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Abandoned Barbie dolls turn up in works of art, folk tales, poems

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Abandoned Barbie dolls turn up in works of art, folk tales, poems

S Devaki, a homemaker from Thiruvananthapuram, is using her grandchildren’s abandoned Mattel dolls to recreate scenes from her favourite works of art, epics, poems and folk tales. 

Homemaker S Devaki from Thiruvananthapuram found a cache of Barbie and Ken dolls abandoned by her grandchildren, during a spell of home renovation. She decided to use them to tell traditional Indian tales. She now recreates scenes from epics, poems, folk tales and classical works of art, in elaborate tableaus built around the dolls.(Photo courtesy: S Devaki)
Homemaker S Devaki from Thiruvananthapuram found a cache of Barbie and Ken dolls abandoned by her grandchildren, during a spell of home renovation. She decided to use them to tell traditional Indian tales. She now recreates scenes from epics, poems, folk tales and classical works of art, in elaborate tableaus built around the dolls.(Photo courtesy: S Devaki)
Devaki’s latest creation draws on the Ramayana. It shows Sita pointing to a deer in the forests of Panchvati, asking Ram and Laxman to capture it for her as a pet. Since November, Devaki has been sharing her work on Instagram, @devaki_palazhi. She makes all the backdrops, props and costumes herself, and makes the jewellery from odds and ends.(Photo courtesy; S Devaki)Devaki’s latest creation draws on the Ramayana. It shows Sita pointing to a deer in the forests of Panchvati, asking Ram and Laxman to capture it for her as a pet. Since November, Devaki has been sharing her work on Instagram, @devaki_palazhi. She makes all the backdrops, props and costumes herself, and makes the jewellery from odds and ends.(Photo courtesy; S Devaki)
This tableau depicts Matsyagandhi and the sage Parashara in a boat, about to embark on the journey that will culminate in the birth of the sage Vyasa, who first compiled the Mahabharata. As more people come upon Devaki’s work, on local news platforms and online, they have begun sending her their unused dolls too. Devaki now has a collection of 21. (Photo courtesy: S Devki)This tableau depicts Matsyagandhi and the sage Parashara in a boat, about to embark on the journey that will culminate in the birth of the sage Vyasa, who first compiled the Mahabharata. As more people come upon Devaki’s work, on local news platforms and online, they have begun sending her their unused dolls too. Devaki now has a collection of 21. (Photo courtesy: S Devki)
This tableau is based on a Malayalam poem by Kumaran Asan. It depicts Chandalabhikshuki, a lower-caste beggar, asking Upagupta, one of Buddha’s disciples, for water. It’s not easy to get it all just right, Devaki says. It can take up to two weeks to perfect a scene.(Photo courtesy: S Devaki)This tableau is based on a Malayalam poem by Kumaran Asan. It depicts Chandalabhikshuki, a lower-caste beggar, asking Upagupta, one of Buddha’s disciples, for water. It’s not easy to get it all just right, Devaki says. It can take up to two weeks to perfect a scene.(Photo courtesy: S Devaki)
Dressed in lace and tulle, this doll has been repurposed to depict Menaka, the most beautiful of the mythical apsaras. The first thing Devaki did when starting to create her tableaux, she says laughing, was to dye all the dolls’ hair black.(Photo courtesy: S Devaki)Dressed in lace and tulle, this doll has been repurposed to depict Menaka, the most beautiful of the mythical apsaras. The first thing Devaki did when starting to create her tableaux, she says laughing, was to dye all the dolls’ hair black.(Photo courtesy: S Devaki)
Not all stories have literary themes. Some of her dolls are dressed in the traditional kasavu sarees and mundus of Kerala, made using strips from Devaki’s own old saris.(Photo courtesy: S Devaki)Not all stories have literary themes. Some of her dolls are dressed in the traditional kasavu sarees and mundus of Kerala, made using strips from Devaki’s own old saris.(Photo courtesy: S Devaki)
In this tableau, Raja Ravi Varma’s 1898 painting Shakuntala is recreated, with a doll leaning backwards to take a thorn from her heel, as she looks over her shoulder for her lover. As in the painting, Devaki’s Shakuntala is wearing an orange sari, wreaths of flowers around her neck, wrist and hair, and is accompanied by two friends.(Photo courtesy: S Devaki)In this tableau, Raja Ravi Varma’s 1898 painting Shakuntala is recreated, with a doll leaning backwards to take a thorn from her heel, as she looks over her shoulder for her lover. As in the painting, Devaki’s Shakuntala is wearing an orange sari, wreaths of flowers around her neck, wrist and hair, and is accompanied by two friends.(Photo courtesy: S Devaki)

