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How Pakistan, China pushed back on probe into bride trafficking via CPEC

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How Pakistan, China pushed back on probe into bride trafficking via CPEC

Pakistan’s federal investigation agency arrested and charged 52 Chinese traffickers in 2019 but half of them were soon acquitted amid push back from Pakistani and Chinese governments. No reports on the bride trafficking from Pakistan and China have emerged since the investigators halted the probe after coming under pressure from the Pakistani government, according to a US-based think tank.

In 2019, several media reports highlighted the rampant bride trafficking through the China-Pakistan Economic Corridor (CPEC), resulting from fraudulent marriages between Pakistani women and girls and Chinese men. A report by Brookings Foreign Policy has again put the spotlight on the cases of bride trafficking and the living conditions of the victims who were lured with payments to families and promises of a good life in China. But once the brides reached China, they had to go through forced pregnancy, forced prostitution and extremely difficult living conditions.

After international media raised the issue in 2019, Pakistan’s federal investigation agency arrested and charged 52 traffickers, all of them Chinese. However, the issue was soon brushed under the carpet and more than half of the accused were acquitted by late 2019. The report says that “others were all given bail and flown out of Pakistan, investigators were pressured by Pakistani authorities to let the cases slide, and journalists were asked to curtail their reporting on the issue.”

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The exceedingly close relationship between the two countries and the lopsided power dynamics, heavily inclined towards China, prompted the Pakistan government to push back on the investigation. In December 2019, Associated Press reported that the probe had come to a grinding halt as investigators came under pressure from government officials who feared hurting ties to Beijing, Islamabad’s all-weather ally.

China’s ambassador to Pakistan even went on local television to deny that any prostitution was occurring connected to the cases reported by AP.

“What is most notable in the matter of bride trafficking along the China-Pakistan Economic Corridor is not that it was happening…but the attempt to brush it under the rug after shining a clear light on it, especially by Pakistan, a country whose citizens were the victims,” the author, Madiha Fazal, wrote.

The author noted that no cases of bride trafficking from Pakistan to China were reported after December 2019. That period coincided with the onset of the coronavirus disease (Covid-19) pandemic which led to the closing of international borders.

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This is not the first time that Pakistan has compromised on human rights violations to maintain strong ties with China. Islamabad’s deafening silence on the gross abuse of human rights of Uyghur Muslims in the Xinjiang region has been frequently highlighted by India on global forums.

The US state department, in its 2021 Trafficking in Persons Report, has documented the Chinese government’s “policy or pattern” of widespread forced labour. The report suggested that China does not fully meet the minimum standards for the elimination of trafficking and is not making significant efforts to do so, even considering the impact of the Covid-19 pandemic on its anti-trafficking capacity.

For Detailed News: Hindustan Times

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Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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