Connect with us

Hollywood

According to the lawsuit, Blake Lively “ostracised” Justin Baldoni’s family and publicly “humiliated” him at the film’s premiere.

Published

4 months ago

on

According to the lawsuit, Blake Lively “ostracised” Justin Baldoni’s family and publicly “humiliated” him at the film’s premiere.

Justin Baldoni has filed a counter lawsuit against Blake Lively, accusing her of trying to ban him from the movie premiere and undermining his role.
In a counter lawsuit, Justin Baldoni has accused Blake Lively of attempting to ban him and his Wayfarer Studios team from attending the movie’s premiere

. The $250 million lawsuit, filed against The New York Times, claims that Lively tried to undermine Baldoni’s role as director, executive producer, and star of the project. This legal battle escalated as Baldoni began the New Year by targeting Lively’s husband, Ryan Reynolds, accusing the Hollywood power couple of orchestrating a campaign against him.

Advertisement

Baldoni claims Lively ‘tried’ to get him ‘banned’

According to court documents, Baldoni alleges that only after significant pressure did Lively reluctantly allow his attendance, but under degrading conditions, including being segregated from the main cast and excluded from the after-party. “Further undermining Baldoni’s role, Lively initially refused to permit his attendance at the Film’s premiere,” the lawsuit states according to US Weekly.

“Only after significant pressure did she reluctantly agree to allow Baldoni and the Wayfarer team to attend, but under humiliating conditions. The Wayfarer team and their families, including Baldoni and [producer Jamey] Heath, were segregated from the main cast, barred from the exclusive after-party, and forced to organise their own event at additional cost.”

Baldoni accuses Blake Lively of ‘bullying’ tactics

Justin Baldoni claims that Blake Lively deliberately ostracised him and his family during the premiere of It Ends With Us. According to the legal to the all of you to documents, Baldoni’s red carpet time was cut short, and he and his loved.

The It Ends With Us director has included Ryan Reynolds in his lawsuit, alleging that the actor’s actions, along with Lively’s, were intended to sabotage his career. Baldoni claims Reynolds engaged in aggressive behavior towards him, accusing him of “fat-shaming” Lively. Furthermore, Baldoni alleges that Reynolds influenced his former agency, WME (which also represents Lively and Reynolds), to drop him as a client.

Advertisement

The agency dropped Baldoni hours after Lively filed an official lawsuit against her movie co-star accusing him of a range of offenses including ‘creating a hostile work environment,’ ‘sexual harassment’ and ‘launching a smear campaign’ against her. In response the agency clarified, “In Baldoni’s filing there is a claim that Reynolds pressured Baldoni’s agent at the ‘Deadpool & Wolverine’ premiere. This is not true,” the agency said.

A recent lawsuit has brought Blake Lively into the spotlight, alleging that the actress “ostracized” Justin Baldoni’s family and publicly “humiliated” him during the premiere of a film they both worked on. According to the legal documents, Baldoni claims that Lively’s actions during the event caused him emotional distress and irreparable harm to his personal and professional reputation.

The lawsuit alleges that during the star-studded premiere, Lively intentionally avoided interacting with Baldoni’s family, who had traveled to attend the event in support of him. It further claims that her behavior extended to making dismissive remarks and engaging in actions that left Baldoni feeling sidelined and disrespected. The situation reportedly escalated when Lively allegedly made a public statement at the premiere that Baldoni found humiliating and degrading.

While the details of their professional relationship leading up to the event remain unclear, the accusations have ignited discussions on social media, with fans of both actors expressing shock and disappointment. Some have defended Lively, urging caution until all the facts are revealed, while others have called for transparency and accountability if the allegations hold merit.

