Connect with us

India Hot Topics

Bihar Assembly elections | The end of social justice politics in Bihar

Published

on

Bihar Assembly elections | The end of social justice politics in Bihar

The current year’s Assembly political race in Bihar is the first in quite a while in which Lalu Prasad Yadav (72) isn’t the focal character — he is in prison and sick. Ramvilas Paswan passed on amidst the political race, at 74. Nitish Kumar (69), occupant Chief Minister, is contending energetically to hinder this terminal political decay. This is his last fight, win or lose. The three, all results of the Jayaprakash Narayan development during the 1970s, sought after different variants of social equity legislative issues.
Bihar has been a focal point of Indian governmental issues for at any rate a century. The State essentially molded the course of India over the most recent 30 years, in the cross flows of powers released by ‘Mandal, Mandir and Market’. 2020 imprints the finish of that period in Bihar; what fresh start this end forecasts isn’t altogether clear.The time being referred to started precisely 30 years prior, on October 23, 1990, when the Bharatiya Janata Party (BJP) pioneer L.K. Advani’s Ram Rath Yatra was halted in Samastipur by Mr. Yadav, who was the then boss clergyman. The capture of Mr. Advani brought to the cutting edge the contention between the objectives of social equity and Hindutva, up to that point covered by the common enemy of Congressism of their defenders. Social equity lawmakers explored different avenues regarding different alliances at the Center. Past advantage, these unique courses additionally implied various ways to deal with social equity.

Mr. Yadav never aligned with the BJP and remained the most predictable, unfaltering pundit of Hindutva. He constructed a social alliance of OBCs (Other Backward Class), Dalits and Muslims that made due for a very long time, until 2005. He joined mind, sympathy and a solid resistance to communalism. He talked about strict congruity, U.S. international strategy and India’s atomic arrangement in a way that made them all decipherable to the country citizens of the State. He studied the developmentalism of state and market, from the inferior viewpoint with respect to value and portrayal. The ascent of inferior governmental issues under his authority was opposed by the upper ranks. Political viciousness, wrongdoing and defilement on his watch contracted his authenticity and he wound up in prison, indicted on debasement allegations. His social alliance disintegrated as Dalits and the Extremely Backward Caste (EBC) bunches defied the Yadav transcendence in it.Paswan sought after a tight strand of social equity governmental issues, with no philosophical investigation or grassroots preparation. He molded himself as a Dalit pioneer, yet keeping himself in power turned into the sole marker of Dalit strengthening for him. His method of showing secularism was to have a hairy Muslim minister on his battle field. His governmental issues mock social equity and secularism.
Mr. Kumar parted from Mr. Yadav in 1994, and rose as an option in contrast to his model of social equity. He pitched himself as the Mandalite for the market period. Bihar’s commitment with the market didn’t come through rising speculations or urbanization inside the State, however through the fare of laborers to metropolitan focuses in the west and south, new focuses of development after advancement. A minimal expansion in dispensable earnings, rising media utilization, and another strictness described Bihar’s profoundly versatile young people, opening the space for another model of legislative issues.

Tap To Explore More : The Hindu

Advertisement

Also Read : 43,893 NEW CASES OF COVID-19 RECORDED IN INDIA ON WEDNESDAY MORNING

Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

Published

on

By

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

Advertisement

Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

Advertisement

And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

Group Media Publications
Entertainment News Platforms – anyflix.in      
Construction Infrastructure and Mining News Platform – https://cimreviews.com/
General News Platform – https://ihtlive.com/

Advertisement
Continue Reading
Anyskill-ads

Facebook

Trending