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Ketan Mehta slams Manikarnika in Kangana Ranaut film.

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Ketan Mehta slams Manikarnika in Kangana Ranaut film.

Ketan Mehta’s Critique of ‘Manikarnika’: A Closer Look at Kangana Ranaut’s Film

Filmmaking is a subjective art form that often sparks debates and disagreements among industry professionals. Recently, director Ketan Mehta expressed his criticism of the film ‘Manikarnika,’ directed by Kangana Ranaut. Mehta, known for his own contributions to Indian cinema, raised concerns and voiced his opinions about the movie. In this blog post, we will delve into Ketan Mehta’s critique of ‘Manikarnika’ and examine the various perspectives surrounding Kangana Ranaut’s ambitious project.

‘Manikarnika: The Queen of Jhansi’ was a historical biographical film that narrated the life of Rani Laxmibai, one of India’s legendary freedom fighters. Directed by Kangana Ranaut, who also played the titular role, the film aimed to pay homage to the fearless warrior queen and her valiant efforts during the Indian Rebellion of 1857.

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Ketan Mehta’s Critique:

  1. Creative Differences: Ketan Mehta, known for his own historical biopics like ‘Sardar’ and ‘Mangal Pandey: The Rising,’ expressed concern about the creative liberties taken in ‘Manikarnika.’ He criticized the lack of accuracy and authenticity in the portrayal of historical events and characters, emphasizing the importance of maintaining fidelity when depicting real-life figures onscreen.
  2. Directorial Approach: Mehta also questioned Kangana Ranaut’s directorial approach, claiming that her decision to replace him as the original director was unprofessional. While creative differences and directorial changes are not uncommon in the industry, Mehta’s criticism suggests that the transition may have affected the overall cohesiveness and vision of the film.
  3. Production Challenges: The making of ‘Manikarnika’ faced several hurdles, including budget constraints, delays, and controversies surrounding its production. Ketan Mehta’s critique may reflect concerns about the film’s troubled production history and how it could have influenced the final product.

Multiple Perspectives:

  1. Artistic Interpretation: Filmmaking is an art form that allows for creative interpretation. While historical accuracy is crucial, it is not uncommon for filmmakers to take certain liberties to enhance the narrative or cater to the cinematic medium. Different directors may have varying visions for bringing historical events to life on the screen.
  2. Kangana Ranaut’s Vision: As the director and lead actress of ‘Manikarnika,’ Kangana Ranaut had a distinct vision for the film. While it may have diverged from Ketan Mehta’s approach, it is important to acknowledge her passion and dedication in helming the project.

Criticism and debates within the film industry are not uncommon, and Ketan Mehta’s critique of ‘Manikarnika’ adds another layer of discussion. While Mehta raised valid concerns about historical accuracy and directorial changes, it is essential to remember that filmmaking is a creative process that allows for interpretation and artistic choices. Kangana Ranaut’s film, despite its controversies, sought to celebrate the inspiring story of Rani Laxmibai. Ultimately, audience members and film enthusiasts should watch ‘Manikarnika’ and form their own opinions, appreciating the effort and dedication that goes into bringing historical narratives to the silver screen.

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At seven o’clock, Raj Babbar’s daughter learnt of his liaison with Smita Patil. “I shouldn’t tell my mother about this.”

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At seven o’clock, Raj Babbar’s daughter learnt of his liaison with Smita Patil. “I shouldn’t tell my mother about this.”

Raj Babbar left his wife, Nadira, to marry Smita Patil in 1983. His daughter Juhi Babbar has recalled the time in a new interview.
Actor Raj Babbar was already married and had two children when he began his relationship with fellow actor, Smita Patil. The affair and the ensuing marriage saw a lot of controversy, given how it began. Raj Babbar’s daughter, former actor Juhi Babbar, has now opened up on the time and how she came to know about the relationship when she was just 7 years old.

Juhi Babbar on Raj Babbar and Smita Patil

In an interview with Lehren Retro, Juhi recalled how Smita Patil made a conscious effort to connect with Raj’s two children – Juhi and her brother, Arya. “My father talked and explained his marriage with Smita Patil to me when I was barely seven years old, and that’s why my memories of Smita ji are very different. She went out of her way to do things for me. I think she also had this thing that we are the kids of the person who is most special to her, and so we are special to her as well. She would show us a lot of love, always bringing us gifts when she travelled, and she would ensure that at home, we were served the food that we liked. These small memories are nice, but unfortunately, there aren’t many memories,” she said.

Juhi said she was conflicted about her impression of Smita at the time because the actor was always nice to us, but she could see that the marriage had shaken up her own family, particularly her mother, Nadira. “As a child, I knew this is the lady my father wants to be with, and he wants to make her his wife. I could see Smita making an effort towards me and my little brother, but I also knew that this was disturbing the unit that used to be, and that my mother was unhappy about it. I had that understanding—that aunty (Smita) was being so good to me, but when I go home, I shouldn’t share this with my mother.”

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Raj Babbar and Smita Patil’s marriage

Smita Patil and Raj Babbar met on the sets of their 1982 film Bheegi Palkein. Raj left Nadira to marry Smita the following year. Their son, actor Prateik Babbar, was born in November 1986. However, Smita Patil died soon after from childbirth complications at the age of 31. Raj Babbar got back together with Nadira a few years later.

Juhi Babbar made her film debut with Kash Aap Hamare Hote opposite Sonu Nigam in 2003. She worked in a handful of films over the next few years before taking a hiatus to do TV. In 2023, she returned to films with supporting roles in films like Faraaz and Farrey. She is married to actor Anup Soni.

Group Media Publications
Entertainment News Platforms – anyflix.in      
Construction Infrastructure and Mining News Platform – https://cimreviews.com/
General News Platform – https://ihtlive.com/

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