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Gullak, produced by TVF, is the first Indian web-series to score a hattrick with a blockbuster third season

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Gullak, produced by TVF, is the first Indian web-series to score a hattrick with a blockbuster third season

With its wide range of entertainment programmes and shows in the late 1980s and 1990s, Doordarshan (DD) became a staple in every Indian household. There was no cable TV or over-the-top (OTT) back then, so DD was the only channel that offered family-friendly programming. Serials like Hum Log, Buniyaad, and Nukkad brought the lives of ordinary people and middle-class families to life on television, as well as the dynamics of their relationships and day-to-day struggles. Doordarshan’s characters made a billion people laugh and cry.

Indian viewers have almost never been served the sweet taste of realism in a show about the life of a middle-class family since the golden years of Doordarshan in the 1980s and 1990s… Until 2015, when The Viral Fever (TVF), India’s first and original OTT content kings, pioneered Indian Web-Series with Permanent Roommates, Pitchers, and their most recent Gullak-3. TVF, which was founded by Arunabh Kumar in 2012, is one of India’s most popular and critically acclaimed content shop brands. This year, TVF celebrates a decade of content creation by providing the country with some spectacular shows, including at least seven original shows that have been ranked among the top 250 shows in the world.

Gullak, a TVF series, has the rare distinction of having run two successful seasons, receiving love and awards from fans and critics alike, and then launching an equally rewarding season 3 with much fanfare on SonyLiv, one of India’s largest OTT platforms. “Ye kahani nahi, kisse hain,” says the gentle, affable narrator of Gullak, Shivankit Singh Parihar, “it is the story of a middle-class family and er… it is actually not a “story” but tiny anecdotes from the Mishra household.”

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“In Season 3, we did an experiment with the third episode, which is a story that is very close to me and something that I’ve seen personally,” says Gullak creator Shreyansh Pandey. The episode is known as ‘Agua,’ and it is very popular in Eastern Uttar Pradesh, but it is also a universal phenomenon. People are raving about the episode and are tweeting about it in droves. This is as local as we can get with our stories while still appealing to a broad audience.”

“Gullak is the story of every person who comes from a small town and a middle-class family,” says Palash Vaswani, the show’s director, of the show’s spirit. We all have stories to tell about our lives that we want to share with the rest of the world. As a director, I see Gullak as a fertile ground for telling simple, relatable anecdotes through complex layers. The process of bringing this world to life on screen has been a joy. I’m grateful to Arunabh, our producer, for asking me to direct season 2 and, hopefully, season 3.”

“In everyday life, we wanted to highlight anecdotes from a middle-class family that transform into a kahaani (story).” The TVF is a writer-friendly environment. Your stories will be heard and cared for.

Gullak has struck a chord with the real India, the India that is rarely seen on big screens; the India that lives in small towns with even smaller salaries; the India that has daily arguments over who gets the TV remote; the India that also stands by its family and dreams big.

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So, what can fans expect from Gullak season 3? This time around, what oddities and shenanigans are the Mishras putting us through?

 

“The second season was a huge success. Our goal was to keep season 3 from being too similar to the previous season while also inventing new ways to tell new stories or “new kisses.” It’s a logical step forward from where we left off last season.

“If I had to sum up Season 3 in a single word, it would be audacious. In the Mishra Family, we’ve talked about mothers’ younger selves, workplace politics, and changing alpha equations, among other topics,” Durgesh says.

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In terms of the Mishra family’s characters, they’re back in season 3 with their struggles to make ends meet and their unique quirks that make them so believable. “I have lived a life that was well provided for as a kid until I was studying,” Jameel Khan said of his inspiration and preparation for playing Santosh Mishra, the bread-winning, husband and father, award-winning actor. It was after I stopped taking money from my parents and decided to fend for myself that I realised how important every penny was and how difficult it was to live in the middle class, how to make do with very little money, and so on. My father’s business was in shambles, and my younger sisters had yet to finish their studies.

Geetanjali Kulkarni, who plays Shanti Mishra, says of working with TVF and Gullak, “Working with TVF and Gullak is creatively very satisfying.” The team, led by Arunabh Kumar, believes in true collaboration and values everyone’s input, which makes the rehearsal and shooting process enjoyable for the artist.”

Sunita Rajwar, who plays Bittu ki Mummy, says of her inspiration, “I instantly connected with Bittu ki Mummy.” I grew up in a small town, and I remember seeing a lot of aunts who looked a lot like her. And there was this one lady who was known in the neighbourhood as ‘Hema Malini.’ Kamla aunty was how we used to refer to her. People took advantage of her because she was cute and innocent at the same time.

Gullak Season 3 is without a doubt a flawless work of art and a rare phenomenon in India, where most mainstream web-series fail to hold the viewer’s attention for more than two seasons due to a lack of ability to hold the viewer’s attention for years.

