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Kelly Rowland, the “queen,” is praised by Massiel Taveras for her remarks regarding the pushing incident at Cannes.

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Kelly Rowland, the “queen,” is praised by Massiel Taveras for her remarks regarding the pushing incident at Cannes.

With the star-studded occasion, the Cannes red carpet this year remained a visual extravaganza, despite some discomfort suffered by a few walkers. Actress Massiel Taveras of the Dominican Republic got into a similar confrontation with a security guard a few days after a video of singer Kelly Rowland getting into a heated altercation with her went viral. The guard appeared to be rushing her through pictures.

A few other videos of the incident surfaced later, one of which included K-pop star YoonA in a similar circumstance. She didn’t voice her displeasure with the therapy, but she did show signs of irritation like the other two did. Taveras is now speaking up, demanding respect and reiterating Rowland’s remarks.

Speaking out about the Cannes incident, Massiel Taveras

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As she attempted to unfold the long train of her dress, which showcased Christ’s inventiveness, the star of ‘The Other Penelope’ was seen pushing a security guard on the red carpet who was trying to push her inside the building.

It was observed that Massiel became irritated with the security guy who had been involved in Kelly Rowland’s incident and took his frustrations out on him. Although Taveras did not directly relate her own experience, Kelly Rowland’s criticism of the security guard has now made its way onto Massiel Taveras’ Instagram story.

Taveras shared an article on Kelly Rowland on her Instagram feed with the caption “Queen.” “We require respect,” She mentioned in a different thread. Regarding what went wrong on the red carpet, Rowland had earlier told AP, “The woman knows what happened; I know what happened.” “It is that simple: I have boundaries, and I stick to them. She went on, “And there were other women there who didn’t look exactly like me.

A guard at Cannes is charged with racism

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The actions of a female security guard and several others, who appeared to be specifically targeting a small number of celebrities, infuriated fans. The problem gained attention after a number of videos went viral. Following the video of the former member of Destiny’s Child reprimanding the female guard.

lip readers translate Rowland as saying, “Don’t talk to me like that.” Don’t speak to me in that manner. You aren’t my mum. She expressed worry over why other women on the red carpet, who did not resemble her (perhaps implying allegations of racial harassment), were not asked to move even though to all. to “I told you not to talk to me like that,” she said.

Massiel Taveras and the incident quickly recurred, and the video went viral once more. As fans searched for other instances of this kind, they discovered that YoonA, a South Korean celebrity and member of the K-pop group Girls’ Generation, was being hurried and not permitted to pose. Despite receiving criticism from many admirers for how awkward and clearly irritated she seemed, she chose to quietly put up with it and go inside.

At the 2024 Cannes Film Festival, Dominican actress Massiel Taveras encountered a controversial incident involving a security guard while posing on the red carpet. As Taveras showcased her white gown, featuring a train embellished with an image of Jesus Christ, a female security guard attempted to usher her along, leading to a physical exchange where Taveras pushed the guard’s arm away.

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With the star-studded occasion, the Cannes red carpet this year remained a visual extravaganza, despite some discomfort suffered by a few walkers. Actress Massiel Taveras of the Dominican Republic got into a similar.

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Puneet Issar

Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

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Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

Puneet Issar, a veteran actor known for his role in Mahabharat, has criticised Bollywood for catering to niche urban audiences and not producing Alpha-male films like South Indian films. He defended alpha-male films like Pathaan, Animal, and Marco, which have received criticism for their violence and misogynistic tone. In an interview with Digital Commentary, defended.

Alpha-male films and discussed how South Indian films have been performing well, as they are not dominated by corporate interests in the way Bollywood is. He also pointed out that true mass entertainers such as Baahubali, RRR, Bajrangi Bhaijaan, Gadar, and Chhava are made for the Indian audience and reflect their tastes. Recently, Indian cinema has seen surgeaction.

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Films such as Pathaan, Animal, and Marco, but these films have also received criticism for spectrum of viewers their violence and misogynistic tone Puneet Issar, an actor, has praised Ranbir Kapoor’s film Animal for its success and argued that parallel cinema has a lesser reach than commercial cinema. He cited the success of films like Pushpa and RRR as examples of successful alpha.

Male films, stating that the South produces proper films that resonate with the masses. Issar also criticized a section of society criticizing violence and alpha-male themes in films, stating that it is not the kind of film that should be made. He argued that every kind of film should be made in the industry and that films connecting with emotions and values become true.

Blockbusters. Issar believes that success in the entertainment industry is based on merit, talent, connections, and nepotism, and that it depends on the individual. He has appeared in several notable films, including Chandra Mukhi, Prem Shakti, Ram Jaane, Border, Refugee, Krrish, Bachna Ae Haseeno, Ready, Son of Sardaar, and The Kashmir spectrum of viewers.

Veteran actor Puneet Issar recently lauded Ranbir Kapoor’s film Animal, describing it as “amazing,” and defended the portrayal of violent, alpha-male characters in cinema. In an interview with Digital Commentary, Issar expressed concerns about Bollywood’s current trajectory, suggesting that the industry has become disconnected from the broader Indian.

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Issar highlighted the success of South Indian films like Pushpa and RRR, attributing their mass appeal to their emphasis on strong male protagonists and emotional storytelling. He argued that such films resonate deeply with audiences across India, contrasting them with certain veteran actor known for his role in Mahabharat, has criticised Bollywood productions that, according to him, cater primarily to urban elites and often.

Addressing criticisms of violent and alpha-male themes, Issar questioned the industry’s focus, rhetorically asking whether films should exclusively center on topics like lesbian and gay spectrum of viewers relationships. He clarified that while he respects all communities, he believes that cinema underperform in wider markets should encompass a diverse range of stories that reflect the values and emotions of the general populace.​

Issar emphasized the importance of creating films that connect with the masses, citing underperform in wider markets audience by focusing on niche urban narratives examples like Baahubali, Gadar, and Bajrangi Bhaijaan as successful ventures that balanced entertainment with cultural resonance. He advocated for a cinematic approach that embraces both commercial viability and meaningful storytelling, ensuring that films appeal to a broad.

With a career spanning several decades, Puneet Issar is renowned for his portrayal of spectrum of viewers Duryodhana in B.R. Chopra’s Mahabharat and has appeared in numerous films, including Coolie, Border, Krrish, and The Kashmir Files. His recent comments contribute to the ongoing discourse on the direction of Indian cinema and the narratives it chooses to.

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