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Ahmednagar fire: Family of jailed doctor says being made scapegoat

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Ahmednagar fire: Family of jailed doctor says being made scapegoat

On November 6, Dr. Vishakha Shinde, a senior resident on Covid duty in the Intensive Care Unit (ICU) of Ahmed Nagar Regional Hospital, reported that he was working as usual. Her day was shortened by a fire in the intensive care unit, which resulted in the death of 11 Covid patients. Within 72 hours, the 27-year-old Shinde found himself in a district prison along with nurses Sapna Pathare, Asma Shaikh and Channa Anant.

Eleven days later, the four people continued to be detained, although officials have not yet taken action on the preliminary investigation, which revealed that the hospital does not have a fire certificate and its sprinklers are not functional. Although the fire was suspected to be caused by a short circuit, the police are still waiting for an electrical inspection report. The Indian Medical Association (IMA) has sent a letter to the state government, claiming an attempt to “shirk” the responsibility on medical personnel, while the state medical association is seeking a “fair investigation.” Dr. Shinde’s father, Rajendra Popat Shinde, a teacher at a retired school, asked his daughter if she was used as a scapegoat to save government officials’ “negligence” in the last year of her MD.

“My daughter is not a firefighter… She is just a medical student. Now, she is being blamed for her death, and the hospital does not even have a fire NOC,” Rajendra said. In addition to arresting the doctor and three nurses on duty when the fire broke out, the state government also suspended the positions of Dr. Sunil Pokharna, a civil surgeon in Ahmednagar, and Dr. Suresh Dhakne, a medical officer. Dr. Shinde and others were arrested in the IPC department on November 9th for 304 (manslaughter) and 304A (for negligent death). They were presented at the district court and were remanded in judicial detention until November 24. The district court will hear their bail application on Thursday.

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There were 17 patients in the intensive care unit that day. Of the 11 deaths, 3 died from the fire and 8 died from asphyxiation. One patient died on Wednesday, bringing the death toll to 12 people. Rajendra said that in prison, his daughter “has collapsed.” “She is worried about the stains in her career. She has worked so hard to get to this point. Because of her Covid duties, we couldn’t even see her for a few months,” he said.

The police said that CCTV footage showed that the four arrested were not in the intensive care unit when the fire started. Investigator Sandip Mitke pointed out that Dr. Shinde’s signature was on the call for the hospital on November 6. “A relative entered the combustion chamber twice to save patients. If these workers were in the unit, they could have saved more lives,” said a police officer involved in the investigation.

News Source : The Indian Express

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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