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Legal Aid Increased As Domestic Violence Escalated Amid Lockdowns

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Legal Aid Increased As Domestic Violence Escalated Amid Lockdowns

The National Legal Services Authority (NALSA) has decided to open online legal aid services by a panel of women lawyers in each district to assist women victims of domestic violence and child abuse.

Justice NV Ramana, head and senior SC judge of NALSA said, “One important area that came to our notice was the increasing incidents of violence within the family itself. We have also seen increasing cases of child abuse. During such times , When the victims cannot reach us, it is mandatory for us to reach them. ”

Acknowledging the urgency and criticism of reaching out to victims of domestic violence and abusers of children, Justice Raman said, “NALSA has set up state and district legal services authorities to set up one-stop centers” (OSCs) Collaborated with. To provide legal assistance through tele-services of women panel lawyers in every district.

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Addressing a nationwide web-conference of officials from tri-level legal aid services, the SC judge said, “Unfortunately, even though three months have passed, the situation is still not under control. Due to the lockdown, thousands of people. Have lost their lives and livelihoods, mass migration has taken place. The lockdown itself has led to psychological issues and violence within the family. Women have been overworked; children are unable to attend schools. It has also had an impact on the life of the family. ”

Justice Ramana marked another important aspect of the lockdown fallout – the mass reverse migration of workers from the workplace to their homes in various states. “Large scale reverse migration will increase poverty, inequality and discrimination. The epidemic has also affected the rights of women, children and senior citizens, “he said that this would require a more focused approach of legal services authority personnel.” This calls for a consistent and goal-oriented action plan, which we all must work on. Together, ”he said.

The Legal Services Authority is instrumental in obtaining the Supreme Court order for the release of convicted criminals/convicts of heinous offenses on parole for demolishing crowded jails during the epidemic to prevent the spread of Kovid-19 among prison inmates. Success is achieved.

Justice Raman said that the State Legal Services Authorities have assisted SC-mandated high-powered committees to ensure the release of about 80,000 prisoners – 58,797 undertrial prisoners and 20,972 convicts on parole. “Women have been provided with legal aid and assistance among 1,559 domestic violence cases, 16,391 convicts, 1,882 laborers, and 310 tenants. The toll-free National Legal Helpline 15100 is fully functional so that no person is denied the need for justice Go.”He said.

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News Source: TimesofIndia

Also Read: Great Director Basu Chatterjee, Best Known For Baton Baton Mein Or  Khatta Meetha Died At 90

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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