in the painting, Devaki’s Shakuntala is wearing an orange sari, wreaths of flowers around her neck, wrist and hair, and is accompanied by two friends.(Photo courtesy: S Devaki)

Complete News Source : Hindustan Times

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According to Kangana Ranaut, she and Shah Rukh Khan represent the final generation of stars. “Stars nahin ban rahe hain OTT pe”

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1 month ago

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March 28, 2024

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According to Kangana Ranaut, she and Shah Rukh Khan represent the final generation of stars. “Stars nahin ban rahe hain OTT pe”

Kangana Ranaut has denied speculations about joining politics solely due to the box office failure of her films.

Kangana Ranaut, the BJP’s Lok Sabha candidate from Mandi for the 2024 elections, expressed gratitude towards Prime Minister Narendra Modi for her political entrance. In an interview with Times Now, she questioned whether she joined politics due to her movies’ poor box office performance, comparing it to Shah Rukh Khan’s previous unsuccessful films.

Reacting to her films’ box office failure, Kangana Ranaut

Kangana responded to a question about her career, stating that she has never had a flop. She compared Shah Rukh Khan’s films to Pathaan, Queen, and Manikarnika, noting that if she had a flop in Emergency, it would be a big hit. Kangana compared her career to Shah Rukh Khan, who had consecutive flops for ten years. She also mentioned that she had not had a single hit for 7-8 years before Queen, but after that, she had a few good movies.

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No stars from OTT?

The last generation of stars, known for their talent and demand, are now able to showcase their talents more through OTT. However, the author expresses a desire to involve themselves more with the real world, rather than being consumed by the arts, stating that they are not satisfied with the current status quo.

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