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Kangana calls Deepika’s Gehraiyaan a ‘bad movie’, says ‘don’t sell trash please

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Kangana calls Deepika’s Gehraiyaan a ‘bad movie’, says ‘don’t sell trash please

Days after lashing out at reporters over issues involving Deepika Padukone, Kangana Ranaut now appears to have penned a note for the actor’s latest version, Gehraiyaan. The film, about complex modern relationships, was released on Amazon Prime Video on Friday.

On Saturday night, Kangana shared Manoj Kumar and Mala Sinha’s popular song Chand Si Mehbooba Ho Meri from the 1965 film Himalay Ki God Mein on her Instagram Story. The song has Manoj Kumar singing on the banks and adjoining areas while Mala dances around the lehenga. It is sung by legendary singer-songwriter Mukesh. The film revolves around Manoj Kumar’s character Dr. Sunil who, despite being engaged to Dr. Neeta of Shashikala, falls in love with Phoolwa of Mala Sinha in the village.
Casting a shadow on Gehraiyaan, Kangana wrote: “I’m also a millennial, but I identify and understand the romance…in the name of millennials/new age/urban cinema, please don’t sell trash…a bad movie is a bad one No amount of skin show or porn can save it…it’s a basic fact koi gehraiyaan wali baat nahi hai (no depth).

Earlier this month, Kangana launched her new reality show Lock Upp at an event and has since interacted with the media. She lost her cool when a reporter asked her for shaming Deepika’s “skirt and neckline” to an influencer during a Gehraiyaan promotion. Congana rejected her question, saying, “Look, I’m here to protect those who can’t protect themselves. OK? She can defend herself. She has the privilege, the platform, and I can’t promote her film here. .sit down.”
When the reporter denied promoting Gehraiyaan by asking such a question, Kangana went further: “Of course, you named the movie. You were also naming an upcoming movie. Obviously, you were framed by the PR of the movie. Arre yaar, hum itne bhi toh naadaan nahi hai na (I’m not that naive). Do it outside and I’ll talk to you for 45 minutes.”
Kangana has been criticizing Deepika for some time now. She earlier accused her of running a depression “business” with her mental health organisation.

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Gehraiyaan is directed by Shakun Batra and includes some intimate scenes between Deepika and her co-star Siddhant Chaturvedi.

Complete News Source : HINDUSTAN TIMES

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Ali Fazal’s Heartbreaking Fear: The Mirzapur Risk That Almost Ruined Him

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Ali Fazal's Shocking Powerful Mirzapur Revelation

Ali Fazal is now a global giant, but his rise was fraught with danger. Before becoming the renowned, muscle-bound, gun-toting Guddu Pandit of Mirzapur, he faced a horrible crossroads. He was a rising star in Indian cinema, having previously charmed audiences with sweet, romantic, and Hollywood roles. Then, a dark, gritty script appeared on his desk. It was violent, raw, and utterly unprecedented in Indian streaming. The actor reportedly admitted that he was struck by extreme anxiety before signing the contract. The apprehension sprang not only from the prospect of playing a merciless mobster, but also from heated, frightening warnings from industry insiders.



The Ominous Warnings From Bollywood Insiders

When Ali Fazal first began discussing the role of Guddu Pandit, his industry colleagues were overwhelmingly unfavourable. Several filmmakers and instructors advised him against entering the gloomy realm of Mirzapur. OTT platforms in India were still in their early stages at the time. The established conventions of Bollywood mandated that a starring male should remain on the silver screen. Insiders warned him that producing a web series would be a major setback for his career. They cautioned him that portraying a foul-mouthed, violent character would forever damage his romantic hero image.


Gripped By Terror and Deep Self-Doubt

The actor was under intense psychological pressure. “I was scared at that time,” Ali Fazal confessed bluntly in a recent interview. He was scared that he was making a huge mistake. The character’s extreme ferocity necessitated a comprehensive physical and emotional redesign. He questioned if he could carry off such a threat without losing his current fanbase. The fear of failure loomed huge, prompting him to mistrust his artistic inclinations. Every piece of advise he received told him to abandon the project, leaving him feeling incredibly isolated.


Shattering the Traditional Hero Stereotype

Despite his enormous apprehension, something deep within Ali Fazal compelled him to take the plunge. He understood that the world of storytelling was changing rapidly. He chose to buck the traditional thinking of Bollywood hitmakers, who preferred safe, formulaic films. Stepping into Guddu Pandit’s shoes required him to entirely abandon his vanity. He gave in his elegant, clean-cut appearance for bulked-up muscles, a shaved head, and a limp. It was a violent rejection of the traditional hero stereotype that had held back Indian actors for decades.

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A Risk That Rewrote Indian Streaming History

The gambit came off in an unexpected way, surprising even his sharpest critics. Mirzapur’s release was not only successful; it also became a cultural phenomenon. Ali’s scary yet extremely empathic portrayal of a youngster trapped into a criminal life gripped audiences right away. The very filmmakers who had cautioned him away were now screaming his praises. His performance demonstrated that Indian audiences are hungry for nuanced, flawed individuals. He not only saved his career by embracing his innermost anxieties, but he also revolutionised what it means to be a celebrity in the digital age.


Embracing The Fear To Find Greatness

Looking back, Ali Fazal sees the moment of tremendous dread as a crucial trigger for his development. The event taught him that the most rewarding artistic successes are frequently hidden behind our worst fears. If he had followed the cautious, conservative recommendations of the industry elite, the world would not have witnessed Guddu Pandit’s brilliance. His journey serves as a striking example of trusting one’s creative intuition above industry gossip. For Ali, fear was no longer a call to retreat, but rather a clear indication that he was about to create something truly special.


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