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Manjummel Boys: An exciting faith-based blockbuster that doesn’t use religion as a crutch

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Manjummel Boys: An exciting faith-based blockbuster that doesn’t use religion as a crutch

Manjummel Boys toy teases with the concept of being a horror film for a scant ten minutes following the first act. There had been no indication in the last forty-odd minutes that this might possibly be possible. You also hadn’t heard anybody discuss this change in tone in the few months it took for the Malayalam smash,.

the biggest hit in the history of the industry, to become available on streaming services. However, at that very moment, when the Devil’s Kitchen is mentioned for the first time, you lean in because Manjummel Boys is giving you something that is getting harder and harder to find in contemporary Indian cinema: complete unpredictability.

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During a vacation in the Gunaa Caves in Kodaikanal, a group of young men from Kerala discover that one of their friends, Subhash, whose atheism is a major story element, has fallen hundreds of feet into a hole that can only fit one person into. The group finds itself in a life-threatening predicament.

The odds of surviving are next to none, it’s pouring, and the police are of little assistance. Nevertheless, the gang perseveres, building a makeshift human fortification around the pit to prevent rains from entering and drowning Subhash. Even though they have no idea whether he is still alive, they never give up.

It’s a scary scenario that brings to mind the well-known Thai cave rescue effort from 2018, the Chilean miners’ predicament from 2010, or the Prince tragedy from 2006—which is still vividly remembered by all Indians who were alive during the TataSky period.

However, not before gathering a handful of lemons to fend off evil spirits. And this is the moment when the film presents us with the terrifying carrot. However, Even though it would have been entertaining, Manjummel Boys’ decision not to pursue this idea demonstrates the storytelling discipline that has recently distinguished the Malayalam film industry from other regions of the nation.

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We avoid wasting time on choreographed dance scenes or comedic relief characters, which are a common feature in popular Indian films, nor do we cut away to their families. Rather, Chidambaram does what any competent director would do when handling an ensemble drama such as this one:

he ensures that each of the “boys” has distinguishable characteristics and provides a sufficient explanation of the location’s topography. to the extent that you could possibly reach the pit on your own if you went to the Gunaa Caves tomorrow. Please refrain from.

Manjummel Boys is essentially a faith-based film; it accepts the existence of purgatory, hell, and heaven but never uses organised religion as a crutch to explain what transpired that day. Furthermore, at no time during the movie do any of the characters—and there are a tonne of them—pray for their missing friend’s safety.

On the other hand, The Manjummel Boys are an inclusive, secular group. After all, this is a tale of brotherhood, of strangers becoming lifelong friends, and of people supporting one another. They get their hands filthy, sometimes literally, since they can’t just sit around and wait for God to work a miracle.

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Cinematographer Shyju Khalid’s artistic lighting in Subhash’s purgatorial prison in Manjummel Boys creates a more abstract atmosphere. Following his extraction, the people in the area assemble around Subhash and, in a sceneto all came back reminiscent of a paganism ceremony, proclaim him to be a deity. Is there a more overt metaphor for the message this film is attempting to convey?

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Baahubali

‘Celebrating 10 years of epicness’: SS Rajamouli, Prabhas’ Baahubali to re-release in theatres on this date

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‘Celebrating 10 years of epicness’: SS Rajamouli, Prabhas’ Baahubali to re-release in theatres on this date

Baahubali, a film directed by SS Rajamouli, has been announced as a re-release in India and internationally. The makers of the film, which first sparked controversy, have announced that it will be re-released in theatres in October 2021. The announcement comes after the film’s box office success in the 1990s. The producers, Shobu Yarlagadda, announced the re-release.

Instagram, sharing a poster featuring Kattappa (Sathyaraj) killing Baahubali (Prabhas). The re-release will be a year of celebration for fans, with nostalgia, new reveals, and some epic surprises along the way. The film will be released in both India and the United States, marking a significant milestone in the Indian film industry. The re-release is expected significant event in the Indian film industry, marking a significant milestone in the history of Indian cinema.

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Vijay Deverakonda, the actor who co-wrote and directed the epic period action film Baahubali, has expressed his desire to go back in time and meet Emperor Aurangzeb. Deverakonda, who recently watched the movie Chhaava, a film starring Vicky Kaushal and Akshaye Khanna, has expressed his desire to meet Aurangzeb, who he believes has been enraged by the film release.

Fans thrilled. The film, which earned ₹650 crore worldwide at the box office, follows the story of Sivudu, a daring young man who embarks on a journey to help his love, Avantika, rescue Devasena, the former queen of Mahishmati. The sequel, Baahubali 2: The Conclusion, was a blockbuster, earning ₹1788.06 crore worldwide and ₹1030.42 crore at the domestic box office.

Deverakonda’s recent comments on the Pahalgam attack have been met with mixed reactions, with some criticizing the country for not being able to look after their own SS Rajamouli’s epic masterpiece, Baahubali: The Beginning, is set to return to theaters on July 10, 2025, marking its 10th anniversary. The film, which originally premiered on July 10, 2015, captivated audiences with its grand visuals, compelling narrative, and stellar performances by Prabhas.

This re-release aims to celebrate a decade of the film’s monumental impact on Indian cinema. Baahubali: The Beginning was a game-changer, setting new benchmarks for storytelling and production values in the industry. Its success paved the way for a new era of pan-Indian films, transcending regional boundaries and appealing to a diverse audience Rana Daggubati, date for Baahubali 2 in October is yet to be finalized, but the announcement has left Anushka.

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In addition to the July re-release, the makers have announced plans for an Indian and Rana Daggubati, Anushka Shetty, and Tamannaah Bhatia international re-release of Baahubali in October 2025. Producer Shobu Yarlagadda shared on social media that they are excited to bring the film back to theaters worldwide, allowing fans to relive the cinematic experience on the big screen.

The Baahubali franchise has left an indelible mark on the global film landscape. With its Shetty, and Tamannaah Bhatia compelling characters, intricate plotlines, and breathtaking action sequences, it has garnered a massive fan following both in India and abroad. The upcoming re-releases are not just a Rana Daggubati, Anushka Shetty, and Tamannaah Bhatia celebration of the film’s success but also a tribute to the fans who have supported cherished.

As the countdown begins for the grand re-release, fans can look forward to experiencing the magic of Baahubali once again, this time with the added nostalgia of its 10-year journey. Rana Daggubati, Anushka Shetty, and Tamannaah Bhatia Whether you’re a longtime admirer or a the saga over the years.​ AS SOON new viewer, the return of Baahubali: The Beginning to theaters promises an epic cinematic experience

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