Entertainment
As Lootera turns ten, Amit Trivedi adds, “I made Sawaar Loon with Piya Tose Naina Laage Re in mind.”
Celebrating a Decade of “Lootera”: Amit Trivedi’s Musical Journey and the Inspiration Behind “Sawaar Loon”
As the critically acclaimed film “Lootera” completes its ten-year milestone, it’s time to reflect on the timeless beauty of its music. Amit Trivedi, the talented composer behind the film’s soulful soundtrack, recently revealed an intriguing insight into one of its most beloved songs, “Sawaar Loon.” Trivedi shared that he composed the song with the melodies of “Piya Tose Naina Laage Re” in mind. In this blog post, we celebrate the legacy of “Lootera” and explore the creative process behind “Sawaar Loon.”
“Lootera,” directed by Vikramaditya Motwane, is a masterpiece that intertwines love, loss, and redemption. Released in 2013, the film garnered immense praise for its poignant storytelling, breathtaking visuals, and, of course, its soul-stirring music. The soundtrack, composed by Amit Trivedi, played an integral role in capturing the film’s emotional essence and resonating with audiences.
Amit Trivedi is known for his distinctive musical style and the ability to create compositions that transcend time. His work on “Lootera” was no exception, as he beautifully captured the film’s period setting and emotional depth through his melodies. Trivedi’s compositions seamlessly blended traditional and contemporary elements, immersing listeners in a world of nostalgia and longing.
In a recent interview, Amit Trivedi revealed the inspiration behind one of the film’s most iconic songs, “Sawaar Loon.” He shared that he had the melodies of the classic song “Piya Tose Naina Laage Re” in mind while composing “Sawaar Loon.” This revelation adds an intriguing layer to the song’s creation, showcasing Trivedi’s unique approach to music composition and his ability to pay homage to the rich musical heritage of Hindi cinema.
“Sawaar Loon” captured the hearts of millions with its enchanting melody and heartfelt lyrics. Sung beautifully by Monali Thakur, the song exudes a timeless quality that transports listeners to a world of love and longing. The delicate interplay of instruments and the soulful vocals perfectly complement the film’s narrative, making “Sawaar Loon” a standout track in the film’s mesmerizing soundtrack.
By incorporating the essence of “Piya Tose Naina Laage Re” into “Sawaar Loon,” Amit Trivedi pays homage to the rich musical heritage of Indian cinema. This creative blend of past and present demonstrates Trivedi’s deep appreciation for the classics and his ability to infuse them with his own unique touch, resulting in a captivating musical experience for listeners.
As “Lootera” completes ten years since its release, it continues to be celebrated as a cinematic gem. The film’s remarkable music, including the enchanting “Sawaar Loon,” stands as a testament to Amit Trivedi’s immense talent and his ability to create compositions that stand the test of time. The film’s legacy, along with Trivedi’s musical brilliance, will forever be cherished by cinephiles and music lovers alike.
As we commemorate a decade of “Lootera,” Amit Trivedi’s revelation about the inspiration behind “Sawaar Loon” adds another layer of appreciation to the film’s timeless music.
Group Media Publications
Entertainment News Platforms – anyflix.in
Construction Infrastructure and Mining News Platform – https://cimreviews.com/
General News Platform – https://ihtlive.com/
Podcast Platforms – https://anyfm.in
Cricket
KL Rahul dangerously close to Laxman territory; to be perished for Sarfaraz Khan and Shubman Gill
To accommodate both Sarfaraz and Gill and stick with their five-bowler formula, a batter from the Bengaluru Test must make way. Ergo Rahul and the predicted axe
VVS Laxman went through the first half of his illustrious 15-and-a-half-year international career with the proverbial axe hanging over him. Despite his magical stroke-play and a well-founded reputation for rallying the lower order to bat above itself, he was forever the first name that sprang to the decision-makers’ minds when they had to drop someone to accommodate someone else. It wasn’t until the second half of his stint with the national team that he had ‘job security’, which automatically manifested itself in an array of glorious, match-turning knocks and earmarked him as one for a crisis.
KL Rahul is now dangerously close to approaching the Laxman territory, though at least in this instance, a case can be made out, perhaps, for why he often seems to be playing for his place. Almost a decade after his Test debut in Australia in December 2014, he has yet to nail down a permanent spot, a result of glaring inconsistency and repeated dalliances with injuries that have left him with a modest average of 33.87 from 53 Test appearances.
