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Let Allahabad HC Deal with Hathras Case, Says SC on Pleas Stating No Fair Trial Possible in UP

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Let Allahabad HC Deal with Hathras Case, Says SC on Pleas Stating No Fair Trial Possible in UP

The Supreme Court Thursday said the Allahabad High Court be allowed to monitor the Hathras case in which a Dalit girl was allegedly brutally raped and died of injuries. The top court, which was hearing a PIL and several intervention pleas of activists and lawyers, was told that no fair trial was possible in Uttar Pradesh as the investigation has been allegedly botched up.

Allaying the apprehension, a bench headed by Chief Justice SA Bobde, said, “Let the high court deal with it. We are here if there is any problem. Besides Solicitor General Tushar Mehta, the hearing saw battery of senior advocates like Harish Salve, Indira Jaising and Siddharth Luthra appearing for various parties.

There were other lawyers who wanted to argue but the apex court said We don’t need assistance of the whole world.

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The hearing also witnessed deliberations that in no case the victim’s identity be disclosed and her family members and witnesses be given full security and protection. The lawyer, appearing for the victim’s family, demanded that the proceedings of the case be shifted out of Uttar Pradesh to a court in the national capital.

The apprehension of not having the fair trial in the state was also raised by activist-lawyer Indira Jaising who also made submissions on witness protection.
At the outset, the Solicitor General referred to recent affidavit filed by the Uttar Pradesh government which gave details about the security and protection provided to the victim’s family and witnesses in the case.

The state government which has already transferred the case to the CBI and has given consent to monitoring by the apex court had filed the affidavit after the top court sought details on witness protection and on whether the victim’s family has chosen a lawyer.
The Supreme Court should direct that nobody should collect money in the name of victim. We have seen this in the past. I oppose this IA, Mehta said. One of the intervenors argued that probe into the case should be conducted by a court-monitored special investigating team.

During the hearing before the bench, also comprising Justice A S Bopanna and V Ramasubramanian, advocate Seema Kushwaha, appearing for the victim’s family, said they want that after investigation, the trial be held in a court in Delhi. She said that CBI should be asked to submit the status report of investigation directly in the apex court.
Mehta said factual position is that the state government had already said it has no objection and anybody can conduct the probe and CBI has taken over the investigation on October 10. The law officer said that victim’s identity should not be revealed in any manner as it is not permissible under the law.

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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