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Dhokha Movie Review: Aparshakti Khurana, R Madhavan Film is Weakly Executed Game of Two Truths and a Lie

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Dhokha Movie Review: Aparshakti Khurana, R Madhavan Film is Weakly Executed Game of Two Truths and a Lie

This weekend is a fairly exciting one for moviegoers. While R Balki is releasing his psychological crime thriller Chup, The Big Bull and Prince filmmaker Kookie Gulati is experimenting with the crime thriller subgenre with his most recent film, Dhokha: Round D Corner. The main cast of the movie, which also includes R. Madhavan, Aparshakti Khurana, Darshan Kumar, and Khushalii Kumar, centres on a woman who is allegedly insane and has been taken captive by a terrorist in her own home. Her husband and a group of police officers work to free her.

Sanchi, a homemaker, is played by Khushalii, and Yathaarth, her husband, is played by Madhavan, as the trailer has already shown. Terrorist Haq Gul, played by Aparshakti while Darshan Kumar, causes havoc in their life.

Inspector Malik and Gul, on the other hand, have a shared past. In an alleged bomb blast case, Malik had apprehended him and imprisoned him for several months. He apparently escapes while being transferred from one jail to another and takes Malik’s gun with him.

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It seems like a game of two truths and a falsehood in the first half. Each character tells the story from their perspective. Sanchi accuses Yathaarth of fraudulently labelling her as mentally ill and engaging in an extramarital affair, while Yathaarth maintains Sanchi is delusional, believes she is wrong to suspect him of having an affair with her psychiatrist, and believes she is using her sensuality to manipulate the situation.

Haq and Malik are playing the game separately. Malik alleges that Haq is a skilled Kashmiri terrorist who organised the bombings and is in the city to get revenge for a death that occurred years ago. Haq, however, insists that he is an innocent man and denies knowing anything about it.

Director Kookie Gulati adds a layer of Lima syndrome to spice things up while he is trying to entangle you in their lies. Sanchi can occasionally take charge of the situation thanks to this syndrome. And to top it off, she seduces Haq with her sensuality to keep him enthralled.

Trying to determine who is telling the truth and whether Sanchi is safe takes up most of the second half.

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The movie’s plot seems intriguing on paper, but it isn’t fully realised in the final product. Gulati tries to make the suspense more dramatic, but somewhere along the line, he throws both elements off. Although the first half of the movie takes a while to develop, you would expect it to keep you interested right away considering the genre. However, the uneven pacing and uneven concentration prevent you from engaging with the movie fully.

Only partially does the second half of the movie attempt to save it. The film’s climax is unquestionably its best moment. Gulati concentrated more on tying the knots at the end than on positioning the threads for the ties.

Aparshakti is without a doubt the movie’s leading lady in terms of acting. The actor dazzles with his good Kashmiri accent and displays practically all of his acting skills throughout the film, including those of an unstable criminal, a feeble lover, a guy forced to choose between life and death, and ultimately, a devastated mentally sick man. His film is the real deal.

He has excellent support from R Madhavan. Watching him perform roles with little romance and more pushing of limits is always enjoyable. But watching Darshan Kumar play a poorly written character was devastating. Even in this circumstance, he makes an effort to save what he can, but it is insufficient.

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It is disappointing to note that the movie gave Khushali Kumar, who is making her Bollywood debut with the movie, much more screen time for her curves than for her face. Given that Sanchi was the main character of the movie, her portrayal ought to have been better. #JusticeforSanchi!

A special note should be made of the movie’s parody of the newsrooms, which served as a reprieve. Gulati occasionally seemed to be diverted from the suspense story, so he included sequences showing media organisations competing for TRP ratings over the coverage. A journalist who was modelled after some of the noisiest television anchors was also included in the movie. There were a few laughs as a result, but primarily it felt forced.

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“I haven’t seen a man with such great kindness,” Zeeshan Ayyub remembers when Shah Rukh Khan handed him his own sweater.

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“I haven’t seen a man with such great kindness,” Zeeshan Ayyub remembers when Shah Rukh Khan handed him his own sweater.

