Artists: Ajay Devgan, Saif Ali Khan, Kajol, Sharad Kelkar, Neha Sharma, Padmavati Rao, Shashank Shendet Director: Om Raut Movie Type: History, Drama Duration: 2 hours 15 minutes
Critic Review
After Ashutosh Gowariker’s historical film Panipat, director Om Raut Tanaji has appeared alongside The Unsung Warrior. Tanaji is another such historical film after Panipat, which has managed to portray the valor of the Maratha Empire in a grand style. Historical films and that too especially on the subject of war, sometimes become cumbersome, heavy and boring, but it has to be said that the director’s quality is that in this story taken from the important chapter of history, the story of romance, romance, thrill, betrayal. Like there are all the elements and the 3D effects called gold icing on it which makes the entire film worth watching from beginning to end.
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The story is of that page of history, where Aurangzeb (Luke Kenny) is strategizing to wave Mughalia Parcham over the whole of India and the Deccan (South) Shivaji Maharaj (Sharad Kelkar) is determined to take the oath of self-rule. This war in history (4 February 1670) is recorded as the Battle of Sinhagad. In the 17th century, Shivaji Maharaj’s Paramitra and Jambaj warrior Subedar Tanaji Malasure (Ajay Devgan) is busy with the wedding arrangements of their son with his wife Savitribai (Kajol). They are unaware that despite the handing over of 23 forts including the Kondana Fort to the Mughals in the Purandar Treaty, the Mughals Sultanate is not thirsty. At the time when Rajmata Jijabai handed over the fort of Kondana to the Mughals, at the same time, she had sworn that she would not wear a paduka until the saffron was waved at this fort again. Aurangzeb has made up his mind to destroy the Maratha empire by ordering his special, confidant and barbaric pawn Udayabhanu Rathod (Saif Ali) to march towards the Kondana Fort with a large army and a large cannon called Nagin.
Shivaji Maharaj does not want to involve his brave and dear friend in the tragedy of war at this time, because he does not want Tanaji’s wedding house to witness war. But when Tanaji learns that Swarajya and Shivaji Maharaj are in danger, he sets out to cut Udaybhanu’s head by wearing saffron regardless of the son’s marriage. Udayabhanu is no less than Tanaji in Jambaji and is also full of barbarism. Under this trend, he picks up the widowed princess Kamaladevi (Neha Sharma) and is adamant about making her queen. Actually, Kamala was his first love, but after he rejected and was ashamed, he joined the Mughals. Tanaji gets gallantry as well as betrayal in the war with Udayabhanu Rathod. Can Tanaji eliminate Udayabhanu? Is he able to follow the promise given to Shivaji Maharaj? To know this, you will have to watch the film.
Om Raut, who won the Filmfare Award for Best Director in a historical film like Lokmanya Ek Yug Purush, has also worked hard on VFX along with the story of the film. The film is Gripping. Watching battle scenes under 3D is not a visual treat. The German action director Ramadan designed the war scenes of the era, which have become quite interesting and thrilling, keeping in mind the Maratha guerrilla warfare techniques. Fencing methodists have also become visible. The forts and the valley are well decorated with visual effects. Talking about music, the songs and choreography like ‘Shankara Re Shankara’, ‘My Bhavani’ and ‘Ghamand Kar’ have become good in the presence of composers like Sachet tradition, Ajay-Atul, and Mehul Vyas.
Ajay Devgan as a brave warrior has been fit and finest in every way. His agility is seen in battle scenes. His dying emotion for Swarajya also makes his character special. His chemistry with Kajol is also interesting. Saif Ali has been great as Udayabhanu Rathod. In many places, he has proved to be twenty more than Ajay. The villain is extremely strong in Tanaji. Saif portrayed the brutality of his character in a forceful manner. His black comedies are also seen in the scenes receiving devilish pleasure while harassing others. Kajol has played her role faithfully. They should have been given more screen space. Even as Sharadaji, Sharad Kelkar’s stature does not match, but with his body language and gesture, he has made this character memorable. The collaborative cast has been strong and consistent with the theme.
When a 56-year-old superstar played hero to a 16-year-old starlet just a few years after playing her grandfather, more than a few eyebrows were raised. The issue of age gap between leading men and women in Indian cinema has been brought up many times in the last few years. Actors in their 40s and 50s have been called out for starring opposite heroines 20-30 years their junior. Yet, the trend continues. And it is not a new trend too. It is something that has existed for decades. Perhaps the most shocking example of this is from a 1979 film where a 56-year-old superstar romanced a 16-year-old actress, just a few years after he played her grandfather on screen. (Also read: Radhika Madan addresses 27-year age gap with Sarfira co-star Akshay Kumar, talks about their ‘intense chemistry’)
Indian cinema’s most shocking age gap
Sridevi is one of the most successful and impactful stars Indian cinema has seen. While many remember her as a leading actress of the 80s and 90s, she started her career as a child artist in the 60s, initially working in Tamil and Telugu films. In 1972, when she was 9, she appeared in Badi Panthulu. The reigning Telugu superstar NT Rama Rao—known popularly as NTR—played her grandfather in the film.
In 1978, Sridevi transitioned to lead roles with films like Padaharella Vayasu. The following year, at the age of 16, she played NTR’s heroine in Vetagaadu. At 56, the superstar was 40 years her senior, a case of one of the most shocking age gaps in Indian cinema. There have been larger age gaps in Indian films. For instance, Amitabh Bachchan was 46 years older than Jiah Khan in Nishabd. But that film was centred on the gap. In Vetagaadu, Sridevi and NTR’s characters were supposed to be of a similar age bracket. That, coupled with the fact that he had played her grandfather in another film just seven years prior, makes this quite unsavoury.
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Internet reactions to the age gap
A mashup of video clips from Badi Panthulu and Vetagaadu was shared recently on social media with users discussing the wild age gap. “This level of creepery will never be ever seen again in any industry I hope..Gosh Baby Sridevi had to through too much to feed her family,” one user wrote. Another echoed the sentiment and added, “While this kind of creepiness doesn’t happen to this extent anymore but there are still massive age gaps between heroes and their heroines.”
Another pointed out the irony that this is not even the largest age gap for an NTR film. “Interesting trivia: this is not even the largest age gap in NTR’s career. He starred with Vani Viswanath (then 21) when he was 69 in Samrat Ashoka (1992). That would make an age gap of 48 years – this might even be the highest in all of Indian cinema,” read the comment.
NTR and Sridevi’s careers
NTR is considered one of the biggest superstars in Telugu cinema history. After ruling the silver screen for three decades, he quit cinema for politics and was elected the Chief Minister of Andhra Pradesh for three terms. He died in 1996 at the age of 72. Sridevi brought her south success to Bollywood in the 80s and reigned as the country’s numero uno actress for much of the 90s. After a brief hiatus, she returned to films in 2009, but her career was cut short with her death in 2018. She was 54.
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