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Govt: 500-year-old stolen Hanuman idol to be repatriated to India soon

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Govt: 500-year-old stolen Hanuman idol to be repatriated to India soon

An idol of Lord Hanuman, which was stolen a decade ago from Tamil Nadu’s Ariyalur district and smuggled abroad, will be brought back to India soon. Built between the 14th and 15th centuries, during the period of the Vijayanagara empire, the statue was recently found in possession of a private buyer in Australia.

Union Culture Minister G Kishan Reddy tweeted on Wednesday: “Five hundred-year-old Lord Hanuman bronze idol stolen from Tamil Nadu temple, to be repatriated back to India. The stolen idol retrieved by US Homeland Security was handed over to @HCICanberra by US CDA.”

On Tuesday, it was returned to Indian High Commissioner Manpreet Vohra at Canberra by Australian Chargé d’Affaires Michael Goldman.

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An official in the Archaeological Survey of India (ASI), which is the custodian of such artefacts till they are handed back to their state of origin, said: “This Anjaneyar (Hanuman) idol was burgled along with Sri Devi idol and Boodevi idol from the Varadharaja Perumal temple in Vellur village, Ariyalur, on April 9, 2012.”

Officials said that in March 2014, the idol was auctioned by Christie’s for $37,500 to a buyer in Australia. Upon discovery and subsequent investigation, it was found to be the same idol that was stolen from India. The Tamil Nadu Police’s Idol Wing was assisted in the case by US Homeland Security.

Sources said the auction house and the buyer in Australia were unaware that the idol was stolen.

The idol will be brought back to India within a month and handed over to the Idol Wing. It will be restored to the temple from where it was stolen, the ASI official added.

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Another prominent artefact that went missing two decades ago, the idol of Avalokiteshvara Padmapani (Buddha) at the Devisthan Kundalpur temple in Bihar, was handed over to the Indian consulate in Milan. It is also likely to reach New Delhi within a month. The statue was created between the 8th and 12th centuries, and smuggled out of the country around the year 2000.

The 18th-century statue of Goddess Annapurna, stolen 100 years ago from Varanasi, was brought back from Ottawa, Canada, in October. It was installed at Kashi Vishwanath Temple in Varanasi a month later.

The government has retrieved around 212 artefacts, mainly statues and idols made of metal, stone, and terracotta, in the last seven years. According to the Ministry of Culture, most of them (including the 157 that were handed to Prime Minister Narendra Modi in New York last year) have come from the United States.

Complete News Source : The Indian Express

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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