Advertisement

#BlakeLively #JustinBaldoni #HollywoodLawsuit #FilmPremiereDrama #CelebrityControversy #LawsuitAllegations #PublicHumiliation #EntertainmentNews #HollywoodScandal

Group Media Publications
Entertainment News Platforms – anyflix.in      
Construction Infrastructure and Mining News Platform – https://cimreviews.com/
General News Platform – https://ihtlive.com/

Advertisement
Related Topics:
Continue Reading

Puneet Issar

Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

Published

1 week ago

on

April 29, 2025

By

Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

Puneet Issar, a veteran actor known for his role in Mahabharat, has criticised Bollywood for catering to niche urban audiences and not producing Alpha-male films like South Indian films. He defended alpha-male films like Pathaan, Animal, and Marco, which have received criticism for their violence and misogynistic tone. In an interview with Digital Commentary, defended.

Alpha-male films and discussed how South Indian films have been performing well, as they are not dominated by corporate interests in the way Bollywood is. He also pointed out that true mass entertainers such as Baahubali, RRR, Bajrangi Bhaijaan, Gadar, and Chhava are made for the Indian audience and reflect their tastes. Recently, Indian cinema has seen surgeaction.

Advertisement

Films such as Pathaan, Animal, and Marco, but these films have also received criticism for spectrum of viewers their violence and misogynistic tone Puneet Issar, an actor, has praised Ranbir Kapoor’s film Animal for its success and argued that parallel cinema has a lesser reach than commercial cinema. He cited the success of films like Pushpa and RRR as examples of successful alpha.

Male films, stating that the South produces proper films that resonate with the masses. Issar also criticized a section of society criticizing violence and alpha-male themes in films, stating that it is not the kind of film that should be made. He argued that every kind of film should be made in the industry and that films connecting with emotions and values become true.

Blockbusters. Issar believes that success in the entertainment industry is based on merit, talent, connections, and nepotism, and that it depends on the individual. He has appeared in several notable films, including Chandra Mukhi, Prem Shakti, Ram Jaane, Border, Refugee, Krrish, Bachna Ae Haseeno, Ready, Son of Sardaar, and The Kashmir spectrum of viewers.

Veteran actor Puneet Issar recently lauded Ranbir Kapoor’s film Animal, describing it as “amazing,” and defended the portrayal of violent, alpha-male characters in cinema. In an interview with Digital Commentary, Issar expressed concerns about Bollywood’s current trajectory, suggesting that the industry has become disconnected from the broader Indian.

Advertisement

Issar highlighted the success of South Indian films like Pushpa and RRR, attributing their mass appeal to their emphasis on strong male protagonists and emotional storytelling. He argued that such films resonate deeply with audiences across India, contrasting them with certain veteran actor known for his role in Mahabharat, has criticised Bollywood productions that, according to him, cater primarily to urban elites and often.

Addressing criticisms of violent and alpha-male themes, Issar questioned the industry’s focus, rhetorically asking whether films should exclusively center on topics like lesbian and gay spectrum of viewers relationships. He clarified that while he respects all communities, he believes that cinema underperform in wider markets should encompass a diverse range of stories that reflect the values and emotions of the general populace.​

Issar emphasized the importance of creating films that connect with the masses, citing underperform in wider markets audience by focusing on niche urban narratives examples like Baahubali, Gadar, and Bajrangi Bhaijaan as successful ventures that balanced entertainment with cultural resonance. He advocated for a cinematic approach that embraces both commercial viability and meaningful storytelling, ensuring that films appeal to a broad.

With a career spanning several decades, Puneet Issar is renowned for his portrayal of spectrum of viewers Duryodhana in B.R. Chopra’s Mahabharat and has appeared in numerous films, including Coolie, Border, Krrish, and The Kashmir Files. His recent comments contribute to the ongoing discourse on the direction of Indian cinema and the narratives it chooses to.

Advertisement
  • Group Media Publication
  1. Construction, Infrastructure and Mining   
  2. General News Platforms – IHTLive.com
  3. Entertainment News Platforms – https://anyflix.in/

Continue Reading
Anyskill-ads

Facebook

Trending

en Englishhi हिन्दी
en English