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Mehul Choksi

Mehul Choksi files fresh plea, accuses Belgian authorities of violating natural justice

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Mehul Choksi files fresh plea, accuses Belgian authorities of violating natural justice

Mehul Choksi, a fugitive Indian diamond merchant, has filed a fresh plea before the Belgian Court of Appeal, seeking relief against India’s request for his extradition in the bank fraud case. Choksi claimed that Belgian authorities failed to adhere to prescribed legal procedures at the time of his arrest and that officials not only disregarded the due process but also violated.

His fundamental rights, breaching the principles of natural justice. Choksi demanded his Barbuda, where he immediate release, citing irregularities in the arrest procedures. The court adjourned the hearing on his petition against his arrest, which comes just days after the fugitive diamond merchant’s bail plea was rejected by the Belgian Court of Appeal. Choksi’s latest submitted.

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His Belgian legal team and drafted by Advocate Vijay Aggarwal, argued that officials not only disregarded the due process but also violated his fundamental rights, breaching the principles of natural justice Mehul Choksi, the key accused in the Punjab National Bank (PNB) scam, along with his nephew Nirav Modi, is facing extradition in Belgium. Choksi claims arrest.

Procedure was arbitrary and unlawful. Belgian authorities arrested Choksi on an extradition request made by Indian agencies over the bank fraud. Choksi’s lawyer, Vijay Aggarwal, expressed disappointment over the court’s decision but noted that Belgian law allows for multiple bail pleas. Aggarwal reiterated that the legal team will contest Choksi’s extradition.

Mainly on two grounds: the case’s political nature and his medical condition and treatment in India. Choksi cooperated with Indian investigative agencies and has consistently offered to join their probe via video conferencing due to his health issues. Previous attempts to extradite Choksi from Dominica failed, as he had been under medical care in Antigua before travelling.

Belgium for cancer care Fugitive Indian diamond merchant Mehul Choksi has filed a fresh plea with the Belgian Court of Appeal, alleging that his arrest violated principles of natural justice and due process. Choksi, a key accused in the ₹13,500 crore Punjab National Bank (PNB) fraud case, was arrested in Antwerp earlier this month following an extradition request from Indian authorities

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Allegations of Procedural Irregularities

In his latest petition, drafted by Advocate Vijay Aggarwal and submitted by his Belgian legal team, Choksi contends that Belgian authorities failed to adhere to prescribed legal procedures during his arrest. He argues that officials not only disregarded due process but also violated his fundamental rights, thereby breaching the principles of natural justice Choksi has demanded his immediate release, citing these procedural irregularities. However, the Belgian Court.

Previous Bail Plea Rejected

This development comes shortly after the Belgian Court of Appeal rejected Choksi’s bail plea. The court, comprising a three-judge bench, heard arguments in Dutch before ruling against granting bail Choksi’s lawyer, Vijay Aggarwal, expressed disappointment over the court’s decision but noted that Belgian law allows for multiple bail applications Unfortunately client.

Defense Strategy

Aggarwal has indicated that the legal team will contest Choksi’s extradition on two main grounds: the political nature of the case and concerns regarding his medical condition and treatment in India. He emphasized that Choksi has cooperated with Indian investigative agencies and has consistently offered to join their probe via video conferencing due to his health issues.

Background

Mehul Choksi, along with his nephew Nirav Modi, is accused of orchestrating a massive banking scam involving fraudulent Letters of Undertaking (LoUs) to obtain overseas credit or loans from Indian banks. The alleged fraud, amounting to over ₹13,000 crore, is considered one of India’s largest financial scandals After fleeing India in 2018, Choksi settled in Antigua.

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Puneet Issar

Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

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2 weeks ago

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April 29, 2025

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Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

Puneet Issar, a veteran actor known for his role in Mahabharat, has criticised Bollywood for catering to niche urban audiences and not producing Alpha-male films like South Indian films. He defended alpha-male films like Pathaan, Animal, and Marco, which have received criticism for their violence and misogynistic tone. In an interview with Digital Commentary, defended.

Alpha-male films and discussed how South Indian films have been performing well, as they are not dominated by corporate interests in the way Bollywood is. He also pointed out that true mass entertainers such as Baahubali, RRR, Bajrangi Bhaijaan, Gadar, and Chhava are made for the Indian audience and reflect their tastes. Recently, Indian cinema has seen surgeaction.

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Films such as Pathaan, Animal, and Marco, but these films have also received criticism for spectrum of viewers their violence and misogynistic tone Puneet Issar, an actor, has praised Ranbir Kapoor’s film Animal for its success and argued that parallel cinema has a lesser reach than commercial cinema. He cited the success of films like Pushpa and RRR as examples of successful alpha.

Male films, stating that the South produces proper films that resonate with the masses. Issar also criticized a section of society criticizing violence and alpha-male themes in films, stating that it is not the kind of film that should be made. He argued that every kind of film should be made in the industry and that films connecting with emotions and values become true.

Blockbusters. Issar believes that success in the entertainment industry is based on merit, talent, connections, and nepotism, and that it depends on the individual. He has appeared in several notable films, including Chandra Mukhi, Prem Shakti, Ram Jaane, Border, Refugee, Krrish, Bachna Ae Haseeno, Ready, Son of Sardaar, and The Kashmir spectrum of viewers.

Veteran actor Puneet Issar recently lauded Ranbir Kapoor’s film Animal, describing it as “amazing,” and defended the portrayal of violent, alpha-male characters in cinema. In an interview with Digital Commentary, Issar expressed concerns about Bollywood’s current trajectory, suggesting that the industry has become disconnected from the broader Indian.

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Issar highlighted the success of South Indian films like Pushpa and RRR, attributing their mass appeal to their emphasis on strong male protagonists and emotional storytelling. He argued that such films resonate deeply with audiences across India, contrasting them with certain veteran actor known for his role in Mahabharat, has criticised Bollywood productions that, according to him, cater primarily to urban elites and often.

Addressing criticisms of violent and alpha-male themes, Issar questioned the industry’s focus, rhetorically asking whether films should exclusively center on topics like lesbian and gay spectrum of viewers relationships. He clarified that while he respects all communities, he believes that cinema underperform in wider markets should encompass a diverse range of stories that reflect the values and emotions of the general populace.​

Issar emphasized the importance of creating films that connect with the masses, citing underperform in wider markets audience by focusing on niche urban narratives examples like Baahubali, Gadar, and Bajrangi Bhaijaan as successful ventures that balanced entertainment with cultural resonance. He advocated for a cinematic approach that embraces both commercial viability and meaningful storytelling, ensuring that films appeal to a broad.

With a career spanning several decades, Puneet Issar is renowned for his portrayal of spectrum of viewers Duryodhana in B.R. Chopra’s Mahabharat and has appeared in numerous films, including Coolie, Border, Krrish, and The Kashmir Files. His recent comments contribute to the ongoing discourse on the direction of Indian cinema and the narratives it chooses to.

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