Complete News Source : Hindustan Times

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Amitabh Bachchan: The Heartbreaking Anxiety of Bollywood’s Greatest Icon

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Amitabh Bachchan: Candid Self-Doubt Confession

Even after five decades of cinematic dominance, Amitabh Bachchan still faces the quiet terrors of the midnight hour. The man who epitomised alpha-masculinity for generations of moviegoers recently made an unexpected confession that shocked his millions of admirers. He continues to have restless nights, locked in a vicious circle of intense self-doubt and crushing work stress.

This revelation is a huge wake-up call for anyone who thinks of him as an invincible acting colossus. It demonstrates that the heavy weight of perfectionism never fully fades, no matter how much celebrity you achieve.



The Haunting Midnight Echoes of Perfectionism

Imagine being a living legend and lying awake at 3 a.m. wondering if your previous performance was a complete failure. Bachchan admitted that he always repeats his sequences in his memory, haunted by the terrible feeling that they “could have been done better.”

This tremendous emotional sensitivity reveals a side of the megastar that the public has rarely seen. Onscreen, we witness the towering demeanour, booming baritone voice, and perfect delivery. But, behind closed doors, he suffers from the same paralysing fear that ordinary people face on a daily basis in the workplace.

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Why the Deepest Passion Breeds Internal Chaos

You might ask why a man who has won every major film award is so concerned about delivering a single sentence. True genius is rarely characterised by serenity of mind. For Bachchan, acting is more than a job; it is a sacred, consuming fire that demands flawless excellence every time.

When you care so deeply about your craft, every creative endeavour feels like a high-stakes bet on your entire legacy. This tremendous artistic drive is a two-edged blade that produces amazing art while completely destroying your mental serenity.


The Heavy Price of an Enduring Legacy

Living under the microscope of the public eye for fifty years has a catastrophic psychological impact. Every move Amitabh Bachchan makes is immediately analysed, criticised, or worshipped by countless millions of people.

That amount of tremendous expectation establishes a distinct, invisible prison of performance anxiety. The dreadful anxiety of disappointing his big audience keeps his thoughts racing long after the cameras stop rolling. It turns out that the view from the very top of the mountain is extremely lonely and filled with perpetual emotional danger.

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Normalizing the Silent Struggle with Mental Health

Bachchan has done an incredible amount to raise worldwide mental health awareness by publicly exposing his personal struggles with work stress. He has effectively removed the heavy veil of shame that typically surrounds the topic of anxiety, particularly among older generations.

If the ultimate “Angry Young Man” of Indian cinema can freely acknowledge to feeling inadequate, then everyone else has the right to be human as well. It is a welcome reminder that being overburdened by your commitments does not imply weakness.


The Relentless Creative Hunger That Never Sleeps

Finally, this severe self-doubt is the secret fuel that drives Amitabh Bachchan to labour continuously at an age when most people have retired. It’s a curious paradox: his severe inner agony serves as the driving reason behind his legendary longevity.

He refuses to rest on his past accomplishments or rely on his immense celebrity to get by. Every sleepless night reveals a man with the raw, eager heart of a novice. He remains gloriously, devastatingly uneasy about his work, which is precisely what makes him an everlasting force in film.

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