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‘Bigg Boss 14’ November 5, Written Update: Jasmin Bhasin gets possessive about Aly Goni, flares up at Pavitra Punia

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4 years ago

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‘Bigg Boss 14’ November 5, Written Update: Jasmin Bhasin gets possessive about Aly Goni, flares up at Pavitra Punia

In the last scene of the ‘Bigg Boss 14’, we saw the competitors battle it out to turn into the following chief of the house. While the assignment is as yet inadequate and the victor will be announced between Pavitra Punia and Jasmin Bhasin, it will be intriguing to perceive how the condition of the last with trump card passage Aly Goni changes in the coming scenes. In the interim, getting into the happy soul, hopeful Rubina Dilaikis seen watching Karva Chauth quick for spouse Abhinav Shukla, who is additionally an individual member on the show. The sentimental and sweet signal makes certain to win the hearts of their fans. Be that as it may, a few inquiries with respect to the captaincy, Eiijaz and Pavitra’s relations and Jasmin and Aly’s condition are yet unanswered. Eijaz reveals to Shardul that he can’t hear the urgency in his voice remembering the soul with which Pavitra is playing for him. This incenses different housemates who can’t help contradicting Eijaz and reveal to Shardul that the feelings in his voice mirror his urgency to be in the game. They advise Shardul to not to tune in to Eijaz. Each of the three – Abhinav, Nikki and Pavitra – continue clutching the triangle as a component of the assignment. Pavitra says that she needs to utilize the loo. Abhinav says that he won’t move from the spot and notices that the individual who feels it’s a crisis for her can stop the errand. Pavitra and Nikki attempt to move towards the washroom and apply power. Abhinav also attempts to stop them with power. Jasmin, who is the ‘sanchalak’ of the undertaking, discloses to them they can’t utilize power. After hearing this, Pavitra discloses to Jasmin she is one-sided. Bigg Boss gives the three agents an errand to continue clutching a triangle together as long as possible and the last one who figures out how to continue holding it will spare the individual who they are speaking to. Rahul reveals to Jasmin that he is harmed in light of the fact that she picked him to remain in the red zone. Jasmin discloses that she needed to give Shardul and Naina a battling possibility and she spared Rubina on the grounds that she had given a word to Abhinav. Bigg Boss solicits Jasmin to take the name from one candidate whom she would not like to spare from selections and needs that individual to stay in the red zone. Jasmin takes Rahul Vaidya’s name. Bigg Boss advises the housemates to pick their agents who will battle for them and spare them from returning in the red zone. While Rubina picks Abhinav, Shardul and Naina pick Pavitra and Nikki separately to speak to them in the assignment. Pavitra and Aly are chatting on the telephone. Pavitra reveals to Aly that when he alludes to her as a companion, she has a few desires from him. She examines Eijaz and his expectations and how he fouled up with her when he picked Jasmin over her and didn’t want to advise her once. Pavitra adds that now, Jasmin is talking in the interest of Eijaz.
Jasmin gets chafed about this and interrupts their discussion. She blows up at Pavitra for conversing with Aly in an awful tone. She is unmistakably harmed and feels like Pavitra is attempting to get among Aly and her relationship. Pavitra takes on Jasmin and discloses to her that she additionally knows Aly and there is no requirement for Jasmin to get so possessive!Abhinav inquires as to whether she is fasting since it is Karva Chauth. The last answers in the confirmed. He discloses to her she ought to have at any rate eaten something in the first part of the day, to which, Rubina says that in the Bigg Boss house she didn’t have sargi, yet she will keep the quick and break it after observing the moon around evening time. Jasmin talks about obligations with housemates. After much disarray, Jasmin at last persuades everybody to be in the same spot. Jasmin examines the equivalent with Aly. Then, Jaan comes and reveals to Jasmin that he isn’t one to avoid work, yet he is denying the family unit task of tidying up the front room since he has an ailment.

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Also Read : UGC ISSUES GUIDELINES ON REOPENING UNIVERSITIES, COLLEGES IN PHASES

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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2 days ago

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December 21, 2024

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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