Actor Mohammed Zeeshan Ayyub recently shared a heartfelt anecdote highlighting Shah Rukh Khan’s generosity during the filming of Raees. In an interview with The Indian Express, Ayyub recounted an incident where promotional sweatshirts were distributed to the cast. When Ayyub noticed he hadn’t received one, Khan overheard and promptly offered his own sweatshirt, insisting Ayyub keep it despite initial protests.

Ayyub expressed deep admiration for Khan, stating, “I haven’t seen a man with such great kindness.” He further praised Khan’s humility and respect towards everyone, emphasizing that such gestures make meeting him a defining life moment, irrespective of one’s opinion about his work.

A Sweatshirt and a Star: The Day Shah Rukh Khan Gave Zeeshan Ayyub More Than Just Warmth

Mohammed Zeeshan Ayyub has shared screen space with many leading stars in Indian cinema. But when he talks about Shah Rukh Khan, it’s not the fanfare or fame that he remembers — it’s a moment of quiet kindness that left an impression deeper than any box office success.

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It was during the filming of Raees, the gritty action drama where Ayyub played a supporting but memorable role opposite Khan. The crew had just wrapped a day’s shoot, and promotional sweatshirts — custom-made for the team — were being handed out. In the buzz of post-shoot chaos, Ayyub noticed something small but disappointing: his name hadn’t been called. Whether it was a mix-up or a miscount, his sweatshirt wasn’t there. It wasn’t the end of the world, but in that moment, he felt a sting — a small exclusion in a big world.

What happened next, however, transformed that fleeting disappointment into something unforgettable.

Shah Rukh Khan, who had overheard the exchange, didn’t hesitate. Without drama or delay, he removed his own sweatshirt — the one he’d been wearing — and handed it to Zeeshan. “Take mine,” he said, in a tone so natural it felt like second nature. Ayyub was stunned. He tried to refuse. “No, sir, it’s yours, you don’t have to…” But Khan wouldn’t take no for an answer. “You deserve it,” he said with a smile. And with that, he turned and walked away.

That gesture, simple on the surface, became one of the most meaningful memories in Ayyub’s career.

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“I haven’t seen a man with such great kindness,” Ayyub later said in an interview. “You can work with a lot of people, some big stars, some legends. But what stays with you is how they made you feel. Shah Rukh sir made me feel seen, valued — equal.”

In an industry often criticized for egos, hierarchies, and distance between stars and supporting actors, Shah Rukh’s act stood out like a quiet rebellion. He didn’t do it for the cameras. There was no entourage watching, no social media post crafted to go viral. It was just one human being recognizing another — and choosing generosity over indifference.

Ayyub, known for his grounded nature and roles in films like Article 15, Tanu Weds Manu, and Raanjhanaa, is not the kind of person to exaggerate stories for attention. That’s what makes his admiration so powerful. “Shah Rukh Khan is not just a star,” he said, “he’s a culture. And part of that culture is kindness.”

For Ayyub, the sweatshirt became symbolic. Not because it belonged to a superstar, but because of what it represented — dignity, humility, and a reminder that greatness lies in the little things. “That moment taught me what real respect is,” he said. “When the biggest person in the room doesn’t need to show you they’re big — they just make you feel taller.”

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It wasn’t the only time Shah Rukh left a lasting impression on him. Throughout the shoot, Khan was known for greeting everyone on set, asking crew members how their day was, checking in with junior artists, and sharing meals with the team. “He never looked down on anyone,” Ayyub recalled. “He met you at eye level, no matter who you were.”

It’s gestures like these that have earned Shah Rukh Khan his legendary status not just as an actor, but as a human being. The man who conquered global cinema with charisma, dance, and dialogue also commands loyalty with empathy.

Zeeshan Ayyub’s story is a testament to that legacy. In an era where celebrity culture is often defined by curated perfection, Khan remains something far more rare — authentic. And his kindness, whether offered through a signed autograph, a shared laugh, or a sweatshirt passed quietly into someone else’s hands, has become part of his legacy.

Years may pass, films may fade, but Ayyub knows he’ll always remember that day on set. The moment wasn’t scripted, but it taught him more than any film ever could.

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