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Sohreyan Da Pind Aa Gaya

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Sohreyan Da Pind Aa Gaya

The narrative of Raje and Rupi is told in “Ghund Kadh Le Ni Sohreyan Da Pind Aa Gaya,” which is set in the 1990s. These two are utterly in love and unable to be apart from one another. She can’t wait to refer to his “pind” as her “sohreyan da pind,” and he thinks of taking her home as his wife. Fortunately, Rupi’s request is also granted when Raje’s village sends her a marriage proposal; however, Raje’s cousin Jass turns out to be the intended spouse instead of Raje. When Raje learns that Rupi has moved on, he decides to exact retribution. At first, the bereaved man tries to numb his anguish with drink and depressing music.

He assures Rupi that he will only marry a rural girl and that he will do the same. And that is where the endless battle between two loves, who had previously been willing to sacrifice everything for their relationship, begins.

As Rupi and Raje, Sargun Mehta and Gurnam Bhullar have once again shown that it is difficult to match their on-screen chemistry. Their on-screen love and passion convey an innocence and purity of feeling that is as sweet as honey. They depict a flawless love that is only found in books.

But what would a love story be without some hiccups? The only hiccup in their story is securing their parents’ approval for their wedding. Now, Raje is certain that he will be able to win his parents’ approval by any means necessary, but Rupi is less sure. And even though Raje succeeds in doing his part, fate flips everything. From that point on, they start arguing and fighting, which, to be honest, is the movie’s main selling point.
We won’t lie; we were initially pulling for Raje and Rupi, but after their fight began, we found ourselves enjoying it even more.

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Rupi employs every stratagem in the book to make sure that no family in their right mind agrees to Raje’s proposal even though he makes every effort to find a suitable lady for marriage from her village.

While we adored Sargun and Gurnam’s portrayal of heartbroken rivals, we also have to give writer Amberdeep Singh credit for the film’s hilarious phrases and turns of phrase.

Pollywood is renowned for its situational humour and one-liners, and Amberdeep is well-versed in how to operate within the parameters of a rom-com. Additionally, Ksshitij Chaudhary did a fantastic job directing each scene so that the crowd laughed out loud in their seats in his role as the ship’s captain.

But more than just the efforts of the writer-director and the star were responsible for the film’s overall entertainment value. Every supporting actor in the movie must share the glory and the crown with them. Mintu Kappa, who portrayed a friend who never leaves your side, and Hardeep Gill, who portrayed a worried but incredibly loving father, both deserve special mentions. The two made their profession look quite easy, and their performances were able to keep the audience seated in their seats.

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But other factors contributed to the movie’s success beyond the efforts of the writer-director and the star. With each supporting actor in the movie, they must split the praise and the crown. Furthermore, Hardeep Gill, who portrayed a worried but incredibly loving father, and Mintu Kappa, who portrayed a friend that never leaves your side, deserve special recognition. The two were able to hold the audience firmly in their seats with their work since they were so natural at what they did.

Second, while the movie’s peak was excellent, the finale felt simultaneously sudden and a little too predictable. However, if we overlook these two points, all that remains to be said is that it is a fantastic love-revenge narrative that will make you laugh out loud.

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Movie Review: ‘Am I OK?’ is a charming comedy about friendship that features Dakota Johnson’s endearing genuineness.

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Movie Review: ‘Am I OK?’ is a charming comedy about friendship that features Dakota Johnson’s endearing genuineness.

Naturally, we begin with a veggie burger.

The 30-year-old best friends Lucy and Jane can easily recite Lucy’s usual order at the diner—a veggie burger and sweet potato fries—when they meet again.

Therefore, Jane’s expression shows a hint of hurt when Lucy goes rogue and requests a tomato and spinach omelette late in “Am I Ok?” Even though it was simply a veggie burger, it seems absurd, but to Jane, it represents a comforting, known object that is no longer in her life.

This is Tig Notaro and Stephanie Allynne’s directorial debut, and it’s filled with such lovely, subtle touches that work much better than the sporadic attempts at broad humour that come across as forced or, at the very least, as something else entirely.

Of course, Johnson is the main subject of the lingering camera the entire time, and with good reason—her unwavering genuineness consistently comes through in her roles, even when the material surrounding her occasionally falters.

This is a heartfelt, straightforward story. This is a story about a coming-out, but unlike most coming-out stories we encounter, the protagonist is 32 years old.

The writer of the movie, Lauren Pomerantz, came out when she was 34. This particular narrative is hers. A few strikingly moving scenes reveal how intimately involved she is in the proceedings; one such instance is when Lucy experiences anguish while a straight woman plays with her feelings. It’s among the movie’s most poignant scenes.

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We start at the aforementioned diner after an opening montage that sets up the female friendship at the centre of the film. Jane tells Lucy that she really should meet up with a certain cute male friend who clearly likes her: “Just do it,” she urges. Lucy is unable to give a reason for her refusal.

Jane, the more experienced of the two in terms of her career, is about to undergo a significant upheaval in her life. Her manager gives her the opportunity to go to London and open an office in Los Angeles. Her extremely nice partner is also starting to come around. However, Lucy is devastated by this news, as evidenced by the insincere manner she continues responding, “Wonderful!” when Jane breaks the news to her one evening over drinks.

The two friends end up crying together after drinking a lot of tequila, just like close friends do when they urinate in the bathroom and then later during a sleepover. Lucy admits to Jane that she likes girls there.

Jane is an unwavering source of support. Ever the aspirant, she actually tells Lucy that she will become “the star of the lesbian community.” And she decides to assist her in finding a woman, going so far as to take her out to a gay bar. On the dance floor, though, it’s Jane who ends up kissing a woman. Lucy, ashamed, runs away.

However, Lucy works as a receptionist at a spa where there’s this sensual massage. Lucy is finally brave enough to respond to Brittany’s intense flirtation. She helps Lucy come out of her shell, but the outcome is ultimately depressing. Moreover, Lucy is no longer seeing Jane, who was typically the first person she would call in a heartbreak.

Though this film centres on two friends, you will find yourself most invested in Lucy’s life as you watch the incredibly likeable Johnson manage grief and uncertainty. A last-minute setback to Jane’s carefully thought-out plans for her trip to London seems a little improbable, or perhaps it just feels forced in as if to imply that, well, both ladies have problems.

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Whatever the case, this month has been fantastic for female buddy comedy. While Pamela Adlon’s comedy “Babies” focused heavily on the chaos that comes with childbirth, “Am I OK?” aims for a more tender, poignant tone. It’s satisfying to be back where we started, discussing issues at that restaurant table. The moral of the story is straightforward but reassuring: friendships can endure and grow despite change.

even if an omelette triumphs against a vegetarian burger.

The Motion Picture Association has rated Warner Bros.’ “Am I OK?” R “for language, sexual references, and some drug use.” 86 minutes of running time. An overall rating of 2.5 stars out of 4.

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