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Salman Khan breaks down in tears as he recounts how he went months without a job after Maine Pyar Kiya: ‘All credit goes to Bhagyashree.’

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Salman Khan breaks down in tears as he recounts how he went months without a job after Maine Pyar Kiya: ‘All credit goes to Bhagyashree.’

Salman Khan, who recently hosted the International Indian Film Academy Awards (IIFA) in Abu Dhabi, broke down in tears as he reflected on his early days in the industry. Salman revealed that he had no work after the success of Maine Pyar Kiya, claiming that his co-star Bhagyashree took all the credit. He also credited Ramesh Taurani, a filmmaker, with saving his career.

Maine Pyar Kiya (1989) was Salman’s first lead role, and Bhagyashree made her acting debut in the film. The Sooraj Barjatya-directed film went on to become one of India’s highest-grossing films at the time. Bhagyashree, on the other hand, announced shortly after that she was leaving the industry after only one film to marry Himalaya Dassani.

“After Maine Pyar Kiya came out, Bhagyashree decided she didn’t want to work anymore because she wanted to get married,” Salman Khan said at the IIFA. Pura credit leke chali gayi aur wo pura credit leke chali gayi aur wo pura credit leke chal (she took all the credit). I went six months without seeing a movie. That’s when Ramesh Taurani, a ‘devta saman aadmi’ (God-like man), entered my life. My father paid 2000 rupees at the time and persuaded producer GP Sippy to publish a false announcement in a film industry magazine claiming that he had signed me for a film. That was done by GP, but there was no picture. Ramesh Taurani, on the other hand, went to Sippy’s office and paid Rs. 5 lakh for the film’s music. It was because of those 5 lakhs that I was finally got a film called Patthar Ke Phool (1991). Thank you!”

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During his moving speech, Salman also mentioned how Suneil Shetty gave him a shirt and a wallet that he had been eyeing in a store but couldn’t afford. He also hugged Boney Kapoor, thanking him for helping him resurrect his career with Wanted (2008). “Boney Kapoor has aided me throughout my life,” he said. When things weren’t going well, he gave me the movie Wanted, which got me back to work.” He also cracked a joke, “Then he gave me another film, No Entry (2005), in which Anil (Kapoor) was reunited with me.”

In April of this year, it was announced that a sequel to No Entry would be made with the original cast of Salman, Anil, and Fardeen Khan. Salman is very serious about the project, according to Anees Bazmee, and will begin filming soon.

 

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Disha Patani describes Mouni Roy as “so beautiful”.

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Disha Patani describes Mouni Roy as “so beautiful”.

The Cannes Film Festival is not only a celebration of cinema but also a platform for fashion and style statements. Recently, actress Disha Patani took a moment to express her admiration for fellow actress Mouni Roy, describing her as “so beautiful” as she rocked a stunning dark look for her second Cannes dress. This gesture highlights the camaraderie and appreciation shared among Bollywood stars, while also showcasing the importance of individuality and embracing diverse fashion choices. In this blog, we explore Disha Patani’s words of admiration for Mouni Roy’s captivating dark look and celebrate the intersection of beauty and fashion at Cannes.

The Magic of Cannes: The Cannes Film Festival is renowned for its glamorous red carpet, where celebrities from around the world showcase their impeccable fashion choices. This prestigious event serves as a platform for artists to express their personal style and experiment with different looks, creating a visual feast for fashion enthusiasts. Disha Patani’s admiration for Mouni Roy’s captivating dark look reflects the magic and allure of Cannes as a hub for creativity and self-expression.

Appreciating Individuality: Disha Patani’s praise for Mouni Roy’s dark look is a celebration of individuality and embracing diverse fashion choices. In an industry where beauty standards are often scrutinized, it is essential to recognize and appreciate unique expressions of style. Patani’s admiration for Roy highlights the importance of supporting and uplifting one another, fostering a sense of empowerment and confidence in embracing one’s distinct fashion choices.

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The Power of Compliments: In a world where negativity can sometimes overshadow positivity, Disha Patani’s words of admiration serve as a reminder of the power of compliments. By openly expressing her appreciation for Mouni Roy’s beauty and fashion sense, Patani creates a ripple effect of positivity and encouragement within the industry. Compliments have the ability to uplift spirits, boost confidence, and foster a sense of camaraderie among peers.

Beauty in Diversity: Mouni Roy’s dark look at Cannes symbolizes the celebration of diversity and breaking conventional beauty norms. Fashion is an art form that transcends boundaries, and Roy’s unique style choice challenges traditional perceptions of beauty. This bold and captivating look inspires others to embrace their individuality and experiment with different fashion aesthetics, fostering a culture of inclusivity and self-expression.

Empowering Women: Disha Patani’s admiration for Mouni Roy’s dark look is a testament to the support and empowerment shared among women in the industry. By celebrating each other’s beauty and fashion choices, they pave the way for a more inclusive and supportive environment for all artists. This display of solidarity encourages other women to embrace their own unique style, fostering a sense of confidence and self-acceptance.

Inspiring Fashion Enthusiasts: Disha Patani’s recognition of Mouni Roy’s captivating dark look at Cannes resonates with fashion enthusiasts and fans alike. The imagery and fashion statements showcased at Cannes have the power to inspire and influence trends globally. By highlighting Roy’s stunning appearance, Patani ignites the imagination of fashion enthusiasts, encouraging them to explore new styles and embrace their individual fashion journeys.

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Disha Patani’s words of admiration for Mouni Roy’s captivating dark look at Cannes exemplify the celebration of beauty and individuality in the world of fashion. Through her praise, Patani promotes a culture of empowerment and support among women in the industry, inspiring others to embrace their unique style choices and celebrate diversity. Cannes serves as a catalyst for artistic expression and a platform for celebrating fashion as an art form. By appreciating Mouni Roy’s mesmerizing appearance, Disha Patani contributes to the narrative of inclusivity

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