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Amitabh Bhattacharya says, “10 years of Lootera”: “Amit and I were in Goa when I wrote Shikayatein.”

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Amitabh Bhattacharya says, “10 years of Lootera”: “Amit and I were in Goa when I wrote Shikayatein.”

Celebrating a Decade of “Lootera”: Amitabh Bhattacharya’s Journey and the Making of “Shikayatein”

As the critically acclaimed film “Lootera” completes its milestone of ten years, the celebration continues with a glimpse into the creation of its soul-stirring soundtrack. Amitabh Bhattacharya, the talented lyricist behind the film’s memorable songs, recently shared an interesting anecdote about the composition of “Shikayatein.” In this blog post, we delve into the creative process of “Shikayatein” and highlight the collaborative efforts of Amitabh Bhattacharya and Amit Trivedi that brought the song to life.

Directed by Vikramaditya Motwane, “Lootera” is a cinematic masterpiece that seamlessly weaves together romance, tragedy, and redemption. Released in 2013, the film captivated audiences with its captivating storytelling, exquisite visuals, and a soundtrack that touched the depths of the soul. The lyrical brilliance of Amitabh Bhattacharya played a pivotal role in capturing the film’s essence and resonating with viewers.

Amitabh Bhattacharya is renowned for his ability to craft poetic and evocative lyrics that beautifully complement the narratives of films. His association with Amit Trivedi has yielded several memorable soundtracks that have stood the test of time. “Lootera” is no exception, showcasing Bhattacharya’s lyrical prowess and his ability to translate emotions into words.

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In a recent interview, Amitabh Bhattacharya reminisced about the genesis of the heartfelt track, “Shikayatein.” He revealed that he and Amit Trivedi were in Goa when the song was conceived. The serene coastal surroundings seemingly inspired the lyrical beauty of “Shikayatein,” as Bhattacharya penned poignant verses that captured the essence of longing and unfulfilled desires.

The creative synergy between Amitabh Bhattacharya and Amit Trivedi has been a driving force behind their successful collaborations. Their ability to understand and complement each other’s artistic vision has resulted in music that transcends boundaries and leaves a lasting impact on listeners. “Shikayatein” stands as a testament to their collaborative genius, intertwining soulful lyrics with Trivedi’s enchanting compositions.

“Shikayatein” became an instant favorite among audiences for its haunting melody and heartfelt lyrics. Sung by the talented duo of Mohan Kanan and Amitabh Bhattacharya himself, the song captures the pain of unrequited love and the yearning for a connection that seems just out of reach. The evocative lyrics, combined with Trivedi’s soul-stirring music, create a tapestry of emotions that lingers long after the song ends.

As “Lootera” celebrates its ten-year milestone, the impact of its music remains undeniable. Amitabh Bhattacharya’s contribution to the film’s soundtrack, particularly with “Shikayatein,” adds depth and emotional resonance to the storytelling. The lyrics continue to touch hearts, reminding listeners of the film’s timeless beauty and the power of music to evoke profound emotions.

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The celebration of “Lootera” completing a decade offers a nostalgic reflection on the film’s enduring impact. Amitabh Bhattacharya’s recollection of the creation of “Shikayatein” adds an intriguing layer to the song’s lyrical brilliance.

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Cannes 2024: All We Imagine As Light by Payal Kapadia creates history and receives an eight-minute standing ovation

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Cannes 2024: All We Imagine As Light by Payal Kapadia creates history and receives an eight-minute standing ovation

At its world premiere on Thursday at the film festival, Payal Kapadia’s All We Imagine As Light—the first Indian film in the Cannes competition in thirty years—made quite a stir and impressed viewers around the globe.

The film received one of the longest standing ovations of this year’s film festival, lasting eight minutes, after its premiere.

All We Imagine As Light dominating critics
The picture scripted history at the festival and puts Payal in the running for the coveted Palme d’Or. In addition to being the first Indian production in the competition in thirty years, Deadline claims that Payal is the first female Indian director to have a film screened in the Cannes competition.

“India produces a great deal of excellent films. Not only does each state have its own film industry, led by incredibly talented directors, but not only Bollywood. Payal expressed her excitement and happiness that her picture was chosen to Deadline. “I hope that after this we won’t have to wait another 30 years,” she said. We weren’t prepared for it, and it’s an honour because there are so many directors in the category who I find truly inspiring.

This year, Payal faces off against Jacques Audiard, Yorgos Lanthimos, Paul Schrader, David Cronenberg, and Jia Zhangke.

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Dancing their path to success
The movie’s cast and crew were beaming on the red carpet prior to leaving for the premiere.

On the Palais stairs, the entire team exuded joy and even danced their way up to the theatre. On the red carpet, the cast was all smiles, making a lot of funny poses and grabbing everyone’s attention.

Kani Kusruti, Divya Prabha, Chhaya Kadam, and Hridhu Haroon are among the actors in the movie.

Payal feels honoured that she has the opportunity to create history at the film festival and demonstrate to the world that Indian cinema is much more diverse than Bollywood.

preliminary evaluations
After the screening, the movie is receiving excellent reviews. According to Sophie Monk-Kaufman of IndieWire, “This casual everyday vignette is brimming with a sensuality (the rain, the clothes, the food, the women) that people don’t tend to notice when caught up in the rhythm of life,” the film is “gorgeous and absorbing,” according to one review. Realising just how complete these moments are requires a snapshot taken by an outside photographer.

Variety referred to it as a “glowing portrait of urban connection and unexpected sisterhood,” while The Guardian described it as a “dreamlike and gentle modern Mumbai tale that is a triumph.”

Learn more about All We Imagine As Light
A nurse named Prabha (played by Kani Kusruti) receives an unexpected present from her long-estranged husband in the Indo-French film All We Imagine As Light. Meanwhile, Anu, her flatmate and younger companion (played by Divya Prabha), is searching for a peaceful place to spend time with her partner. At that point, the two women make the decision to drive to a beach resort where they can freely pursue their aspirations.

Payal makes her feature debut in the movie. A Night of Knowing Nothing, the documentary she did before, won the Golden Eye prize at the Cannes film festival a few years ago.

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