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India: 55,079 New Cases Of Corona In Last 24 Hours, Not A Single Death In 6 States

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India: 55,079 New Cases Of Corona In Last 24 Hours, Not A Single Death In 6 States

Corona continues to wreak havoc in the world. The number of corona infected patients has crossed 2.18 crore in the world. At the same time, the death toll has reached close to 7.74 lakh. The death toll in the US has now increased to more than 1.73 lakh. At the same time, the total number of infection cases in India has reached 27,02,743. Apart from this, 51,797 people have died so far and 19,77,780 people have been cured of coronavirus infection.

There are 6 states in India where not a single person has died due to corona in the last 24 hours. In Arunachal Pradesh, Himachal Pradesh, Meghalaya, Mizoram, Nagaland, and Sikkim, there has not been a single death due to coronavirus in the last 24 hours. At the same time, no deaths from Corona have been recorded in Mizoram so far.

Corona figures in India released by the Ministry of Health on Tuesday morning…

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Corona death toll in the last 24 hours: 876
A number of infected in the last 24 hours: 55,079
Corona Total Cases: 27,02,743
Total deaths: 51,797
Total active cases: 6,73,166
Number of cured patients: 19,77,780

787 new cases of Covid-19 were reported in Delhi due to which the number of infected people increased to more than 1.53 lakh on Monday. At the same time, the death toll increased to 4,214 as 18 more patients died due to infection. Here the number of cases under Covid-19 has increased to 10,852 which was 10,823 on Sunday. While the number of infected has increased to 1,53,367. On Sunday, 652 new cases were reported and eight patients died.

In July, Covid-19 was investigated less in August than in July. The government says that the investigation has also reduced due to a decrease in infection cases. 2.58 lakh tests of Covid-19 were carried out between 1 to 15 August in Delhi, while in the same period, 3.13 lakh investigations were done in July. More than 2.96 lakh investigations were conducted between 16 and 31 July in Delhi. There were over 18,000 investigations in Delhi on August 1, while 12,730 on August 2, 10,133 on August 3 and 9,295 on August 4.

News Source: MOHFW

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Also Read: The Consumer Protection Act 2019 Comes Into Force From Today

Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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