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Furious At Torture Of 2 Staffers By Pak’s ISI, India To Put Downgrade In Ties On Table

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Furious At Torture Of 2 Staffers By Pak’s ISI, India To Put Downgrade In Ties On Table

India could consider reducing its diplomatic presence in Pakistan in light of the abduction and torture of two high commission staffers who had stepped out on Monday, people familiar with the development told Hindustan Times.

The two staffers were abducted by about 15 armed men from a petrol station in Islamabad’s upscale locality a short distance from the Indian mission, tortured for hours and framed for a road accident before being released. They have extensive injury marks to their neck, face, thighs and back.

New Delhi has not formally reacted to the abduction and torture of its staffers.

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In their debriefing to Indian high commission officials, the two abducted staffers spoke extensively about their torture, the “scripted” confessions that they were forced to record on video and the threats that were hurled at them.

“The abductors, who we believe were from Pakistan’s ISI (Inter-Services Intelligence), repeatedly told them this is the treatment that would be meted out to other mission officials as well in future,” a government source said.

If the government of Pakistan cannot deliver on its commitment under the Vienna Convention to ensure the safety of Indian diplomats, Indian diplomats cannot possibly discharge their responsibilities. It would be natural, under the circumstances, to consider if India should scale down its presence to the bare essentials, a government source told Hindustan Times.

Besides, Pakistan watchers in Delhi said Indian high commission officials could hardly move out of the mission due to fear that they would be picked up. In contrast, Pakistani officials in Delhi have been going around freely, some of them even tapping people for classified information. Two of them were expelled on May 31 for espionage.

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Since the strength of diplomatic missions are decided on a reciprocal basis, it would mean that Islamabad would also have to prune its strength in New Delhi if India pulls back some diplomats.

Pakistan had last August downgraded diplomatic ties after India scrapped Jammu and Kashmir’s special status and carved out two centrally-administered union territories. The missions of the two countries have since then been headed by a charge d’affaires, not a high commissioner.

Officials said the line of questioning that the two staff members, both drivers, were subjected to while in the custody of the ISI on Monday indicated that this may not be the last such incident. They were interrogated about the specific role and function of all high commission officials, down to the most junior staffers, and tortured to confess that alleged intelligence officials at the commission would get them to bring people hidden in the cars for meetings in the commission.

News Source: HindustanTimes

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Also Read: A ‘500 Years Old’ Temple, Submerged In The Mahanadi In Odisha, Is 60 Feet In Height. 

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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