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Centre seeks recall of SC order de-notifying OBC seats ahead of Madhya Pradesh local body polls

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Centre seeks recall of SC order de-notifying OBC seats ahead of Madhya Pradesh local body polls

The center has requested the revocation of the Supreme Court’s Dec. 17 order that made empirical data a necessary condition for other backward class (OBC) quotas in local agencies. It has asked the court to suspend the election of local institutions in Madhya Pradesh for four months and cancel the reserved OBC seats according to the order. The center recommended that the state’s backward shift committee submit a report during the suspension period in accordance with the court’s previous quota order. The process will involve setting up an independent committee to prepare seat-by-seat data on OBC’s lagging behind, and allocating quotas at each assembly stage, while ensuring that the total booking volume does not exceed the 50% limit.

After Madhya Pradesh made a similar request earlier last week, the center submitted a recall request on Sunday. It is expected to be heard after the court reopens on January 3.

In another application, the Federal Ministry of Social Justice and Empowerment also sought to be prosecuted in court proceedings. The ministry stated that the Dec. 17 order had pan-Indian influence and deprived the OBC of the political representation guaranteed by the Constitution.

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The challenged order was passed without hearing the opinion of the center.

The center stated in its request: “The promotion of scheduled castes, scheduled tribes, and other backward classes has always been the top priority of the federal government. The lack of representation of OBC in any local self-government government violates its goals, intentions and decentralization and governance. The purpose of bringing the idea to the grassroots level.” It added that the issues raised in this petition have important public significance and have pan-Indian implications for the implementation of OBC reservations in elections across the country.

While the election process in Madhya Pradesh was proceeding to allocate seats to the OBC, the court issued an order. The court instructed to re-notify these seats as general category seats.

The center believes that any intervention at this stage will cause the OBC community to lose the five-year quota. In addition, five years is not a short period of time, and it will cause “serious prejudice against backward class citizens.”

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As a temporary solution, the center proposed to suspend the electoral process and also asked the committee to submit a report within three months. “Till such time, the administrator can function who can hand over the charge to the newly elected person/body who will be elected with the provision of OBC reservation,” the application said.

The Supreme Court’s decision provides for a triple test of quotas in the K Krishnamurthy case (2010) and Vikas Kishanrao Gawli (2021).

Complete News Source : Hindustan Times

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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