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Review of the film Titu Ambani: A dull and dry family drama

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Review of the film Titu Ambani: A dull and dry family drama

Titu Shukla (Tushar Pandey) is an ambitious young man who values business offers and quick cuts over jobs. When his grand business idea fails miserably, he finds himself in a pickle. And to top it all off, after a heated argument, his wife Mosmi (Deepaka Singh) abandons him. Does Titu manage to put his life back together in the end?
Review: Titu Ambani, which is set in Ajmer, centres on a young guy from a middle-class family who favours pursuing a business concept to toiling away at a job. The parents of Titu Shukla believe that getting him married to his beloved Mosmi will make him more responsible and alter his outlook on life. Titu finds himself in a bind as the marriage begins to fall apart as a result of misunderstandings.

The elements were in place for a two-hour family drama with humour and a strong message: a cast of NSD-certified performers, a subject, numerous timely topics, and several relevant topics. What one sees is a verbose, slow-moving family drama that is dull for the most part. Yes, there are instances in which the speech will make you chuckle, but it was probably not the original intent when the movie was being developed. Yes, it’s definitely one of the movie’s few redeeming qualities. Overall, the writing is subpar. Some of the characters come out as one-dimensional, excessive, and hard to relate to. Even the romance subplot of the movie fails to engage you.

Despite having a short running period of under two hours, the movie feels drawn out. The production value, sound, and camera work are all good. Unfortunately, the movie’s hook-worthy parts are scattered all over the place. Although the songs are adequate, none of them stick with you long after the movie is ended.
Raghubir Yadav and Tushar Pandey make a valiant effort to improve some subpar writing. Additionally, Deepika Singh delivers a sincere, fuss-free performance. However, none of the performances actually make you cry. Additionally, you don’t feel compelled to follow the characters’ adventures. The filmmaker has to pay particular attention to the fact that the movie takes a very long time to get the point it is working so hard to achieve.

In conclusion, this had the potential to be a fast-moving, enjoyable family drama that dealt with significant, commonplace topics. It turns out to be a protracted, dull drama that stumbles while attempting to find its point of focus.

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Post Kanguva debacle, Tamil Nadu producers demand ban of YouTube channels from theatres

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Post Kanguva debacle, Tamil Nadu producers demand ban of YouTube channels from theatres

This decision comes after the release of Kanguva on November 14, which saw a lot of negative feedback on the opening day from YouTube reviews.

On Wednesday, the Tamil Nadu Producers Council (TNPC) issued a strong statement requesting theatre owners to ban fans’ interviews by YouTube channels on theatre premises post the first day first shows (FDFS) and cooperate in doing away with this FDFS public review and opinion process completely. (Also read: Kanguva producer’s wife says Disha Patani’s role in film was to ‘look pretty’, deletes comment after backlash)

In a long four-page letter, the Tamil Nadu Producers Council has condemned ‘personal attacks and incitement of hatred in the name of film reviews.’ They said that films like Indian 2, Vettaiyan and Kanguva were highly impacted due to YouTube FDFS public reviews.

What the letter stated

This letter comes after the release of Suriya’s film Kanguva on November 14 which saw a tremendous amount of negative feedback from the audience in the first day first show YouTube reviews and opinion videos. The TNPC wrote that journalists have the right to criticise flaws in the film and talk about the positives and negatives but no one can engage in personal attacks and try to destroy the entire film in their reviews. According to them, this would lead to the downfall of the film industry itself.

The letter also stated, “Critics have every right to review movies. But we request all journalists to write film reviews keeping in mind that hatred towards a film should not be sown in the media because of personal malice. It is imperative that all the associations related to the film industry unite and stop this practice by not encouraging them anymore.”

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More details

Kerala was the first state to establish this ban on YouTube reviews. In 2023, Mubeen Rauf, director of Aromalinte Adyathe Pranayam, who was supported by the Producers’ Association filed a case in court to ban YouTube reviewers from theatre premises as their negative public opinion videos were affecting the film business.

The Kerala High Court then issued a directive to the concerned authorities to prevent online reviews of films by social media influencers, YouTube reviewers, and bloggers for seven days following the release of a film.

The court went a step further and even issued notice to the Union Ministry of Information and Broadcasting and the Central Board of Film Certification to establish clear and transparent guidelines for online film critics and vloggers. Producers felt this move would protect the industry.

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