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India reports 1.15 lakh new COVID-19 cases, highest daily spike ever

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India reports 1.15 lakh new COVID-19 cases, highest daily spike ever

With 1,15,736 new Covid cases in the last 24 hours, India has recorded the largest one-day increase since the outbreak of the epidemic, which has spread to 1,28,01,785.

The previous high was on 5 April when the country with 1,03,844 fresh Covid positive cases crossed the 1-lakh mark for the first time.

The country reported 630 Covid-related deaths in the last 24 hours, the Union Health Ministry said on Wednesday.

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A single-day increase in coronavirus cases breached the 1-lakh mark for the second time in three days.

The death toll rose to 1,66,177 with 630 daily new deaths, which was updated at eight in the morning.

While registering a steady increase for the 28th day, active cases have increased to 8,43,473, comprising 6.59 percent of total infections, while the rate of recovery has declined to 92.11 percent.

On 12 February, active casiolad 1 was the lowest at 35,926, with 1.25 percent of the total infections.

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The data said that the number of people suffering from the disease has risen to 1,17,92,135, while the death rate of the case has fallen to 1.30 per cent.

India’s Covid-19 Tally crossed the 20-lakh mark on 7 August, 30 lakh on 23 August, 40 lakh on 5 September and 50 lakh on 16 September. (in 2020)

It crossed 60 lakhs on 28 September, crossing the 70 lakh mark on 11 October. 80 lakh on 29 October, 90 lakh on 20 November and crossed 1 crore on 19 December.(in 2020)

According to ICMR, 25,14,39,598 samples have been tested till 6 April, 12,08, 339 samples have been tested on Tuesday.

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Of the 630 new strain, 297 include Maharashtra, 61 from Punjab, 53 from Chhattisgarh, 39 from Karnataka, 30 from Uttar Pradesh, 18 from Madhya Pradesh, 17 from Delhi and Gujarat, 15 from Tamil Nadu, 14 from Kerala, 13 from Rajasthan.

There have been a total of 1,66,177 deaths in the country so far, including 56,330 from Maharashtra, 12,804 from Tamil Nadu, 12,696 from Karnataka, 11,113 from Delhi, 10,355 from West Bengal, 8,245 from Uttar Pradesh and 7,251 from Uttar Pradesh. 7,216 from Andhra Pradesh and Punjab.

The Ministry of Health emphasized that more than 70 percent of the deaths were due to comorbidity.

“Our data is being sync with the Indian Council of Medical Research,” the ministry said on its website.

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News Source: MOHFW

Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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