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Hansika Motwani: Regional films are a concept that only exists in India

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Hansika Motwani: Regional films are a concept that only exists in India

The regional films label, according to actress Hansika Motwani, only widens the gap between the diverse content being churned out in the Indian entertainment industry.

“I’ve noticed that while the concept of ‘Regional’ movies exists within our country, the rest of the world sees our films as ‘Indian Movies.’” “The scenario has completely changed now, especially after the remarkable success of certain films from the South,” Motwani says.

“The pan-Indian culture, which encompasses the collaboration of actors and technicians across the country, has opened up a new market,” she continues.

As an example, the 30-year-old cites the remake trend to demonstrate how content has always bridged regional divides.

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“There has always been a mutual exchange among the regional industries through remakes, even before this culture (of pan-India films) arose.” When a concept, idea, or story receives a lot of positive feedback, it’s time to remake it. It’s encouraging to see that, in every region with red carpets, people are now accepting films. It’s a positive sign, as it raises the profile of Indian cinema on the international stage,” says the actor, who works primarily in Tamil and Telugu films.

“There have been many instances where international films were available at film festivals for limited audiences,” Motwani continues, “but today, we are finding Korean and Japanese films released in movie theatres.” Our superstar Rajinikanth’s films, on the other hand, became box office hits in Japan during the 1990s. You can now see Baahubali’s and RRR’s box office figures.”

On the small screen, the actor made her debut with Shaka Laka Boom Boom, followed by Des Mein Niklla Hoga Chand, Koi… Mil Gaya, and Aap Kaa Surroor. Engeyum Kadhal, Velayudham, Oru Kal Oru Kannadi, Theeya Velai Seiyyanum Kumaru and Singam II, and Aranmanai helped her establish a strong base in other regions.

Her transition from Hindi to another language was seamless, with no stereotypes or prejudices to contend with.

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“Female actors have always been supported and respected in every industry, be it Hindi or other regional domains.” In any industry, there are advantages and disadvantages. Personally, I’ve always received a great deal of respect, love, and support from everyone in the industry. “I’ve never experienced stereotypes or prejudices as a child actor or as a female lead actress,” she concludes.

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Vijay Deverakonda and Mrunal Thakur’s Family Star opens with a first-day box office collection of more than ₹5 crore in India.

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Vijay Deverakonda and Mrunal Thakur’s Family Star opens with a first-day box office collection of more than ₹5 crore in India.

The first day of Family Star’s box office collection features Vijay Deverakonda and Mrunal Thakur’s Telugu film, directed by Parasuram Petla.

The Telugu film Family Star, directed by Parasuram Petla, has collected an estimated ₹5.75 crore nett in India on its first day of box office collection, marking an impressive opening day for the film.

Family Star reported a 38.45% Telugu occupancy on day 1, with Warangal having the highest occupancy (57.5%), followed by Visakhapatnam and Kakinada (56.75% each).

About Family Star

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Parasuram Petla’s Family Star marks Vijay and Mrunal’s first collaboration, featuring a cast including Abhinaya, Vasuki, Rohini Hattangadi, Ravi Babu, and Divyansha Kaushik’s special appearance.

Govardhan Rao, the youngest brother of Vijay, manages his family’s finances while being cautious. However, when Mrunal’s Indu rents a part of his home, his life changes.

Family Star review

The Hindustan Times’ review of the movie Family Star, starring Vijay Deverakonda and directed by Parasuram Petla, suggests that the film struggles to make a mark or entertain, with issues reminiscent of Geetha Govindam (2018). The film tests patience and fails to maintain interest as it progresses.

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The review criticizes the plot of Family Star, stating that it is thin and defies logic, making it difficult to enjoy. It also suggests that the film’s portrayal of middle-class life is caricaturish, as if it was written by someone unfamiliar with the realities of such a life.

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