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Backchannel talk between India, Pakistan was on before Balakot air strikes, says book

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Backchannel talk between India, Pakistan was on before Balakot air strikes, says book

National Security Adviser (NSA) Ajit Doval and Research and Analysis (R&AW) exchanged information with senior Pakistani Inter-Services Intelligence (ISI) officials as part of a unique covert channel link between the two countries involving two foreign journalists, Adrian Levy and citing the NSA and other senior intelligence officials, according to a new book by reporters, Cathy Scott-Clark in 2018-2019, including after the Pulwama attack.

According to the authors, ISI officials denied within hours of the incident that they knew nothing about the Jaish-e-Mohammad (JeM) attack in Pulwama, which was apparently planned in Afghanistan’s Helmand province, not Pakistan. However, Mr Doval and Deputy National Security Director Rajend Khanna did not believe Pakistani information and carried out the Balakot airstrike to “humiliate the Pakistani military”, the book says.

In a separate disclosure, the authors said Indian investigators found that “corrupt local police” helped four JeM terrorists infiltrate Pathankot airbase for an attack that killed seven security forces. Modi’s government unexpectedly invited a Pakistani investigative team to Pathankot to jointly investigate the terrorist attack, but relations between the two countries soon broke down and the joint investigation plan ended without results. The NIA charge sheet filed against JeM that same year did not mention that the terrorists were aided by men in uniform.

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The authors also concluded that Kulbhushan Jadhav, a former naval commander accused of planning a terrorist attack and awaiting an appeal against Pakistan’s death sentence, is an “asset” rather than an “official” of the Indian intelligence agency “trapped” by Pakistan’s ISI Provided. India categorically denies the allegations and says that Mr Jadhav retired in 2001 and was kidnapped by Pakistani agencies in Iran. However, the book claims that due to Mr Jadhav’s entry into Pakistan from Iran, many Indian intelligence agencies were concerned about recruiting He showed interest, and he was lured by ISI to Karachi to meet with a Balochistan contact.

“According to some of the people we interviewed at the IB (Intelligence Bureau), the R&AW and the Indian Navy as well as Pakistan’s ISI and military intelligence agencies, many agencies are suddenly interested in someone like [Jadhav] who has the money to travel with cover. …Iranian Balochistan and Chabahar already have significant R&AW investments in assets and officers, but having Jadhav who can travel widely and even go down to Karachi will set him apart,” Lee said. Mr. Wei in an interview. He added: “Not as an officer trained, deployed and supported by the agency, but as an asset, we were told, a person reporting to handlers and supervisors with [his] insights.”

Complete News Source : The Hindu

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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