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CBI and ED appointments that triggered controversies

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CBI and ED appointments that triggered controversies

On Sunday, the center issued two decrees extending the terms of office of the Directors of the Criminal Investigation Bureau (CBI) and the Enforcement Bureau (ED) for up to five years, sparking opposition charges that this would further undermine the autonomy of investigative agencies. The following are some of the appointments of these institutions that have recently sparked controversy.

The special director of ED, Vineet Agarwal, transferred Satyabrata Kumar, the chief officer who investigated the businessmen Vijay Mallya and Nirav Modi, in April 2021. Within a few hours, ED director Sanjay Mishra withdrew Satyabrata Kumar’s transfer, stating that Agarwal had no right to transfer him on his own. Officials from the anti-money laundering investigation agency stated that the government interpreted Agarwal’s actions as an attempt to intervene in the crucial Nilav Modi investigation and decided to let him pack it.

Rishi Kumar Shukla was appointed as CBI Director three days after the former Chief Minister of Madhya Pradesh, Kamal Nath, removed him from his post as chief of the national police in February 2019. Congressman Mallikarjun Kharge, who was a member of the selection panel, cited the Supreme Court’s reasons to oppose the appointment of his judgment and the Delhi Special Police Agency Act listed qualifications, integrity and experience in investigating corruption cases as prerequisites for the job of the CBI Director.

He claimed that Rishi Kumar Shukla lacks experience in handling anti-corruption cases. In the end, the objection was rejected. Rakesh Asthana was appointed as the CBI Special Director in 2016, but was opposed by the NGO Common Cause. The NGO claimed that Asthana allegedly received help from Gujarat-based companies Sterling Biotech and Sandesara Group when he was the chief of Surat police in 2011. But the court rejected the challenge to Asthana’s appointment.

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Ranjit Sinha’s appointment as the head of the CBI in December 2012 also triggered a dispute with the Bharatiya Janata Party (BJP), demanding that his promotion be suspended on the grounds that Rajya Sabha’s team suggested that the university should choose the head of the CBI.

The chairman of the Aam Aadmi Party (AAP), Arvind Kejriwal, also questioned the “secret method” of the government’s choice of Sinha and called him a “contaminated person”. However, the government stated that the selection is fair and the Prime Minister has the right to make a decision on this matter.

News Source : Hindustan Times

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According to Kangana Ranaut, she and Shah Rukh Khan represent the final generation of stars. “Stars nahin ban rahe hain OTT pe”

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According to Kangana Ranaut, she and Shah Rukh Khan represent the final generation of stars. “Stars nahin ban rahe hain OTT pe”

Kangana Ranaut has denied speculations about joining politics solely due to the box office failure of her films.

Kangana Ranaut, the BJP’s Lok Sabha candidate from Mandi for the 2024 elections, expressed gratitude towards Prime Minister Narendra Modi for her political entrance. In an interview with Times Now, she questioned whether she joined politics due to her movies’ poor box office performance, comparing it to Shah Rukh Khan’s previous unsuccessful films.

Reacting to her films’ box office failure, Kangana Ranaut

Kangana responded to a question about her career, stating that she has never had a flop. She compared Shah Rukh Khan’s films to Pathaan, Queen, and Manikarnika, noting that if she had a flop in Emergency, it would be a big hit. Kangana compared her career to Shah Rukh Khan, who had consecutive flops for ten years. She also mentioned that she had not had a single hit for 7-8 years before Queen, but after that, she had a few good movies.

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No stars from OTT?

The last generation of stars, known for their talent and demand, are now able to showcase their talents more through OTT. However, the author expresses a desire to involve themselves more with the real world, rather than being consumed by the arts, stating that they are not satisfied with the current status quo.

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