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Chinese potshots at QUAD betrays Beijing’s insecurity

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Chinese potshots at QUAD betrays Beijing’s insecurity

The Xi Jinping regime and its wolf warriors have been attacking QUAD since its revival in 2017. From Foreign Minister Wang Yi’s description of QUAD as a bubble in the Pacific or Indian Oceans, to the assertive New NATO of the past, Beijing on Wednesday described it as a product of Cold War mentality and a confrontational bloc against China. The hot addition is that China is seeking peace, development and cooperation, not against any third country. QUAD foreign ministers will meet tomorrow in Melbourne.

China’s statement on the eve of the Quartet meeting was not only intended to put the participating countries on the defensive, but also to make Indonesia, the Philippines and other ASEAN countries bear the brunt of the CCP’s expansionism in the South China Sea. The message to ASEAN is to not get infected by QUAD and stay within the parameters of the chopstick culture defined by Beijing.

In fact, QUAD focuses on a constructive agenda for collaboration with Indo-Pacific partners on health and vaccine support, disaster relief, climate change, emerging and critical technologies, infrastructure development, and a free and open Indo-Pacific. This is in stark contrast to China’s rapid military expansion and expansion both within and outside the region, pulling the world into another Cold War era.

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QUAD is moving beyond the post-Cold War alliance. It is China that wants to maintain the old order and keep India in a South Asian box by putting its proxy Pakistan in a permanent confrontation with New Delhi. In addition to helping Islamabad build its nuclear capabilities and delivery platforms, China has bolstered Pakistan’s military by supplying self-propelled howitzers to the Army, JF-17 fighter jets to the Air Force, and stealth frigates and submarines to the Navy. It used Pakistan and Burma to provide access to the Arabian Sea and the Bay of Bengal, and pinned India. Seeing politics in a globally well-organized organization like QUAD is an important part of Cold War thinking, as it runs counter to globalization and rebalancing of power. It is China that still wants the victor of World War II to stand high and does not want to cede space to middle powers like India, Japan, Australia and Brazil. It is for this reason that reform of the UN Security Council has stalled over the past two decades.

By describing the Quartet as a confrontational bloc, China demonstrates its middle-kingdom mentality, with a rapidly rising Beijing at the global center and the rest just vassals. Despite challenging Tokyo over the Senkaku Islands dispute, it does not want Japan to abandon its pacifist theories, just as it wants Australia to continue to be a docile supplier of beef, pork, cheese and wine.

Complete News Source : Hindustan Times

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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