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India Becomes A Factor In Us Talks With China

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India Becomes A Factor In Us Talks With China

The US Has Said It Would Like To Hear More From China About Its Land Border Disputes With India. For The First Time In Recent Years, China’s Tensions With India Are Openly Figuring In American Calculus For The Region.

Speaking On The India-China Border Clashes Immediately After High-Level Talks Between US Secretary Of State Mike Pompeo And Chinese Communist Party Politburo Member Yang Jiechi, A Senior US Government Official Wondered Whether The Chinese Incursions Into The Indian Territory Since 2015 Were A Negotiating Tactic Or “Just A Punch In The Nose To Demonstrate Their Superiority”.

However, The US Has Clubbed China’s Friction With India Along With Its Other Long-Standing Regional Disputes Such As the South China Sea And Hong Kong Issues To Assert That “The Actions That We’ve Seen Out Of China Have Been Not Really Constructive”, According To Assistant Secretary For East Asian And Pacific Affairs In The US State Department David Stilwell.

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Also Read: Rahul Gandhi Tweets 2 Questions To Pm Day After Meet On China Tension

The US Is Watching The India-China Border Dispute “Very Closely” And Finds The Current Activity At The Galwan Valley And Pangong Tso As Similar To The Activity In The Past On Border Disputes. In This Respect, He Mentioned Xi Jinping’s India Visit In 2015 When The PLA Invaded The Same Contested Area “Deeper And Longer, With More People, Than Ever Before Historically. Then We Saw The Doklam Issue Down Near Bhutan, Where We Saw Similar Concerns”.

“We Don’t Have A Lot Of Visibility And We Don’t Have A Lot Of Open Dialogue With Our Chinese Counterparts, And Honestly I’d Like To See More Of That If We Can,” He Added.

For The Most Part India Was However A Footnote As The US-China Dialogue In Honolulu Revolved Around Safeguarding American Interests, Including Full Transparency To Combat The Ongoing Pandemic, Implementing Phase One Of The Indo-US Trade Deal, North Korea, Hong Kong, South China Sea And Provocative Behaviour Around Taiwan.

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Stilwell Described The US-China Relationship Overall As Intense. “This Is Terra Incognita For The Chinese. They Never Had A US Government Actually Stand Up And Insist That They Follow Through On Their Commitments,” He Said.

News Source: TheTribuneIndia

Also Read: Pakistani Drone Shot Down By BSF Along IB In J&K

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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