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Anek review: Ayushmann deftly carries this timely picture that loses its way..

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Anek review: Ayushmann deftly carries this timely picture that loses its way..

Picking controversial yet relevant topics that require dialogue and then basing a film on them may seem like a good idea, but it doesn’t always work out. Anek, Ayushmann Khurrana’s latest film, is a perfect example of this. Anek is directed and written by Anubhav Sinha, who worked with Ayushmann Khurrana again after the critically acclaimed Article 15 (which was based on caste discrimination in India). More so because Sinha’s previous three directorial projects — Mulk, Thappad, and Article 15 — all struck the right note and successfully started a conversation, but with Anek, he simply couldn’t create an immersive experience that leaves you thinking long after you leave the theatre. Anek’s intentions are all over the place, starting with a storyline that is a little confusing to begin with, followed by a narrative that appears convoluted in most places. Sinha tries to address a lot of issues in a 2-hour-30-minute film, but he can’t possibly do them all justice.

Anek is a film set in North East India about an undercover agent named Joshua (Ayushmann Khurrana) who is on a mission to restore peace in the Northeastern region of India and the political situation that has plagued this region for a long time. During the course of his mission, he meets Aido, a Northeastern Indian boxer (newcomer Andrea Kevichüsa) who is battling prejudice while pursuing her dream of making the Indian national team. Aido’s father, Wangnao (Mipham Otsal), is a schoolteacher who is secretly nurturing a rebel group against government forces, and Khurrana has an interesting tryst with him.

Sinha has picked up on the right nuances when it comes to casting actors from the North East, authentic locations, dialogues, and the severity of the conflict he wants to highlight, but he fails to weave them into a compelling story that will keep you hooked. The first half of the movie is spent setting up a premise that never really comes to fruition. The first half of the film appears to be a little rushed, with more time spent on character development than showing the actual tension that people in the North East face on a daily basis.

That said, Anek is a patriot who, thankfully, never descends into jingoism, which is all too common in Hindi films. The way Sinha has attempted to depict the racial abuse that people in the North East face on a daily basis, as well as their ordeal to prove that they are as much a part of India as anyone else, are wonderful elements that work in places. You can’t ignore the fact that this is one of the few commercial films to attempt to focus attention on the troubling situation in the North East, which many people talk about but few have the courage to investigate further. Following in the footsteps of films such as The Kashmir Files, Anek is unquestionably a significant and timely film. I only wish Sinha’s co-written screenplay with Sima Agarwal and Yash Keswani had been a little more focused in its execution.

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Even when his loyalty is called into question, we see Khurrana carry out his mission with utmost sincerity and diligence. As a cop, he is gritty, confident in his role, and softer in scenes of helplessness. It wouldn’t be an exaggeration to say that he expertly carries the film.

Kevichüsa, who makes her Bollywood debut with Anek, gives a good first performance, though I think her character could have been fleshed out a lot more with more to do than just boxing in the ring. When she realises what Joshua and her father are up to, she doesn’t do anything you’d expect in a situation like this. Wangnao, on the other hand, has a strong character arc. He elicits an emotion that you might be able to relate to. Kumud Mishra and Manoj Pahwa, among the supporting cast, put their years of experience to good use and deliver some memorable scenes.

To summarise, Anek has the right heart and is made with all the right intentions; however, the execution is a little disappointing, and the story is not one that everyone will understand with equal empathy and interest.

Anek (film)

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Ayushmann Khurrana, J.D. Chakravarthy, Andrea Kevichüsa, Manoj Pahwa, and Kumud Mishra are among the cast members.

Anubhav Sinha is the director.

Bollywood

Food blogger attacked by Swara Bhasker for boasting about being a vegetarian on Twitter: “Smug self-righteousness”

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Food blogger attacked by Swara Bhasker for boasting about being a vegetarian on Twitter: “Smug self-righteousness”

In response to food blogger Nalini Unagar’s “proud to be a vegetarian” tweet, actor Swara Bhasker attacked Unagar. On Sunday, Nalini posted a photo of her lunch at X. It included a paneer dish and fried rice.

What was said by the food blogger?
Nalini shared the picture and added, “I’m happy to be a vegetarian. There are no more tears, cruelty, or guilt on my platter.”

This is Swara’s response.
In response, Swara penned, “To be honest… I find vegetarians’ arrogant self-righteousness to be incomprehensible. Denying the calf its mother’s milk, forcing cows to become pregnant, ripping them from their calves, and taking their milk are the main components of your diet.”

Furthermore, she said, “You eat root vegetables? That eliminates the entire plant! Just because it’s Bakr Eid, don’t stress about virtue signalling (folded hands emojis). June 16–17 is when Bakr Eid, or Eid al-Adha, is observed.

Swara just had her Eid celebration.
A few months after celebrating Eid al-Fitr, Swara posted a tweet. She celebrated the occasion with her daughter Raabiyaa and spouse Fahad Ahmad. On her Instagram Stories, Swara posted snippets of her Eid festivities. Swara and Raabiyaa were shown in one of the stories pointing at the Eid ka Chaand. Another photo shows Swara, her daughter, and Fahad posing as a family. Fahad is Muslim, but Swara is Hindu.

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When Swara discussed the cultures of her and Fahad
Swara performed a chhathi puja for Raabiyaa the previous year. She revealed tidbits from the festivities and reported discovering shared cultural experiences with Fahad’s family. “The child is a mish mash of the mish mash we are,” Swara had wrote. She therefore has 62.5% UP, 12.5% Bihar, and 25% Andhra. Furthermore, I support representation and am always up for a celebration! Furthermore, since our wedding, we’ve learned that Muslims and Hindus in North India have common cultural customs, which strengthens my conviction that, despite our variety, love and joy will always find a language.”

“Chhathhi, or the sixth day of a child’s birth, is celebrated throughout UP Bihar. Mom and kid dress in the colour of turmeric or haldi, and aunts or bua put kaajal on the child and parents to protect them from ‘nazar,’ or the evil eye! I’m performing a well-known “sohar”—celebration songs for new babies. Although sohars are often used to celebrate newborn boys, I customised it for a newborn girl—oh! And although sisters and aunts sing the sohars, mothers don’t, so I thought, “Why not?” Dholak aa gaya hai! Thank you to @manisha2967 for the Chhathhi lesson and the beautiful singing I was able to do, and to Bhanu ji @partapsinghb11 for the dholak that helped make my singing pleasant.

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