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BCCI avoided a costly Umran Malik mistake by using Mayank Yadav as pacer peppers speedguns on debut.

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BCCI avoided a costly Umran Malik mistake by using Mayank Yadav as pacer peppers speedguns on debut.

Suryakumar Yadav has labelled him the one with the X-Factor; Mayank Yadav is already well on his way to proving that that’s no empty boast from the captain:

For more than five months since the end of April, Mayank Yadav didn’t play a single competitive fixture. But what he had done for Lucknow Super Giants during his four appearances in IPL 2024 before a side strain cut his season short couldn’t be wished away easily. India’s Mayank Yadav bowls during the first Twenty20 cricket match between India and Bangladesh at the Shrimant Madhavrao Scindia Cricket Stadium in Gwalior on October 6, 2024.

Then only 21, Mayank cranked up the speed gun, touching speeds in excess of 150 kmph quite regularly on his way to seven wickets and consecutive Player of the Match awards against Punjab Kings and Royal Challengers Bengaluru. Among those six victims in those two fixtures were Jonny Bairstow, Glenn Maxwell and Cameron Green, each surprised by the pace the wiry lad generated from an uncomplicated action and the dramatic, unexpected acceleration once the ball hit the pitch.

The aura around Mayank was just beginning to grow when he was forced to sit out the rest of the tournament. It was a shattering blow to the young man, who had reason to believe he would be fast-tracked into international cricket. India had already allowed Umran Malik, the tearaway from Jammu & Kashmir, to run out of steam by not blooding him at the highest level when he was at his lethal best. They were determined to avoid a repeat with Mayank, until the untimely injury brought the entertainment to a temporary halt.

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Mayank’s journey of rehabilitation isn’t too well documented. Suffice to say that at the National Cricket Academy, his return to play was monitored with great personal care by NCA head honcho VVS Laxman and his support group, helmed by fast-bowling coach Troy Cooley. The first objective was to get him to white-ball fitness; red-ball forays were a longer-term goal which could wait.

Once Mayank was passed fit white-ball by the NCA, Ajit Agarkar and his co-selectors wasted no time in including him for the three T20 Internationals against Bangladesh. It helped that when Mayank was in Lucknow initially, it was under the tutelage of current India head coach Gautam Gambhir and one of the assistant national coaches, Morne Morkel. They knew what made him tick, they knew what he brought to the table. Once he was available for selection, it was a no-brainer that he would cut his teeth in international cricket in Gwalior in the first of three T20Is on Sunday. Mayank came with a lot of understandable hype, catalysed largely by his unmatched ability to generate express pace. Worldwide, pace has been an irresistible magnet; in India, where unalloyed speed isn’t commonplace, Mayank was hot property, but the big question was whether he could marry it with control, whether he could resist the temptation to believe all the hype about him.

How did Mayank Yadav perform on his India debut?

In four overs at the brand new Shrimant Madhavrao Scindia Cricket Stadium, Mayank reiterated that he is a talent worth investing in. His first delivery, a loosener if you like, was measured at 142 kmph; his next clocked 146. His first over was a maiden, to Towhid Hridoy, and he took a wicket with his eighth ball, having former Bangladesh captain Mahmudullah caught at deep point.

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After a first spell of 2-1-3-1 that straddled the Powerplay, Mayank went for 15 in his third over, which can happen to the most seasoned in the 20-over game. He returned to bowl the 19th, where he regathered focus and conceded only three. By the end of the night, he had figures of 4-1-21-1; only two other Indians had bowled a maiden in their first T20I appearance, Agarkar and Mayank’s teammate Arshdeep Singh. As far as first appearances go, this was far from shabby.

Mayank would certainly have entertained nerves going into his first India outing. It also goes without saying that he will concede plenty more runs in time to come, because such is the nature of the 20-over format and such is the lot of those who bowl really quickly – his fastest ball on Sunday was 149.9 kmph. But already in his brief representative career which translates to 33 matches at the senior level, he has shown that he has the heart, the temperament, the intelligence and the smarts, not to mention the skills, to be a long-term India prospect.

In Gwalior, Mayank showed that there is more to him than just searing pace. He found movement in his first over, the sixth of the innings, and he bowled more than one well-disguised slower delivery. Even in this era of throwdown specialists and bowling machines, he was able to surprise Bangladesh’s batters with his additional pace. Suryakumar Yadav has labelled him the one with the X-Factor; Mayank is already well on his way to proving that that’s no empty boast from his first T20I captain.

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Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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