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“We decided to bring back Season 3 within a year so that it becomes a regular viewing experience for Indian families.” And now we’re here; it’s a strange sensation; I’ve been up all night reading messages and tweets from across the country. “People are crazy about it,” Shreyansh says.

With its groundbreaking stories, TVF has sparked a creative revolution in India, redefining not only what is consumed but also how the backend of the loop operates. Writers thrive, ADs become successful directors, and TVF creators are bursting at the seams with ideas.

“Only because Arunabh promotes a culture of telling simple stories can a show like Gullak exist. Jameel, Geetanjali, Vaibhav, Harsh, Sunita, and Saad give outstanding performances, and it’s truly magical to watch them bring the characters to life season after season. “I am confident that when Palash directs a show, he will completely elevate the script,” Shreyansh says.

“Shreyansh and I have collaborated on a number of projects. We have a pleasant chemistry. “The stories that Shreyansh brings to the world of Gullak as a creator provide me with rich ground to bring them to life as the director,” Palash says.

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Kunal Kemmu Reveals Crucial, Heartbreaking Struggle of Being Jobless

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Kunal Kemmu Reveals Crucial, Heartbreaking Struggle of Being Jobless

The glamour and glamour of Bollywood can mislead us to the hard, cold reality that lies behind the velvet curtains. We see the flashing cameras, beautiful attire, and thunderous ovation, but we rarely see a gifted artist’s quiet anguish as he waits for the phone call.

Recently, the immensely adaptable Kunal Kemmu shattered this shiny façade by revealing a terribly difficult period in his career. Despite his established acting talent and irresistible charm, the actor disclosed a heartbreaking truth that many in the creative business covertly face.

He openly discussed being unemployed for six months to a year. This devastating revelation serves as a sharp reminder that in the entertainment industry, success is dangerously transitory and rejection is an ever-present shadow.

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The Toxic Illusion of Industry Advice

When a picture fails to do well at the box office, the implications for an actor can be swift and severe. Kunal Kemmu described how a single project’s failure entirely halted his momentum, severing a blossoming career and leaving him stuck at home.

During this dark and alienating era, well-meaning strangers and business insiders raced to offer him advice. However, the nature of this advise emphasises the superficial, performance mentality that pervades the entertainment industry.

Instead of being told to improve his skills or patiently wait for a story that matched his talent, he was subjected to odd societal demands. People sincerely recommended him to hire aggressive public relations personnel, hold lavish parties, network tirelessly, and give expensive presents to key persons in order to remain relevant.


Rejecting the Performative Circus

For an actor who has always prioritised depth above theatrics, this trite counsel felt completely out of place. Kunal Kemmu said that, while such transactional approaches may work for some people, they do not accord with his underlying principles.

The strain to play an off-camera role can be just as stressful as presenting a complex character on stage. Kunal chose not to participate in the superficial lifestyle of mailing gifts or throwing fictitious gatherings only to get a film role.

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Instead of feeding a frantic public relations narrative, he chose to maintain his personal dignity while emphasising his artistic ability. This modest disregard of industry standards demonstrates the enormous mental strength required to endure the unpredictable nature of Indian cinema.


The psychological toll of being creative while unemployed is a significant problem that few celebrities openly mention. Kunal Kemmu did not hold back while recounting the extreme uneasiness and paralysing worry that overwhelmed him throughout his year-long forced leave.

When you are entirely out of employment, a corrosive loop of self-doubt will inevitably take over your head. The actor admitted to continually worrying if he’d ever get the opportunity to appear in front of a camera again.

This great vulnerability reveals a universal reality about the performing profession. Whether you are a famous superstar or a struggling newbie, the frightening unpredictability of the entertainment industry spares no one.

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The Actor’s Ultimate Dilemma

Aside from the emotional discomfort, a protracted lack of work throws an artist into a corner, posing a significant ethical quandary. Actors are constantly torn between waiting for high-quality scripts and accepting substandard assignments solely for financial survival.

Kunal Kemmu acknowledged the agonising struggle that most creative professionals undergo at certain stages in their careers. The fear of being forgotten by the public drives many artists to make significant compromises to their artistic integrity.

It takes a lot of patience and self-belief to say no to subpar job when your calendar is empty. Kunal’s tale demonstrates that following your intuition can be extremely painful but eventually beneficial.


Embracing the Ever-Changing Acts of Life

Today, Kunal Kemmu is experiencing a stunning professional renaissance, juggling acting commitments, hosting a major reality program, and celebrating directing success. Nonetheless, he remains delightfully grounded, acutely aware that the current spotlight is not certain to last forever.
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He sees his career as a long film that unfolds brilliantly through distinct acts, rather than a constant apex. This realistic viewpoint enables him to enjoy his current hectic schedule without getting arrogant or complacent.
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Kunal has brought consolation to other artists who are going through their own silent challenges by revealing his difficult period of unemployment. His narrative demonstrates that genuine genius does not require transactional gifts or contrived parties to achieve its proper position in the light.


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