Unlike Laxman, who was thrust to the opener’s position for three years from 1997, successive team managements have worked overtime to create space for Rahul. He started off in the middle order in Melbourne against Australia, opened in the next Test in Sydney when he made a sparkling century, continued in that position for a good nine years – around the large pockets when either injuries or lack of form relegated him to the sidelines – and now seems to have found his calling in the middle order, where he was tried out in an almost last throw of the dice in South Africa last December.
In his limited time at the No. 6 position, Rahul has been a revelation. On a spiteful surface in Centurion in his first innings back in the middle order, the classy right-hander made a marvellous 101 – Virat Kohli’s 38 was the next highest score – in India’s 245 all out. Two Tests later, against England in Hyderabad, he waltzed to 86 of the best until a hamstring strain kept him out of the last four Tests.
On his comeback last month against Bangladesh, Rahul showed why he is rated so highly, and therefore why he so frustrates when he chooses to shackle himself mentally, with uninhibited shot-making when India were pressing for a declaration (Chennai) and looking to make up for lost time with a frenetic batting approach (Kanpur) in the two Tests. Kanpur was especially mesmeric, 68 flowing off his bat in a mere 43 deliveries. It was the best of Rahul.
Axe hangs over Rahul’s head for India vs New Zealand 2nd Test
And yet here we are, two innings later, wondering whether he will, or should, feature in the playing XI in Pune, where India take on New Zealand in a must-win second Test from Thursday.
Shubman Gill, him of three centuries in his last six Tests, missed the Bengaluru defeat to the Kiwis with a stiff neck. Replacement batter Sarfaraz Khan made the most of own good fortune with a delectable 150, which makes it near impossible to drop him now that Gill is fully fit. To accommodate both Sarfaraz and Gill and stick with their five-bowler formula which has worked beautifully in the last few years, a batter from the Bengaluru Test must make way. Ergo Rahul and the predicted axe.
One of the few men to have led India in all three formats internationally, Rahul didn’t help his cause with scores of 0 and 12 at his home ground, the M Chinnaswamy Stadium. In the first innings, he was strangled down leg-side by William O’Rourke while in the second, he received a peach from the same paceman operating with the second new ball and was again caught behind. Rahul was one of 11 failures in India’s first-innings 46 and one of seven wickets to fall in 93 deliveries to the second new cherry, but failures past and the logjam created by Gill’s availability have combined to identify him as the most susceptible to the axe.
It’s a cross impossible to bear, but also impossible to ignore just because it is so heavy, so overarching. Rahul is beyond gifted and makes batting appear oh-so-simple, but his struggles to embrace sustained run-making can’t be wished away. He is the eternal team man, much like his celebrated namesake also from Karnataka – both kept wickets admirably in 50-over World Cups 21 years apart, both made attractive and impactful runs during the tournament and both tasted bitter defeat at the hands of Australia in the final – but ‘eternal team man’ can sometimes be an euphemism for the ‘most dispensable’ and Rahul can be excused for thinking that those two lines have blurred beyond repair. Of course, if he is brutally honest to himself, he will acknowledge at least to himself that he too must bear culpability for the blurring of the lines.
Group Media Publications
Entertainment News Platforms – anyflix.in
Construction Infrastructure and Mining News Platform – https://cimreviews.com/
General News Platform – https://ihtlive.com/
-
Politics2 weeks ago
New BJP government to take oath in Haryana on Oct 17, PM Modi to attend
-
india2 weeks ago
‘My support will be with new J&K govt’: L-G Manoj Sinha ahead of Omar Abdullah’s oath-taking ceremony
-
Sports2 weeks ago
Score for the third day of the first test between India and New Zealand: Ravindra-Southee crushes IND, NZ leads by 299 at lunch
-
TV1 week ago
Prince Narula and Yuvika Chaudhary share first pic with newborn daughter from hospital. See post
-
Entertainment.2 weeks ago
Massive data breach at Game Freak studios reveals shocking new dark Pokemon movie plot
-
india3 weeks ago
Navratri special | Puja pandals in Lucknow ready to welcome Maa Durga
-
spotlight3 weeks ago
BCCI avoided a costly Umran Malik mistake by using Mayank Yadav as pacer peppers speedguns on debut.
-
Business3 weeks ago
Virat Kohli pays tribute to Ratan Tata, Jay Shah ‘deeply saddened’ by veteran industrialist’s demise