Entertainment
3 Days box office collection Pushpa The Rise: Allu Arjun’s film earns ₹173 crore worldwide
Actor Allu Arjun’s latest film “Pushpa: The Rise” (Pushpa: The Rise), since its release, has achieved a global box office revenue of 1.73 billion rupees in three days, setting a gold record at the box office. Pushpa uses red sandalwood smuggling as its background.
Pushpa was originally filmed in Telugu, and was later dubbed and released in Hindi, Tamil, Malayalam, and Kannada. This is Allu Arjun’s first film released in five languages at the same time.
In this movie, directed by Sukuma, Arjun plays a truck driver who smuggles red sandalwood. Despite the mixed reactions from viewers and critics, Pushpa managed to create a lot of numbers at the ticket window.
According to the film trade analyst Ramesh Bala (Ramesh Bala), the film’s box office revenue in three days was 1.73 billion rupees. The filmmaker has confirmed that the second part will be shown in theaters in December 2022. Titled Pushpa: The Rule, the second part will focus on the confrontation between Allu Arjun and Fahadh Faasil, who was introduced as the main opponent at the end of the first part.
This movie was produced by Mythri Movie Makers and scored by Devi Sri Prasad. The movie also starred Rashmika Mandanna and Sunil. In Pushpa, Samantha Ruth Prabhu appeared in a very popular special program. This is the first special song in Samantha’s career.
The Hindustan Times commented: “For up to three hours, Pushpa managed to stay attractive most of the time and never let the movie feel tired. This is a role-driven story. Sukumar needs to be praised because it effectively established Pushpa, and his growth could not be handled more satisfactorily. The only minor problem with writing is that, like most stories, the hero who ultimately wins has no bets in the game, and no What can be lost, what kind of thing makes him invincible, and the multiple villains in the movie can’t do anything about it.”
Read also | Pushpa The Rise review: Allu Arjun is great, 2021 will be one of the most interesting movies of the year
Meanwhile, before Pushpa, Allu Arjun appeared on the screen of the Telugu film Ala Vaikuntapuramlo, which marked the third collaboration between actor and filmmaker Trivikram. The film’s box office revenue during its theaters exceeded 2 billion rupees, including Pooja Hegde and Nivetha Pethuraj as the heroines, while Tabu played a key role.
Complete News Source : Hindustan Times
Cricket
KL Rahul dangerously close to Laxman territory; to be perished for Sarfaraz Khan and Shubman Gill
To accommodate both Sarfaraz and Gill and stick with their five-bowler formula, a batter from the Bengaluru Test must make way. Ergo Rahul and the predicted axe
VVS Laxman went through the first half of his illustrious 15-and-a-half-year international career with the proverbial axe hanging over him. Despite his magical stroke-play and a well-founded reputation for rallying the lower order to bat above itself, he was forever the first name that sprang to the decision-makers’ minds when they had to drop someone to accommodate someone else. It wasn’t until the second half of his stint with the national team that he had ‘job security’, which automatically manifested itself in an array of glorious, match-turning knocks and earmarked him as one for a crisis.
KL Rahul is now dangerously close to approaching the Laxman territory, though at least in this instance, a case can be made out, perhaps, for why he often seems to be playing for his place. Almost a decade after his Test debut in Australia in December 2014, he has yet to nail down a permanent spot, a result of glaring inconsistency and repeated dalliances with injuries that have left him with a modest average of 33.87 from 53 Test appearances.
Unlike Laxman, who was thrust to the opener’s position for three years from 1997, successive team managements have worked overtime to create space for Rahul. He started off in the middle order in Melbourne against Australia, opened in the next Test in Sydney when he made a sparkling century, continued in that position for a good nine years – around the large pockets when either injuries or lack of form relegated him to the sidelines – and now seems to have found his calling in the middle order, where he was tried out in an almost last throw of the dice in South Africa last December.
In his limited time at the No. 6 position, Rahul has been a revelation. On a spiteful surface in Centurion in his first innings back in the middle order, the classy right-hander made a marvellous 101 – Virat Kohli’s 38 was the next highest score – in India’s 245 all out. Two Tests later, against England in Hyderabad, he waltzed to 86 of the best until a hamstring strain kept him out of the last four Tests.
On his comeback last month against Bangladesh, Rahul showed why he is rated so highly, and therefore why he so frustrates when he chooses to shackle himself mentally, with uninhibited shot-making when India were pressing for a declaration (Chennai) and looking to make up for lost time with a frenetic batting approach (Kanpur) in the two Tests. Kanpur was especially mesmeric, 68 flowing off his bat in a mere 43 deliveries. It was the best of Rahul.
Axe hangs over Rahul’s head for India vs New Zealand 2nd Test
And yet here we are, two innings later, wondering whether he will, or should, feature in the playing XI in Pune, where India take on New Zealand in a must-win second Test from Thursday.
Shubman Gill, him of three centuries in his last six Tests, missed the Bengaluru defeat to the Kiwis with a stiff neck. Replacement batter Sarfaraz Khan made the most of own good fortune with a delectable 150, which makes it near impossible to drop him now that Gill is fully fit. To accommodate both Sarfaraz and Gill and stick with their five-bowler formula which has worked beautifully in the last few years, a batter from the Bengaluru Test must make way. Ergo Rahul and the predicted axe.
One of the few men to have led India in all three formats internationally, Rahul didn’t help his cause with scores of 0 and 12 at his home ground, the M Chinnaswamy Stadium. In the first innings, he was strangled down leg-side by William O’Rourke while in the second, he received a peach from the same paceman operating with the second new ball and was again caught behind. Rahul was one of 11 failures in India’s first-innings 46 and one of seven wickets to fall in 93 deliveries to the second new cherry, but failures past and the logjam created by Gill’s availability have combined to identify him as the most susceptible to the axe.
It’s a cross impossible to bear, but also impossible to ignore just because it is so heavy, so overarching. Rahul is beyond gifted and makes batting appear oh-so-simple, but his struggles to embrace sustained run-making can’t be wished away. He is the eternal team man, much like his celebrated namesake also from Karnataka – both kept wickets admirably in 50-over World Cups 21 years apart, both made attractive and impactful runs during the tournament and both tasted bitter defeat at the hands of Australia in the final – but ‘eternal team man’ can sometimes be an euphemism for the ‘most dispensable’ and Rahul can be excused for thinking that those two lines have blurred beyond repair. Of course, if he is brutally honest to himself, he will acknowledge at least to himself that he too must bear culpability for the blurring of the lines.
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