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Karnataka: IPS officer trolled after she says burning firecrackers not a ‘Hindu tradition’

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Karnataka: IPS officer trolled after she says burning firecrackers not a ‘Hindu tradition’

Karnataka IPS official D Roopa was savaged via web-based media after she upheld the prohibition on sparklers. In a Facebook post on November 14, she had composed that blasting sparklers on Diwali is anything but a Hindu convention and that there is no notice of saltines in stories and puranas.

Refering to the effect of blasting saltines on individuals’ wellbeing, and air contamination levels just as its impact on Bengaluru’s green cover, she composed on Facebook, “For the individuals who cry casualty that this is never really, well, wafers were not there during ahead of schedule and later Vedic age; there is no notice of wafers in our stories and Puranas. Wafers came into this nation with Europeans. It is no center convention or specially identified with Hinduism.”

Following this, few Twitter clients asked her whether she would inquiry the traditions of different religions too.

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The Twitter handle ‘Genuine Indology’ guaranteed that saltines have been referenced in antiquated sacred texts of India. Roopa discredited the case and approached True Indology for proof to help what it said. Hours after the fact, the ‘Genuine Indology’ handle was suspended.

A few Twitter clients including entertainer Kangana Ranaut fought the suspension of ‘Genuine Indology’ handle, scrutinizing the online media stage’s unexpected move. Ranaut asserted that official Roopa “turned out to be wrathful to the point that in the event that she was unable to win the contentions with realities she just got @TiinExile disposed of”.

Because of those “scrutinizing her quiet,” D Rupa on Wednesday tweeted that “there’s a daily existence past Twitter.” “And as a Govt official,I will initially say follow Laws,Rules made by chose governing body, upheld by chief. U r allowed to address them in legal executive. Not twitter. Have regard for 3 mainstays of State as visualized by Constitution of this vote based nation. For dispersing data abt an Order of Govt, a choice taken at most significant level (not my genuine belief/request) u attempt to quiet an authority. For what? Do u anticipate that me should state don’t follow govt request? Sorry folks,that won’t occur,” she tweeted.

A few states had forced halfway and complete boycotts of sparklers this Diwali taking into account the Covid-19 circumstance. Other than Delhi, which has been wrestling with high contamination levels for as long as couple of years, numerous different states including Karnataka, West Bengal, Sikkim, Odisha, have put a bar on the utilization of wafers to preclude any possible danger of spreading of infection or making troubles for the individuals who have just been engaging the illness.

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Also Read : 45,576 NEW CASES, 585 DEATHS REPORTED IN INDIA,TALLY NOW AT 89.58 LAKH

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Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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