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After five years in Bollywood, Ananya Panday still finds it difficult to establish herself and win over the public.

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After five years in Bollywood, Ananya Panday still finds it difficult to establish herself and win over the public.

This month marks the actor Ananya Panday’s half-decade mark in the motion picture business. She made her acting debut in Student of the Year 2. She appears to be still having trouble getting accepted by the public, though, as they keep discounting her acting abilities in movie after movie.

Despite a few above average performances in films like Gehraiyaan, Dream Girl 2, and Kho Gaye Hum Kahan, Ananya has yet to feature in a film that would allow her to establish herself as a stand-alone artist and garner critical acclaim for her acting skills.

What, then, is preventing her from winning the audience’s affection and respect? Trade Insiders say that’s the image she’s created both on and off screen.

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Producer and industry expert Girish Johar remarks on Panday’s movie preferences, pointing out that she is not willing to take chances. She must choose the appropriate films and align herself with the appropriate projects in terms of events and endorsements. It’s not required that you collaborate with well-known actors or directors. “Who is preventing her from investigating novel concepts under the guidance of inexperienced directors?” he queries.

He says that Panday needs to venture outside of her comfort zone and cites actors who have succeeded by attempting a variety of roles. “So many talented people have worked on their own independently on projects, whether they are smaller releases or independent films, and they have proven themselves by going the hard way.

I would advise Ananya to do the same instead of focusing only on working with well-known celebrities. She is in a comfortable to all things; who knows, maybe one of them will work and she’ll regain her footing,” Johar adds.

Ananya is being trolled in her most recent Instagram post:

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Following his stunning debut in SOTY 2, Panday starred in the commercial potboiler Pati Patni Aur Woh, which also starred Bhumi Pednekar and Kartik Aaryan. However, the movie was a box office bust. At the height of the pandemic, she released Khaali Peeli digitally, but it was not well received.

Following an empty 2021, Panday experimented with a more mature theme of extramarital affairs with Gehraiyaan. However, the film received extremely negative reviews, largely overshadowing Panday’s performance on screen with Deepika Padukone and Siddhant Chaturvedi.

Ladies hardly ever get an opportunity to establish themselves as performers in commercial films dominated by the male lead, as was the case with Ananya, according to Bala, who also notes that poorly written characters also double up in the trolling department. Liger was of no assistance at all. She will need some time to recover in the South.”

It is crucial to pay close attention to your brand and how you portray yourself. People don’t take Ananya seriously; they just troll her. The source emphasises that for an actor, it all comes down to winning over the audience. “Everyone knows that she needs to hone her talent more, and that she gets favours from a certain lobby of people, that’s why she is getting the work that comes her way,” the insider says.

Speaking of Ananya, how far can one push a child star and exert pressure on viewers? You can only go so far in the industry with the support of a certain group of people. After that, talent is required to advance. Talking without talent or being preoccupied with vacation activities that make you look like a meme is not serious. The insider continues, “Her branding is not becoming established.

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Bollywood

“I haven’t seen a man with such great kindness,” Zeeshan Ayyub remembers when Shah Rukh Khan handed him his own sweater.

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“I haven’t seen a man with such great kindness,” Zeeshan Ayyub remembers when Shah Rukh Khan handed him his own sweater.

Actor Mohammed Zeeshan Ayyub recently shared a heartfelt anecdote highlighting Shah Rukh Khan’s generosity during the filming of Raees. In an interview with The Indian Express, Ayyub recounted an incident where promotional sweatshirts were distributed to the cast. When Ayyub noticed he hadn’t received one, Khan overheard and promptly offered his own sweatshirt, insisting Ayyub keep it despite initial protests.

Ayyub expressed deep admiration for Khan, stating, “I haven’t seen a man with such great kindness.” He further praised Khan’s humility and respect towards everyone, emphasizing that such gestures make meeting him a defining life moment, irrespective of one’s opinion about his work.

A Sweatshirt and a Star: The Day Shah Rukh Khan Gave Zeeshan Ayyub More Than Just Warmth

Mohammed Zeeshan Ayyub has shared screen space with many leading stars in Indian cinema. But when he talks about Shah Rukh Khan, it’s not the fanfare or fame that he remembers — it’s a moment of quiet kindness that left an impression deeper than any box office success.

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It was during the filming of Raees, the gritty action drama where Ayyub played a supporting but memorable role opposite Khan. The crew had just wrapped a day’s shoot, and promotional sweatshirts — custom-made for the team — were being handed out. In the buzz of post-shoot chaos, Ayyub noticed something small but disappointing: his name hadn’t been called. Whether it was a mix-up or a miscount, his sweatshirt wasn’t there. It wasn’t the end of the world, but in that moment, he felt a sting — a small exclusion in a big world.

What happened next, however, transformed that fleeting disappointment into something unforgettable.

Shah Rukh Khan, who had overheard the exchange, didn’t hesitate. Without drama or delay, he removed his own sweatshirt — the one he’d been wearing — and handed it to Zeeshan. “Take mine,” he said, in a tone so natural it felt like second nature. Ayyub was stunned. He tried to refuse. “No, sir, it’s yours, you don’t have to…” But Khan wouldn’t take no for an answer. “You deserve it,” he said with a smile. And with that, he turned and walked away.

That gesture, simple on the surface, became one of the most meaningful memories in Ayyub’s career.

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“I haven’t seen a man with such great kindness,” Ayyub later said in an interview. “You can work with a lot of people, some big stars, some legends. But what stays with you is how they made you feel. Shah Rukh sir made me feel seen, valued — equal.”

In an industry often criticized for egos, hierarchies, and distance between stars and supporting actors, Shah Rukh’s act stood out like a quiet rebellion. He didn’t do it for the cameras. There was no entourage watching, no social media post crafted to go viral. It was just one human being recognizing another — and choosing generosity over indifference.

Ayyub, known for his grounded nature and roles in films like Article 15, Tanu Weds Manu, and Raanjhanaa, is not the kind of person to exaggerate stories for attention. That’s what makes his admiration so powerful. “Shah Rukh Khan is not just a star,” he said, “he’s a culture. And part of that culture is kindness.”

For Ayyub, the sweatshirt became symbolic. Not because it belonged to a superstar, but because of what it represented — dignity, humility, and a reminder that greatness lies in the little things. “That moment taught me what real respect is,” he said. “When the biggest person in the room doesn’t need to show you they’re big — they just make you feel taller.”

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It wasn’t the only time Shah Rukh left a lasting impression on him. Throughout the shoot, Khan was known for greeting everyone on set, asking crew members how their day was, checking in with junior artists, and sharing meals with the team. “He never looked down on anyone,” Ayyub recalled. “He met you at eye level, no matter who you were.”

It’s gestures like these that have earned Shah Rukh Khan his legendary status not just as an actor, but as a human being. The man who conquered global cinema with charisma, dance, and dialogue also commands loyalty with empathy.

Zeeshan Ayyub’s story is a testament to that legacy. In an era where celebrity culture is often defined by curated perfection, Khan remains something far more rare — authentic. And his kindness, whether offered through a signed autograph, a shared laugh, or a sweatshirt passed quietly into someone else’s hands, has become part of his legacy.

Years may pass, films may fade, but Ayyub knows he’ll always remember that day on set. The moment wasn’t scripted, but it taught him more than any film ever could.

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